After causing too much chaos in the human world, Boog the grizzly bear has been returned to the forest. Boog and his new friend Elliot the deer struggle to find their way back to the safety and warmth of Beth's garage. The pair soon runs into trouble with the rest of the animals in the forest. Join Boog and Elliot on their journey as they fight off angry beavers and a crazed hunter who is hot on their trail! Will Boog and Elliot make it home before the forest life takes its toll?
Player. Jock. Slacker. Competitor. Superhero. Goofball. Boys are besieged by images in the media that encourage slacking over studying; competition over teamwork; power over empower - ment; and being cool over being yourself. From cartoons to video games, boys are bombarded with stereotypes about what it means to be a boy, including messages about violence, risktaking, and perfecting an image of just not caring. Straight from the mouths of over 600 boys surveyed from across the U.S., the authors offer parents a long, hard look at what boys are watch ing, reading, hearing, and doing. They give parents advice on how to talk with their sons about these troubling images and provide them with tools to help their sons resist these mes sages and be their unique selves.
For nearly twenty years, alone and unarmed, author Doug Peacock traversed the rugged mountains of Montana and Wyoming tracking the magnificent grizzly. His thrilling narrative takes us into the bear's habitat, where we observe directly this majestic animal's behavior, from hunting strategies, mating patterns, and denning habits to social hierarchy and methods of communication. As Peacock tracks the bears, his story turns into a thrilling narrative about the breaking down of suspicion between man and beast in the wild.
Join the animals of the forest as they battle the hunters in this new coloring and activity book. Experience all the fun of the movie with coloring, mazes, connect–the–dots, word puzzles, and more! It comes with tattoos for added play value!
Ashling O’Rourke has always seen love through the prism of her vintage romance novel collection. The dukes, the duchesses, and the corsets and carriages help her to experience different kinds of love. She’s content living a sheltered life in a small village and even gets a job working for the Rosebrook Village Trust. Ash’s newly exciting life is only marred by the arrogant Archie, who thinks she’s the office tea girl. Steff “Archie” Archer is a Townie who never likes to be more than a mile away from a coffee, sushi, or juice bar. Despite being an avid environmentalist and working for Rosebrook Village Trust, she never wants to live there. She’s lived the country life before and vowed never to return. When unsentimental Archie falls for the hopeless romantic Ashling, Archie needs to learn how to make her sweetheart swoon, but will she be able to settle in the village and make her home where her heart is? A Rosebrook Romance
Investigative journalist Peter Laufer is back with his third book in a trilogy that explores the way we humans interact with animals. The attack of a trainer at Sea World by a killer whale in February 2010 is the catalyst for this examination of the controversial role animals have played in the human arenas of entertainment and sports. From the Romans throwing Christians to lions to cock-fighting in present-day California, from abusive Mexican circuses to the thrills of a Hungarian counterpart, from dog training to shooting strays in the Baghdad streets, Laufer looks at the ways people have used animals for their pleasure. The reader travels with Laufer as he encounters fascinating people and places, and as he ponders the ethical questions that arise from his quest.
In the new action-adventure comedy Open Season, the first feature-length CG animated film from Sony Pictures Animation, a happily domesticated grizzly bear (Martin Lawrence) has his perfect world turned upside-down after he meets a scrawny, fast-talking mule deer (Ashton Kutcher). Open Season also features Debra Messing, Gary Sinise, Jon Favreau, and Billy Connolly (as head of a rogue gang of Scottish squirrels). Open Season is directed by Roger Allers (The Lion King) and Jill Culton (credits include Monsters, Inc., Toy Story 2) and co-directed by Anthony Stacchi (credits include Antz). The film showcases the Computer Generated (CG) animation created by Sony Pictures Imageworks Inc., an Academy Award®-winning, state-of-the-art visual effects and character animation company, dedicated to the art and artistry of digital production and character creation. Recognized by the Academy of Motion Picture Arts and Sciences, Imageworks has been nominated for its work on Spider-Man, Hollow Man, Stuart Little, and Starship Troopers. The Art of Open Season gives you an inside look at an explosion of color and talent, documenting every aspect of creating a CG animated film, from scripting and storyboarding to layout, animation, color, lighting, and visual effects with sensational full-color images throughout.
In the summer of 1823, a grizzly bear mauled Hugh Glass. The animal ripped the trapper up, carving huge hunks from his body. Glass's fellows rushed to his aid and slew the bear, but Glass's injuries mocked their first aid. The expedition leader arranged for his funeral: two men would stay behind to bury the corpse when it finally stopped gurgling; the rest would move on. Alone in Indian country, the caretakers quickly lost their nerve. They fled, taking Glass's gun, knife, and ammunition with them. But Glass wouldn't die. He began crawling toward Fort Kiowa, hundreds of miles to the east, and as his speed picked up, so did his ire. The bastards who took his gear and left him to rot were going to pay. Here Lies Hugh Glass springs from this legend. The acclaimed historian Jon T. Coleman delves into the accounts left by Glass's contemporaries and the mythologizers who used his story to advance their literary and filmmaking careers. A spectacle of grit in the face of overwhelming odds, Glass sold copy and tickets. But he did much more. Through him, the grievances and frustrations of hired hunters in the early American West and the natural world they traversed and explored bled into the narrative of the nation. A marginal player who nonetheless sheds light on the terrifying drama of life on the frontier, Glass endures as a consummate survivor and a complex example of American manhood. Here Lies Hugh Glass, a vivid, often humorous portrait of a young nation and its growing pains, is a Western history like no other.
