Bachelor Japanists

Bachelor Japanists

Author: Christopher Reed

Publisher: Columbia University Press

Published: 2016-11-15

Total Pages: 650

ISBN-13: 0231542763

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Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s. Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.


They Painted from Their Hearts

They Painted from Their Hearts

Author: Mayumi Tsutakawa

Publisher: University of Washington Press

Published: 1994

Total Pages: 92

ISBN-13:

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Examines the work of 18 Asian Pacific American artists creating in the Pacific Northwest during the period from 1900 to 1960. Essays on art in Seattle, Asian American painters of Washington state, early Asian American photographers, and the legacy of Asian American art accompany color paintings and


Modernism in the Pacific Northwest

Modernism in the Pacific Northwest

Author: Patricia A. Junker

Publisher: University of Washington Press

Published: 2014

Total Pages: 120

ISBN-13:

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"This book is published in conjunction with the exhibition Modernism in the Pacific Northwest: The Mythic and the Mystical, organized by the Seattle Art Museum and on view from June 19-September 7, 2014"--Colophon.


Leading the Way

Leading the Way

Author:

Publisher: University of Washington Press

Published: 2001

Total Pages: 118

ISBN-13:

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Irene Poon's book pays tribute to 25 Asian American artists she has known and photographed during her own distinguished career. She has compiled a book about the pioneers she found to emulate when she began creating images of the world around her, both within and beyond her own San Francisco Chinatown. Selected art works and photographic portraits provide an insightful introduction to the Asian American artists active from the 1930s through the 1960s. Many of these artists continue to be productive in the 21st century. Poon's sensitive portraits of senior Asian American artists from California, Hawaii, Washington State, and New York City has great significance for Asian Pacific American studies and the history of art in America. Among the artists included are George Tsutakawa, Mineacute; Okubo, Johsel Namkung, and Jade Snow Wong.


Unthinking Collaboration

Unthinking Collaboration

Author: A. Carly Buxton

Publisher: University of Hawaii Press

Published: 2022-03-31

Total Pages: 245

ISBN-13: 0824891953

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Unthinking Collaboration uncovers the little-known history of Japanese Americans who weathered the years of World War II on Japanese soil. Severed from the country of their birth when the attack on Pearl Harbor abruptly halted all passenger traffic on the Pacific, these Nisei faced the years of total war as members of the Japanese populace, yet as the target of anti-American propaganda and suspicion. Whereas their white American counterparts were sequestered by Japanese authorities, placed on house arrest, or sent home on exchange ships during the war, American Nisei in Japan were left to contribute to the war effort alongside their Japanese neighbors as soldiers, cryptographers, interpreters, and in farming and manufacturing. When the dust of air raid bombings cleared, many such Nisei transitioned into roles in service of the Allied occupation and its goals of democratization and demilitarization. As censors, translators, interpreters, and administrative staff, they played integral roles in facilitating American-Japanese interaction, as well as in shaping policies and public opinion in the postwar era. Weaving archival data with oral histories, personal narratives, material culture, and fiction, Unthinking Collaboration emphasizes the heterogeneity of Japanese immigrant experiences, and sheds light on broader issues of identity, race, and performance of individuals growing up in a bicultural or multicultural context. By distancing “collaboration” from its default elision with moral judgment, and by incorporating contemporary findings from psychology and behavioral science about the power of the subconscious mind to influence human behavior, author A. Carly Buxton offers an alternative approach to history—one that posits historical subjects as deeply embedded in the realities of their physical and discursive environment. Walking beside Nisei as they navigate their everyday lives in transwar Japan, readers “un-think” long-held assumptions about the actions and decisions of individuals as represented in history. The result is an ambitious historical study that speaks to readers who are interested in broader questions of race and trust, empire-building, World War II and its legacy on both the Western and Pacific fronts, and to all who consider questions of loyalty, treason, assimilation, and collaboration.


Asian American Art

Asian American Art

Author: Gordon H. Chang

Publisher: Stanford General Books

Published: 2008

Total Pages: 578

ISBN-13:

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Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history.


Sounding Our Way Home

Sounding Our Way Home

Author: Susan Miyo Asai

Publisher: Univ. Press of Mississippi

Published: 2024-01-18

Total Pages: 216

ISBN-13: 1496847652

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A product of twenty-five years of archival and primary research, Sounding Our Way Home: Japanese American Musicking and the Politics of Identity narrates the efforts of three generations of Japanese Americans to reach “home” through musicking. Using ethnomusicology as a lens, Susan Miyo Asai examines the musical choices of a population that, historically, is considered outside the racial and ethnic boundaries of American citizenship. Emphasizing the notion of national identity and belonging, the volume provokes a discussion about the challenges of nation-building in a democratic society. Asai addresses the politics of music, interrogating the ways musicking functions as a performance of social, cultural, and political identification for Japanese Americans in the United States. Musicking is an inherently political act at the intersection of music, identity, and politics, particularly if it involves expressing one’s ethnicity and/or race. Asai further investigates how Japanese American ethnic identification and cultural practices relate to national belonging. Musicking cultivates a narrative of a shared history and aesthetic between performers and listeners. The discourse situates not only Japanese Americans, but all Asians into the Black/white binary of race relations in the United States. Sounding Our Way Home contributes to the ongoing struggle for acceptance and equal representation for people of color in the US. A history of Japanese American musicking across three generations, the book unveils the social and political discrimination that nonwhite immigrants and their offspring continue to face when it comes to finding acceptance in US society and culture.