“Reggae’s chief eyewitness, dropping testimony on reggae’s chief prophet with truth, blood, and fire.” —Marlon James, Man Booker Prize–winning author Renowned reggae historian Roger Steffens’s riveting oral history of Bob Marley’s life draws on four decades of intimate interviews with band members, family, lovers, and confidants—many speaking publicly for the first time. Hailed by the New York Times Book Review as a “crucial voice” in the documentation of Marley’s legacy, Steffens spent years traveling with the Wailers and taking iconic photographs. Through eyewitness accounts of vivid scenes—the future star auditioning for Coxson Dodd; the violent confrontation between the Wailers and producer Lee Perry; the attempted assassination (and conspiracy theories that followed); the artist’s tragic death from cancer—So Much Things to Say tells Marley’s story like never before. What emerges is a legendary figure “who feels a bit more human” (The New Yorker).
When Alaskans in the 1950s demanded an end to "second-class citizenship" of territorial status, southern powerbrokers on Capitol Hill were the primary obstacles. They feared a forty-ninth state would tip the balance of power against segregation, and therefore keeping Alaska out of the Union was simply another means of keeping black children out of white schools. C.W. "Bill" Snedden, the publisher of America's farthest north daily newspaper, the Fairbanks Daily News-Miner, helped lead the battle of the Far North against the Deep South. Working behind the scenes with his protege, a young attorney named Ted Stevens, and a fellow Republican newspaperman, Secretary of Interior Fred Seaton, Snedden's "magnificent obsession" would open the door to development of the oil fields at Prudhoe Bay, inspire establishment of the Arctic Wildlife Range (now the Arctic National Wildlife Refuge), and add the forty-ninth star to the flag. Fighting for the Forty-Ninth Star is the story of how the publisher of a little newspaper four thousand miles from Washington, D.C., helped convince Congress that Alaskans should be second-class citizens no more.
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
The essays in this anthology represent, in the broadest sense, an interpretive perspective of inquiry that has flourished in oral history for the past 15 years. This perspective considers oral history interviews as subjective, socially constructed and emergent events; that is, understanding, interpretation, and meaning of lived experience are interactively constructed. The impetus for this volume was the editor's fascination with the multifaceted complexity of the oral history interview method coupled with the belief that, despite many books that address methodological issues, no single work takes as its focus those complex, interactive processes which constitute the oral history interview. The editors' purpose in developing this anthology, therefore, was to provide a variety of essays which taken together address the possibilities and constraints inherent in oral history interviewing.
During Justice Sonya Sotomayor's 2009 confirmation hearings, the idea of "biography" played a high-profile role in the debate. How much does a person's experience affect his or her judicial opinions? Should personal history be a key consideration when determining qualifications to sit on the highest court in the land? In this impeccably researched book, journalist Bill Barnhart and retired lawyer and former legislator Gene Schlickman paint a detailed portrait of Justice John Paul Stevens' remarkable life and tenure on the Court. Through vivid family history and a careful look at his work on the bench, Barnhart and Schlickman offer the first biography of the second longest-serving Supreme Court justice of the modern era—one who has proudly earned the title of the Court's most prolific dissenter. To provide a nuanced and multifaceted look at the justice, Barnhart and Schlickman interviewed Stevens and an extraordinary number of Stevens' friends and family members, former clerks, current colleagues, politicians, and court watchers. They spoke with such public figures as former President Gerald Ford, former Ford chief of staff Donald Rumsfeld, and Justice Ruth Bader Ginsburg. Interviews with Stevens' children and one of his brothers provide personal insights into the man behind the robe. Tales of his childhood, of growing up in an affluent family in Chicago's Hyde Park neighborhood, and of the family business, including The Stevens Hotel (now the Chicago Hilton and Towers), create a rich portrait of the independent man and judge. Intimate anecdotes from Stevens' former law clerks reveal the lighter side of some of the most serious work in the country. Barnhart and Schlickman also give careful consideration to Stevens' career. They trace his early years as a Chicago lawyer, his appointment to the federal appeals bench in Chicago, and his ultimate nomination to the Supreme Court by Republican President Ford. They examine his best-known opinions, including his emotional dissents in Texas v. Johnson and Bush v. Gore. They trace his growth as a molder of Court decisions. In an era of an increasingly politicized judiciary, the story of Stevens' life, as a lawyer who joined the bench with no political or ideological baggage, is an urgent reminder of the importance of judicial impartiality and the need to cultivate it. This vibrant biography will be of interest to those fascinated by the inner workings of the Supreme Court as well as those who simply want to learn more about one of Chicago's favorite sons.
In this important volume, Jo Freeman brings us the very full, rich story of how American women entered into political life and party politics-well before suffrage and, in many cases, completely separate from it. She shows how women carefully and methodically learned about the issues, the candidates, and the institutions, put themselves to work, and made themselves indispensable not only to the men running for office, but to the political system overall.
In Recording Oral History, Second Edition, Valerie Raleigh Yow builds on the foundation of her classic text with a fully updated and substantially expanded new edition. One of the most widely used and highly regarded textbooks ever published in the field, Yow's updated edition now includes new material on using the internet, an examination of the interactions between oral history and memory processes, and analysis of testimony and the interpretation of meanings in different contexts. It will interest researchers and students in a wide variety of disciplines including history, sociology, anthropology, education, psychology, social work, and ethnographic methods.
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.
'Marginalised' workers of the late twentieth century were those last hired in times of plenty and first fired in times of recession. Often women, Maori, or people from the Pacifc, they were frequently unemployed, and marginalised within the union movement as well as the labour force. WORKERS IN THE MARGINS tells the story of these workers in the tumultuous years of post-war New Zealand. These were years characterised by massive changes in the workforce, as it expanded to accommodate a growing urban Maori population and an increasing desire for women to enter paid work. The world of trade unions and employment conflicts, such as the 1951 waterfront lockout, was vigorous and challenging. As free market policies deregulated the labour market and splintered the union movement toward the end of the century, Te Roopu Rawakore o Aotearoa, the national unemployed and beneficiaries' movement, gave a new voice to 'workers in the margins'. The people of this history come to life through oral histories - from the poet (and boilermaker) Hone Tuwhare building a palisade at Orakei through to activists Sue Bradford and Jane Stevens working with the unemployed in the 1980s and '90s. Their experiences speak to the lives of many workers of the early twenty-first century.
