Oswald Mathias Ungers and Rem Koolhaas
Oswald Mathias Ungers and Rem Koolhaas

Author: Lara Schrijver

Publisher: Transcript Publishing

Published: 2021-10

Total Pages: 204

ISBN-13: 9783837657593

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Lara Schrijver examines the work of Oswald Mathias Ungers and Rem Koolhaas as intellectual legacy of the 1970s for architecture today. Particularly in the United States, this period focused on the autonomy of architecture as a correction to the social orientation of the 1960s. Yet, these two architects pioneered a more situated autonomy, initiating an intellectual discourse on architecture that was inherently design-based. Their work provides room for interpreting social conditions and disciplinary formal developments, thus constructing a `plausible' relationship between the two that allows the life within to flourish and adapt. In doing so, they provide a foundation for recalibrating architecture today.

Kosmos der Architektur
Kosmos der Architektur

Author: Andres Lepik

Publisher:

Published: 2006

Total Pages: 120

ISBN-13:

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Oswald Mathias Ungers is one of Germany's most influential architects as well as one of the 20th century's most influential architectural theorists. This volume uses his collection of art and architectural models, his buildings and library, to shed light on the different aspects of his theoretical approach.

The Possibility of an Absolute Architecture
The Possibility of an Absolute Architecture

Author: Pier Vittorio Aureli

Publisher: MIT Press

Published: 2011-02-11

Total Pages: 268

ISBN-13: 0262515792

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Architectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.

Architects on Architects
Architects on Architects

Author: Dietrich Fink

Publisher: Hirmer Verlag GmbH

Published: 2019

Total Pages: 0

ISBN-13: 9783777433080

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Hans Kollhoff on Oswald Mathias, Tom Emerson on Ludwig Mies van der Rohe, Donatella Fioretti on Walter Gropius; these are just three of the fascinating pairs. In this compilation of conversations and essays, architects speak about architects and present the reader with a wide-ranging insight into the architecture of the present day and of previous generations. Outstanding architects of our time at the Faculty of Architecture of the Technical University Munich spoke under the heading Architects on Architects about their predecessors from previous generations who influenced the way they see architecture. Viewed from a present-day perspective, the focus lay on the relevance of concepts and ideas across the generations and on their adaptation for the world today. The format and diversity of the lectures provided in particular an opportunity to participate in the transfer of ideas and the discussions on the subject of building culture. The additional personal conversations between the architects presenting the lectures and renowned architectural theorists and artists examine the subject in greater depth and are now published for the first time in the form of this book.

Anything Goes? Hb
Anything Goes? Hb

Author: Ursula Müller

Publisher:

Published: 2021-04-28

Total Pages: 224

ISBN-13: 9783735607003

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In 1987, Berlin as a whole became a laboratory for architecture. A wide range of notable buildings with a unique density was created in the East and the West in connection with the city?s 750th anniversary. While the buildings were vilified at the time, they now appear as important witnesses to a ?postmodern? era of building, which called the traditional architecture of the modern living environment into question. Today, the buildings have disappeared, been modified, or are threatened with demolition. For the first time, the exhibition and publication examine the significance of the architectural visions developed in East and West Berlin in the final decade before the fall of the Berlin Wall.00Exhibition: Berlinische Galerie ? Landesmuseum für Moderne Kunst, Fotografie und Architektur, Berlin, Germany (30.10.2020 - 22.03.2021).

Papers 2
Papers 2

Author: Jonathan Sergison

Publisher:

Published: 2007

Total Pages: 184

ISBN-13:

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This book is a collection of illustrated papers by British architects Jonathan Sergison and Stephen Bates written between 2002 and 2007. Writing, like drawing and talking together, supports their collaborative and creative work, providing as it does a tangible reference point for communication and in the search for shared objectives. Although each of the papers included in this volume was written by one of the architects, they acknowledge shared authorship of their content and objective. In the preparation of each paper, the observer acts as a friendly critic to the write, integral to the process and supportive of the exploration of personal and shared experience. Some of theses papers wrere written as a result of self-imposed discipline, others were prepared as lectures, to support their teaching practice, to highlight a particular theme or encourage a way of looking at something. Others were written as contributions towards symposia, conferences and publications, or in response to invitations to speak publicly about their work. In some cases, a lecture based on notes and images has been subsuquently developed for publication. This results in a rich mix in terms of contet, lenght, structure and character. The twenty papers are organised thematically and chronologically within each section, addressing reflections on their own position within architectural discourse, on the process of making buildings, on some of the ideas that recur in their work and on aspects of place.

Four Walls and a Roof
Four Walls and a Roof

Author: Reinier de Graaf

Publisher: Harvard University Press

Published: 2017-09-25

Total Pages: 529

ISBN-13: 0674982762

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A Financial Times Best Book of the Year A Guardian Best Architecture Book of the Year “Sharp, revealing, funny.” —The Guardian “An original and even occasionally hilarious book about losing ideals and finding them again... [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.” —The Economist Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution. “This is a book about power, money and influence, and architecture’s complete lack of any of them... Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.” —Financial Times “This is the most stimulating book on architecture and its practice that I have read for years.” —Architects’ Journal