George Orwell's Nineteen Eighty-Four was written during a period of anti-communist hysteria and is a highly sophisticated attempt to influence the politics of its readers. In this article, Raymond Southall examines the devices which Orwell used to achieve his political purpose through the fictional literary form (SLNSW Infocus item no. 0840).
An important contribution to the understanding of George Orwell's thought, particularly to Nineteen Eighty Four. The author challenges the view of the novel as a flawed work of crushing pessimism, arguing convincingly that it is a great humanist's mature vision of his deeply troubled times.
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World
Whether as a fighter in the Spanish Civil War, an advocate of patriotic Socialism or a left-wing opponent of the Soviet Union, George Orwell was the ultimate outsider in politics - insecure, scornful of orthodoxies, cussedly independent. Best known today as the author of Animal Farm and Nineteen Eighty-Four, Orwell also wrote seven other full-length books and and a vast number of essays, articles and reviews. A pioneering cultural critic, he addressed a range of important issues including art, literature, 'Englishness', mass communication and the spectre of totalitarianism. Famously describing his own background as 'lower-upper-middle class', Orwell had a complex relationship with Marxism and all his work reflects the influence of British communism. In this thoughtful and original study Philip Bounds argues that Orwell's writings effectively took the form of a dialogue with the leading British Marxists of his day. Bounds shows that Orwell often agreed with the Marxists and built on their insights in his writings, while on other occasions he used his disagreements with them as the basis of his own critical position. Through close analysis of Orwell's writings as well as his historical and literary context, Bounds has produced an important study of one of the iconic writers of the 20th century. 'Orwell and Marxism' offers a thorough introduction to Orwell the intellectual, reviving his reputation as a serious cultural thinker and documenting his most important influences, as well as a convincing portrait of British Marxism and society in the 1930s and 40s.
George Orwell is regarded as the greatest political writer in English of the twentieth century. The massive critical literature on Orwell has not only become extremely specialized, and therefore somewhat inaccessible to the nonscholar, but it has also attributed to and even created misconceptions about the man, the writer and his literary legacy. For these reasons, an overview of Orwell's writing and influence is an indispensable resource. Accordingly, this 2007 Companion serves as both an introduction to Orwell's work and furnishes numerous innovative interpretations and fresh critical perspectives on it. Throughout the Companion, which includes chapters dedicated to two of Orwell's major novels, Nineteen Eighty-Four and Animal Farm, Orwell's work is placed within the context of the political and social climate of the time. His response to the Depression, British imperialism, Stalinism, World War II, and the politics of the British Left are also examined.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
Including Animal Farm 'Orwell is the most influential political writer of the twentieth century' New York Review of Books Throughout his life George Orwell aimed, in his words, to make 'political writing into an art'. This collection brings together the best of his matchless political essays and journalism with his timeless satire on totalitarianism, Animal Farm. It includes articles on subjects from the corruption of language to the oppressive British Empire; his masterly wartime Socialist polemic, 'The Lion and the Unicorn'; a wry review of Mein Kampf; a defence of Nineteen Eighty-Four; and extracts from his controversial list of 'Crypto-Communists'. Together these works demonstrate Orwell's commitment to telling the truth, however unpalatable, and doing so with artistry and humanity. Edited by Peter Davison with an Introduction by Timothy Garton Ash
Stephen Ingle is Professor at the Politics Department, University of Stirling. His main academic interests are in the relationship between politics and literature and in adversarial (two party) politics, especially in the UK.