Poetry. Winner of the 2003 Anhinga Prize for Poetry, selected by Naomi Shihab Nye. "You'll find a stunning cleanliness of movement and image in these delicious, evocative, sexy poems. Hooray for a writer who can weave presence and absence, longing and loss of longing, into a tapestry of language as rich, honest, and compelling as this"--Naomi Shihab Nye. "With depth, assurance, and astonishing savoir faire Landau makes ORCHIDELIRIUM a genuine orchid of a book, a vivid and riveting new bloom in American letters"--Molly Peacock.
Presenting Feinstein's breathtaking full-color photographs of orchids--dozens of different varieties and shades--this new volume offers images of staggering detail and subtlety.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
One of every seven flowering plants on earth is an orchid. Some are stunningly over the top; others almost inconspicuous. The Orchidaceae is the second most widely geographically distributed family, after the grasses, yet remains one of the least understood. This book will profile 600 species, representing the remarkable and unexpected diversity and complexity in the taxonomy and phylogeny of these beguiling plants, and the extraordinary means they have evolved in order to ensure the attraction of pollinators. Each species entry includes life-size photographs to capture botanical detail, as well as information on distribution, peak flowering period, and unique attributes--both natural and cultural. The result is a work which will attract and allure, much as the orchids themselves do.
Confucius called them the “king of fragrant plants,” and John Ruskin condemned them as “prurient apparitions.” Across the centuries, orchids have captivated us with their elaborate exoticism, their powerful perfumes, and their sublime seductiveness. But the disquieting beauty of orchids is an unplanned marvel of evolution, and the story of orchids is as captivating as any novel. As acclaimed writer Michael Pollan and National Geographic photographer Christian Ziegler spin tales of orchid conquest in Deceptive Beauties: The World of Wild Orchids, we learn how these flowers can survive and thrive in the harshest of environments, from tropical cloud forests to the Arctic, from semi-deserts to rocky mountainsides; how their shapes, colors, and scents are, as Darwin put it, “beautiful contrivances” meant to dupe pollinating male insects in the strangest ways. What other flowers, after all, can mimic the pheromones and even appearance of female insects, so much so that some male bees prefer sex with the orchids over sex with their own kind? And insects aren’t the only ones to fall for the orchids’ charms. Since the “orchidelirium” of the Victorian era, humans have braved the wilds to search them out and devoted copious amounts of time and money propagating and hybridizing, nurturing and simply gazing at them. This astonishing book features over 150 unprecedented color photographs taken by Christian Ziegler himself as he trekked through wilderness on five continents to capture the diversity and magnificence of orchids in their natural habitats. His intimate and astonishing images allow us to appreciate up close nature’s most intoxicating and deceptive beauties.
In this book, Peter Bernhardt takes us on a grand tour of the botanical realm, weaving engaging descriptions of the lovely shapes and intriguing habits of flowering plants with considerations of broader questions, such as why there are only six basic shapes of flowers and why the orchid family is so numerous and so bizarre. Everyone from amateur naturalists and gardeners to plant scientists will find Wily Violets and Underground Orchids a lively guide to botanical lore.
Longlisted for the 2023 PEN/E.O. Wilson Literary Science Writing Award A kaleidoscopic journey into the world of nature’s most tantalizing flower, and the lives it has inspired. The epitome of floral beauty, orchids have long fostered works of art, tales of adventure, and scientific discovery. Tenacious plant hunters have traversed continents to collect rare specimens; naturalists and shoguns have marveled at orchids’ seductive architecture; royalty and the smart set have adorned themselves with their allure. In Orchid Muse, historian and home grower Erica Hannickel gathers these bold tales of the orchid-smitten throughout history, while providing tips on cultivating the extraordinary flowers she features. Consider Empress Eugenie and Queen Victoria, the two most powerful women in nineteenth-century Europe, who shared a passion for Coelogyne cristata, with its cascading, fragrant white blooms. John Roebling, builder of the Brooklyn Bridge, cultivated thousands of orchids and introduced captivating hybrids. Edmond Albius, an enslaved youth on an island off the coast of Madagascar, was the first person to hand-pollinate Vanilla planifolia, leading to vanilla’s global boom. Artist Frida Kahlo was drawn to the lavender petals of Cattleya gigas and immortalized the flower’s wilting form in a harrowing self-portrait, while more recently Margaret Mee painted the orchids she discovered in the Amazon to advocate for their conservation. The story of orchidomania is one that spans the globe, transporting readers from the glories of the palace gardens of Chinese Empress Cixi to a seedy dime museum in Gilded Age New York’s Tenderloin, from hazardous jungles to the greenhouses and bookshelves of Victorian collectors. Lush and inviting, with radiant full-color illustrations throughout, Orchid Muse is the ultimate celebration of our enduring fascination with these beguiling flowers.
"The poems of Landau's stunning second collection are dark, urgent, sexy, deeply sad, and, above all, powerful."--Publishers Weekly, starred review "Landau's intimate, lonely poems are profoundly engaged with the experience of the self in its starkest moments: when it is deprived, nocturnal, barely lingual...She creates a deeply erotic and resonant encounter between the lyric I and its solitude." --The Boston Review "She is both confessional and direct, like Sylvia Plath and Allen Ginsberg. Her taut, elegant, highly controlled constructions meditate upon yearning and selfhood... Landau reminds us of the nuanced beauty of language as, through their directness, her tight, graceful poems make readers feel as if they spoke only to them." --Booklist "These beautiful harrowing poems are new-minted and young, but also age-old, broken and wise. She has found the perfect tone for her 'city of interiors.'"--Huffington Post "Hooray for a writer who can weave presence and absence, longing and loss of longing, into a tapestry of language as rich, honest, and compelling as this."--Naomi Shihab Nye "Landau registers the intensities of the flesh: pleasure, desire, limitation, and, ultimately, disappearance."--Mark Doty It is "always nighttime" in Deborah Landau's second collection--a series of linked lyric sequences, including insomniac epistolary love poems to an elusive "someone." Here is a haunted singing voice, clear and spare, alive with memory and desire, yet hounded by premonitions of a calamitous future. The speaker in this "ghost book" is lucid and passionate, even as everything is disappearing. blame the egg blame the fractured stones at the bottom of the mind blame his darkblue glare and craggy mug the bulky king of trudge and stein how I love a masculine in my parlor his grizzly shout and weight one hundred drums in this everywhere of blunt and soft sinking I am the heavy hollow snared the days are spring the days are summer the days are nothing and not dead yet Deborah Landau was educated at Stanford University, Columbia University, and Brown University, where she was a Javits Fellow and received a PhD in English and American literature. She co-hosts "Open Book" on Slate.com and is the Director of the NYU Creative Writing Program. She lives in the Soho neighborhood of New York City.
A beautifully illustrated, visually lush and intriguing book about the world's most popular and most powerful flower. The daffodil is the beautiful first flower of spring, the inspiration of poets, a treasure-trove to scientists and a symbol of everything from unrequited love, rebirth, eternal life and misfortune. Over centuries, the daffodil has been so many things to so many people: it was called 'Narcissus' by the Greeks and prized by the Romans as guarantee of passage to the Underworld; it was used by medieval Arabs and ancient Chinese for its medicinal properties and it has inspired poets, lovers, artists and scientists down the ages. But in telling the story of the daffodil, what award-winning, best-selling writer Helen O'Neill is really telling is the story of humanity. It's a narrative of progress from superstition and myth, taking in politics, greed, religion, science, chance, redemption and love. But, appropriately enough for a flower that is now used on a worldwide basis to raise funds for cancer research, it is, above all, a story of hope. Moving, fascinating, eloquent, and also beautiful. 'O'Neill manages to make a biography of a flower feel like something of a detective novel, love story, historical drama and horticultural research paper rolled into one' Sydney Morning Herald
