(Book). This book features interviews and articles from issues 11 to 20 of Tape Op , an independently published magazine founded in 1996. With a fiercely loyal readership, Tape Op covers creative and practical music recording topics from the famous studios to musicians creating masterpieces in their bedrooms. Creativity, technique, equipment, passion and learning collide in this entertaining, value-rich publication. Interviews and articles in this volume include Abbey Road Studio, Butch Vig, Jim Dickinson, Joe Chiccarelli, Ani DiFranco, Fugazi, The Flaming Lips, and Ween.
Now You Shut Op is a story about a two-year-old little boy who has very little vocabulary and doesnt like to be told what to do. Because he was named after his dad, he at the age of one year old didnt know he had a name. His mom thought that he was super smart for his age, so she decided to put him in Head Start. But to her surprise, he wasnt as ready as she thought. He started wetting on himself after he had to use a different bathroom from what he was use to using at home. For the summer, his mother decided to take a road trip down South to visit her relatives and so they can see her precious little two-year-old. But he wasnt as excited as she had hoped he would be and didnt like to be told what to do by her family, and whenever they said anything to him, he would tell them to shut op. He couldnt even say shut up but rather shut op. He became very excited when he saw his mothers aunt, Aunt Queenie. He had mistaken her for his favorite character.
Short, thick-bodied, mulishly stubborn, and indifferent to pain, Dashiell Hammett's Continetal Op was the prototype for generations of tough-guy detectives. In these stories the Op unravels a murder with too many clues, looks for a girl with eyes the color of shadows on polished silver, and tangles with a crooked-eared gunman called the Whosis Kid.
A runaway teenager is kidnapped and imprisoned in an island in the Bermuda Triangle where he is a subject in a series of experiments designed to test his endurance.
Now for the first time ever in one volume, all twenty-eight stories and two serialized novels starring the Continental Op—one of the greatest characters in storied history of detective fiction. Dashiell Hammett is the father of modern hard-boiled detective stories. His legendary works have been lauded for almost one hundred years by fans, and his novel The Maltese Falcon was adapted into a classic film starring Humphrey Bogart. One of Dashiell Hammett's most memorable characters, the Continental Op made his debut in Black Mask magazine on October 1, 1923, narrating the first of twenty-eight stories and two novels that would change forever the face of detective fiction. The Op is a tough, wry, unglamorous gumshoe who has inspired a following that is both global and enduring. He has been published in periodicals, paperback digests, and short story collections, but until now, he has never, in all his ninety-two years, had the whole of his exploits contained in one book. The book features all twenty-eight of the original standalone Continental Op stories, the original serialized versions of Red Harvest and The Dain Curse, and previously unpublished material. This anthology of Continental Op stories is the only complete, one-volume work of its kind.
Essential tales from the files of San Francisco’s hard-bitten, prototypical PI—penned by the undisputed “master of the detective novel” (The Boston Globe). Before Dashiell Hammett introduced such iconic sleuths as Sam Spade in The Maltese Falcon or Nick and Nora Charles in The Thin Man, he put to work the most influential detective ever to scour America’s hard-boiled literary landscape. An operative of San Francisco’s Continental Detective Agency, the Continental Op was a world-weary, pragmatic, and inelegant company man—and though always nameless, he has remained as distinctive as a fingerprint. Informed by Hammett’s own work with the Pinkertons, the twenty-three stories collected here—originally published between 1923 and 1930—introduced a bracing, jaded, dry-witted realism to the genre. Written with “the precision of a diamond cutter,” they are seminal masterworks in the legacy of a genuine original (Newsweek).
The ability to produce and understand referring expressions is basic to human language use and human cognition. Reference comprises the ability to think of and represent objects (both real and imagined/fictional), to indicate to others which of these objects we are talking about, and to determine what others are talking about when they use a nominal expression. The articles in this volume are concerned with some of the central themes and challenges in research on reference within the cognitive sciences - philosophy (including philosophy of language and mind, logic, and formal semantics), theoretical and computational linguistics, and cognitive psychology. The papers address four basic questions: What is reference? What is the appropriate analysis of different referring forms, such as definite descriptions? How is reference resolved? and How do speaker/writers select appropriate referring forms, such as pronouns vs. full noun phrases, demonstrative vs. personal pronouns, and overt vs. null/zero pronominal forms? Some of the papers assume and build on existing theories, such as Centering Theory and the Givenness Hierarchy framework; others propose their own models of reference understanding or production. The essays examine reference from a number of disciplinary and interdisciplinary perspectives, informed by different research traditions and employing different methodologies. While the contributors to the volume were primarily trained in one of the four represented disciplines-computer science, linguistics, philosophy and psychology, and use methodologies typical of that discipline, each of them bridges more than one discipline in their methodology and/or their approach.
1928 was a seminal year for Dashiell Hammett. He ended the series of stories known as the Poisonville stories that were later turned into the novel “Red Harvest.” Later in the year he began the series of stories that were turned into the novel “The Dain Curse.” In between those two series, Hammett sent his Op to the Balkans to babysit a naive rich boy who thought he might become a king by backing a coup – a lesser known comic opera done in Hammett’s inimitable style…. Dynamite The Cleansing of Poisonville. A novelette in nine chapters. The 19th Murder The Continental detective cleans up. A novelette in twelve chapters. This King Business The desire to rule is inherent in the breasts of most of us, notwithstanding the number of thrones that have toppled in the past decade. Mr. Hammett tells us of the strange series of events which led an American youth to seek kingship in “the Powder Magazine of Europe”—the Balkans. The consequences were—to put it mildly—exciting. Chapter I – “Yes”—and “No” Chapter II – Romaine Chapter III – Shadowing Chapter IV – Introductions Chapter V – A Flogging Chapter VI – Cards On The Table Chapter VII – Lionel’s Plans Chapter VIII – An Enlightening Interview Chapter IX – Conjectures Chapter X – Einarson In Control Chapter XI – A Romantic Interlude Chapter XII – The Night Before Chapter XIII – Progress Goes “Betune” Chapter XIV – Coronation Chapter XV – Bargain Hunters Chapter XVI – Lionel Rex Chapter XVII – Mob Law Black Lives The Dain Curse (Part 1) A novelette in six chapters The Hollow Temple The Dain Curse (Part 2) A novelette in seven chapters
In the history of mathematics there are many situations in which cal- lations were performed incorrectly for important practical applications. Let us look at some examples, the history of computing the number ? began in Egypt and Babylon about 2000 years BC, since then many mathematicians have calculated ? (e. g. , Archimedes, Ptolemy, Vi` ete, etc. ). The ?rst formula for computing decimal digits of ? was disc- ered by J. Machin (in 1706), who was the ?rst to correctly compute 100 digits of ?. Then many people used his method, e. g. , W. Shanks calculated ? with 707 digits (within 15 years), although due to mistakes only the ?rst 527 were correct. For the next examples, we can mention the history of computing the ?ne-structure constant ? (that was ?rst discovered by A. Sommerfeld), and the mathematical tables, exact - lutions, and formulas, published in many mathematical textbooks, were not veri?ed rigorously [25]. These errors could have a large e?ect on results obtained by engineers. But sometimes, the solution of such problems required such techn- ogy that was not available at that time. In modern mathematics there exist computers that can perform various mathematical operations for which humans are incapable. Therefore the computers can be used to verify the results obtained by humans, to discovery new results, to - provetheresultsthatahumancanobtainwithoutanytechnology. With respectto our example of computing?, we can mention that recently (in 2002) Y. Kanada, Y. Ushiro, H. Kuroda, and M.
