Ira Aldridge: The vagabond years, 1833-1852

Ira Aldridge: The vagabond years, 1833-1852

Author: Bernth Lindfors

Publisher: University Rochester Press

Published: 2011

Total Pages: 260

ISBN-13: 1580463940

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Volume 2 of the first available biography of this great African-American classical actor, covering his emergence as a professional actor in Britain during the years 1833-1852. Ira Aldridge: The Vagabond Years, 1833-1852 deals in depth with the later experiences of one of the modern world's first black classical actors as he toured throughout the United Kingdom impressing audiences with his virtuosity and versatility as an interpreter not only of tragic and comic black roles but also eventually as an actor of classic white Shakespearean parts -- Shylock, Macbeth, Richard III, even Iago. Aldridge was very popular in Ireland and remained there for six years, performing in venues large and small. He traveled often in his own carriage with assistants who supported him in scenes, enabling famous plays to be staged anywhere, even in villages that did not have a proper theater. He also performed periodically in large cities with professional acting companies, and returned to the London stage in 1848, after leaving it fifteen years earlier. During these years he expandedhis repertoire, refined his skills, and gained a reputation as one of Britain's most talented thespians. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail theups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridge was genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).


Transoceanic Blackface

Transoceanic Blackface

Author: Kellen Hoxworth

Publisher: Northwestern University Press

Published: 2024-05-15

Total Pages: 281

ISBN-13: 0810147092

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A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Kellen Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.