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Author: Heather Dahl
Publisher: Lulu.com
Published: 2009-02-04
Total Pages: 69
ISBN-13: 1105524280
DOWNLOAD EBOOKOphelia's Burden is a collection of poetry I have written over the past fifteen years. Many of these poems were written around the time that my mother was murdered, they are the expressions of someone trying to deal with an impossible tragedy.
Author: David Lindley
Publisher: Bloomsbury Publishing
Published: 2014-05-29
Total Pages: 297
ISBN-13: 1408143674
DOWNLOAD EBOOKThis unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
Author: Christian K. Messenger
Publisher: University of Alabama Press
Published: 2015-01-15
Total Pages: 296
ISBN-13: 0817318534
DOWNLOAD EBOOK"Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities is a major examination of Fitzgerald's 1934 masterpiece as the clearest exemplar of Fitzgerald's sentimentalism, a mode that shaped his distinctive blend of romance and realism throughout his career.
Author: Sarah Ann Hill
Publisher: AuthorHouse
Published: 2000-09-07
Total Pages: 150
ISBN-13: 1477298061
DOWNLOAD EBOOKAfter an owner's death, many companion animals are abandoned or forgotten. They are given to friends or relatives of the deceased who may or may not want to care for them. More often, they are surrendered to an animal shelter. Every person who owns a pet should be concerned with what will happen to them when we die. This is a growing problem that needs to be addressed in one's lifetime. Ophelia G. McMahon was an American Brown Tabby cat who was adopted from the Clearwater, Florida Animal Shelter. During the "Big Snowstorm of 1993" she became an orphan and ended up in an abusive home. The first time I saw Ophelia, she had been confined in a small bedroom for several months, sharing her home with a ball python. Cowering in a chair beneath a table, she looked up at me with her sad green eyes as if to say, "Help me, please." There was no way I could leave without her. A growing area of law today in estate planning for pets is the care of one's pet upon the owner's death or incapacity. People are always concerned with passing on wealth to children or other relatives with as little consequences as possible, but what about taking care of a pet! If you die and your pet survives you, the issue is not going to be just leaving enough money for the pet to be cared for in the long run. Who is going to take care of your pet today and tomorrow? Back in 1946, humorist H. Allen Smith wrote the fictional tale of a cat named Rhubarb who inherited all his owner's wealth and a baseball team. His story contained more truth than fiction. Benny, Betty and Rambo's owner left a will so detailed that it included instructions for the disposition of her Seiko watch. What about her beloved pets? Philanthropist Jenny Smith's pets ended up in the very animal shelter she'd established a trust fund for. Most recently, JFK Jr's dog Friday and cat Ruby weren't even mentioned in his Last Will and Testament.
Author: Gary Watt
Publisher: Bloomsbury Publishing
Published: 2016-07-28
Total Pages: 299
ISBN-13: 1474217869
DOWNLOAD EBOOKShakespeare was born into a new age of will, in which individual intent had the potential to overcome dynastic expectation. The 1540 Statute of Wills had liberated testamentary disposition of land and thus marked a turning point from hierarchical feudal tradition to horizontal free trade. Focusing on Shakespeare's late Elizabethan plays, Gary Watt demonstrates Shakespeare's appreciation of testamentary tensions and his ability to exploit the inherent drama of performing will. Drawing on years of experience delivering rhetoric workshops for the Royal Shakespeare Company and as a prize-winning teacher of law, Gary Watt shows that Shakespeare is playful with legal technicality rather than obedient to it. The author demonstrates how Shakespeare transformed lawyers' manual book rhetoric into powerful drama through a stirring combination of word, metre, movement and physical stage material, producing a mode of performance that was truly testamentary in its power to engage the witnessing public. Published on the 400th anniversary of Shakespeare's last will and testament, this is a major contribution to the growing interdisciplinary field of law and humanities.
Author: Christine Balint
Publisher: W. W. Norton & Company
Published: 2005-10-17
Total Pages: 259
ISBN-13: 1324020962
DOWNLOAD EBOOK"Reconstructs the vibrantly intoxicating atmosphere of the theatrical world in the early nineteenth century. Lavishly romantic." --Booklist Christine Balint reimagines the bittersweet life of Harriet Smithson, the tragedienne who brought Shakespeare to the French. Born in County Clare, Ireland, in 1800, Harriet is left in the care of the elderly priest Father Barrett, and is brought up on Lamb's Shakespeare, lime-sherbet sweets, and prayer. A child of traveling players, her ultimate inheritance is Covent Garden, London, the green room, and the theater's rough magic. With the arrival of Charles Kemble's English Theatre troupe in Paris in 1827, the Odeon Theatre is awash with the drama and music of Shakespeare. Harriet is Ophelia. The French Romantics swoon, traffic stops, and the high-society women plait straw in their hair in honor of her mad Ophelia. The fiery composer Hector Berlioz falls in love. In Ophelia's Fan, Balint re-creates the texture and breadth of the nineteenth century and brings alive Harriet Smithson; the actress and the woman, her roles and her loves. Reading group guide included.
Author: Rita Cameron
Publisher: Kensington Books
Published: 2015-10-01
Total Pages: 369
ISBN-13: 1617738573
DOWNLOAD EBOOK"I'll never want to draw anyone else but you. You are my muse. Without you there is no art in me." With her pale, luminous skin and cloud of copper-colored hair, nineteen-year-old Lizzie Siddal looks nothing like the rosy-cheeked ideal of Victorian beauty. Working in a London milliner's shop, Lizzie stitches elegant bonnets destined for wealthier young women, until a chance meeting brings her to the attention of painter and poet Dante Gabriel Rossetti. Enchanted both by her ethereal appearance and her artistic ambitions--quite out of place for a shop girl--Rossetti draws her into his glittering world of salons and bohemian soirees. Lizzie begins to sit for some of the most celebrated members of the Pre-Raphaelite Brotherhood, posing for John Everett Millais as Shakespeare's Ophelia, for William Holman Hunt--and especially for Rossetti, who immortalizes her in countless paintings as his namesake's beloved Beatrice. The passionate visions Rossetti creates on canvas are echoed in their intense affair. But while Lizzie strives to establish herself as a painter and poet in her own right, betrayal, illness, and addiction leave her struggling to save her marriage and her sense of self. Rita Cameron weaves historical figures and vivid details into a complex, unconventional love story, giving voice to one of the most influential yet overlooked figures of a fascinating era--a woman who is both artist and inspiration, long gazed upon, but until now, never fully seen. An excerpt from Ophelia’s Muse Rossetti stood behind the canvas, pretending to study Deverell's painting while he admired its model. Despite Deverell's enthusiastic descriptions, Rossetti was completely unprepared for the glorious woman before him. She seemed to be from another age, as if she had sprung to life from an antique painting of an Italian saint. Seated before the window, her hair cast a slight golden glow in the afternoon sun, like a halo. She could not have been more perfect if he had sculpted her from marble with his own hands. Deverell claimed that he had found the perfect Viola, but this girl was far too beautiful to pose as some love-sick page. She was clearly meant to sit for the great heroines of history and myth, and Rossetti vowed to paint her as a queen. "Miss Siddal, has anyone ever told you that you were surely crafted by the gods in order to be painted? If you don't believe that yours is a beauty for the ages, you underestimate yourself." The force of his words struck Lizzie, and she wondered if he was serious, and if it could be true. Was this the thing that she had always been waiting for? Was she really meant to inspire great artists? Her head buzzed with the possibility, but the very allure of the idea felt dangerous...
Author: Nina Shandler
Publisher: Harmony
Published: 2011-11-02
Total Pages: 436
ISBN-13: 0307539377
DOWNLOAD EBOOKMOTHERS TALK BACK! In 1999 Ophelia Speaks, Sara Shandler’s collection of writings by and about adolescent girls, became a bestseller. Two years later, Nina Shandler, Ed.D., psychologist by profession and Sara’s mother, invited mothers of adolescent girls from all over the country to talk back, giving them the chance, perhaps for the first time, to speak out about feelings too often considered taboo. Culled from written submissions and interviews with hundreds of women from all walks of life and from every part of the country, the concerns voiced in Ophelia’s Mom reflect the universal experience of mothers facing one set of changes while their daughters are facing another. With humor, insight, rage, sadness, jealousy, pride, joy, and, ultimately, optimism, these mothers talk candidly about rejection and separation, feminism versus Girl Power, love and sex, friends, school, drugs and alcohol, divorce, menstruation and menopause, the mother-daughter bond, and much more. As these mothers reveal how this life passage has reshaped them as well as their children, you’ll realize that you’re not crazy, and you’re certainly not alone in your frustration, confusion, and exhilaration over raising an adolescent daughter.
Author: Tina Griffith
Publisher: AuthorHouse
Published: 2019-06-06
Total Pages: 374
ISBN-13: 172831285X
DOWNLOAD EBOOKOn Hallow’s Eve, as the veil between the two worlds was thinning, the face of the full moon was lit up like a Christmas tree. The dead would soon come alive, the alive would dress up as the dead, and witchcraft had a way of piggybacking off other spells. This was the ideal night to be a witch, for the effectiveness of all incantations, divinations, and other avenues of magic, was perfect. Jayla is a clever witch, who had been cursed in her teens by her friend, Ophelia. Since then, she has had to retrieve dark souls from shrewd men in order to survive. While she has taken hundreds of souls in her lifetime, this story is about her trying to take the one which belongs to Roger Casem – the man she accidentally fell in love with. Could she kill him, as she had done with the others? If she wanted to continue living, she must. But today, when his eyes skimmed her body with unbelievable passion, she began to recognize her own needs. As she blushed and turned her face away from him, Jayla did the only thing she could.
Author: Lynsey McCulloch
Publisher: Oxford University Press
Published: 2019-01-28
Total Pages: 633
ISBN-13: 019049879X
DOWNLOAD EBOOKShakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
