In City of Strangers, Andrew M. Gardner explores the everyday experiences of workers from India who have migrated to the Bahrain and the sponsorship system, the kafala, under which they labor and upon which they depend for continued employment.
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
ASD VI,7 comprises Erasmus's Annotations on Paul's Epistole to the Romans. Many subjects with respect to, for instance, justification by faith and the relation between Jews and Christians are treated. Hovingh comments on Erasmus's commentary, identifying his sources and his stilistic and grammatical peculiarities.
The work of the Spirit of God is a vibrant and much discussed topic in many contemporary Christian communities worldwide. Apparently, the Spirit is moving. Theological reflection on this phenomenon has even given rise to what is often called a ‘pneumatological renaissance’. This volume not only takes stock of these remarkable developments, but also probes some of their hidden aspects and highlights avenues for future exploration. It contains a wide-ranging but coherent assortment of essays, covering the five relations of the Holy Ghost distinguished already in the Nicene-Constantinopolitan Creed: how does the Spirit of God relate to the Bible, to the Christ, to the human person, to the church and to the world? These essays are written as a tribute to the many inspiring theological contributions of prof. Cornelis van der Kooi on the occasion of his retirement as Professor of Systematic Theology at the Faculty of Religion and Theology, Vrije Universiteit Amsterdam, where he taught from 1992 until 2018. Contributors are: Henk A. Bakker, Abraham van de Beek, Erik A. de Boer, Carl J. Bosma, Gijsbert van den Brink, Martien E. Brinkman, Gerard C. den Hertog, Arnold Huijgen, Gerrit C. van de Kamp, Miranda Klaver, Akke van der Kooi, Margriet van der Kooi-Dijkstra, Bruce L. McCormack, Richard J. Mouw, Bert Jan Lietaert Peerbolte, Eveline van Staalduine-Sulman, Eep Talstra, Benno van den Toren, Jan Veenhof, Willem van Vlastuin, Pieter Vos, Michael Welker, Cory Willson, Maarten Wisse.
The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.
A volume of the Opera Omnia of Erasmus series, this title is comprised of two separate treatise translated into one volume. First, The Institution of Christian Matrimony (Basel, 1526) which was dedicated to Catherine of Aragon. In this work, Erasmus deals with the religious, moral and physical aspects of marriage, also discussing Canon law. Conservative theologians challenged in particular his liberal views on divorce. The second treatise, On the Christian Widow, was published in 1529, and in it Erasmus discusses not only Christian widowhood, but also virginity and marriage, dealing also with the education of women. - Member of the long-running Opera Omnia series - First critical edition of two important treatise by Erasmus - Available for the first time in an annotated edition of the original latin text
Erasmus yearned to make the Bible an effective instrument in the reform of society, church, and the life of individuals in the turbulent world the sixteenth century. He therefore composed paraphrases in which the words of Holy Scripture provided the core of a text vastly expanded to embrace the reforming 'philosophy of Christ.' The Paraphrases were successful beyond expectation and were quickly translated from Latin into French, German, English, and other languages. This volume is the third Paraphrase to be published in the New Testament Scholarship series in the CWE. In it Erasmus explores questions that have always been central to Christian self-understanding. Why is the cross folly to the wise of this world? In the Paraphrase on John, Erasmus hints broadly that the cause of human blindness lies in the arrogance of intellectual pretensions, the love of vain-glory, the lust for possessions, the fear of losing the supports that secure a comfortable way of life. Perhaps nothing will please the reader more the portraits of the chief characters in John's Gospels. We enjoy the simplicity of the lowly woman at the well, we understand the complexity of the distinguished Nicodemus. Above all, we are captured by the portrait of Christ himself. Upon the stage Erasmus has here designed, Christ appears first in the humility of a lowly artisan from a despised country; only to the discerning does his glory flash forth from his mortality, a mortality vividly etched in the scene on the cross. But in the last pages of the Paraphrase on John, Erasmus sets before us in sharp dramatic contrast the resurrected Christ glorious with a radiant holiness. Like Augustine in the City of God, Erasmus attempts to define the relationship between the two worlds in which the Christian lives - the heavenly and the spiritual, and the earthly and physical. Volume 46 of the Collected Works of Erasmus series.