In Only the Dead, Bear Braumoeller assesses the claim that armed conflict is in decline and finds it wanting. In the course of his assessment, he also develops a powerful explanation for trends in warfare over time. His central finding is that, although there has been a drop in the rate of international conflict following the end of the Cold War, that drop followed nearly two centuries of steady increases in the rate of conflict initiation.
“Classic horror buffs will race through this novel that blends historical fiction with uncanny elements of the gothic. A perfect read for Halloween.” —BookPage With Lon Cheney and Boris Karloff among its characters, this sweeping and stylish love letter to the golden age of horror cinema tells the wonderful, tragic story of Maddy Ulm. It takes readers through her rise from the complicated shadows of Berlin’s first experiments with expressionist cinema to the glamorous deserts of Hollywood. For Maddy has a secret. A secret that has given her incredible insight into the soul of horror. A secret that has a terrible price as well. A young girl awakens in a hastily dug grave—vague memories of blood and fever, her mother performing a mysterious ceremony before the world went away. Germany has lost the first great war and Europe has lost millions more to the Spanish Flu epidemic. But Maddy has not only survived, she has changed. No longer does she eat, sleep, or age. No longer can she die. After taking up with a pair of street performers, she shocks and fascinates the crowds with her ability to survive outrageous traumas. But at a studio in Berlin, Maddy discovers her true calling: film. With her intimate knowledge of fear, death, and realms beyond the living, she practically invents the modern horror genre on the spot. Before long, she travels to California and insinuates herself in Hollywood as the genius secretly behind The Phantom of the Opera, Dracula, and Frankenstein. And yet she must remain in the shadows—a chilling apparition suspended eternally between worlds. Clever, tragic, and thoroughly entertaining, Only the Dead Know Burbank introduces readers to one of the most unique, unforgettable characters in fiction.
Only the Dead is part adventure story and part exploration of the moral complexities arising from war, brutality, and the desire for revenge As old Vartan sits reading mystical Persian poetry among the dust and disintegration of war-torn Beirut, the fluted pillars of his decaying house weathered in shadows, his thoughts wander back, inevitably, to another conflict, many years before… Only the Dead is the story of Vartan Nakashian, a young Armenian from Aleppo caught in the midst of a world war that is proving catastrophic for his people. We follow his journey of love, espionage, tragedy, betrayal, and revenge across the tumultuous Levant of 1915-1918, as the crucible of war and genocide makes a man of the boy we first encountered. Now advanced in years, Vartan ruminates on life, loss, guilt, and the many adventures and horrors of his youth, seeing them mirrored in the fresh catastrophe of the Lebanese Civil War. This novel—based in part on a real man, a true story—is about the struggle to reconcile conflicting loyalties and affections, the desire for revenge, the search for atonement, and poetry’s power to make sense of the human condition.
***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, ONLY THE DEAD CAN TELL is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES: 'Warm-hearted, atmospheric' ANN CLEEVES 'Relentless and intriguing' PETER MAY 'Move over Rebus' DAILY MAIL 'Exciting, pacey, authentic' ANGELA MARSONS 'Superior writing' THE TIMES 'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH _______________ When there are no witnesses . . . When Dorothy Guildford is found stabbed to death in her home, all signs point to her husband, Peter. The forensic psychologist is convinced there's more to the case that meets the eye but Police Scotland are certain they have their man. While DC Kirsty Wilson searches for evidence that will put Peter away for good, she is shocked to discover a link with a vast human-trafficking operation that Detective Superintendent William Lorimer has been investigating for months. But before they can interrogate him, Peter is brutally attacked. With one person dead and another barely hanging on, the clock is ticking for DC Wilson and DSI Lorimer. And the stakes grow higher still when one of their own is kidnapped . . .
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."
A vampire who is confined to Brooklyn gives up his immortality to save the human love of his life and unknowingly wades into a much larger supernatural conspiracy. Ryan Driggs has lived in Brooklyn for 128 years, 96 of them as one of the last members of a tribe of blood-eating immortals who have called the borough home since before colonial times. Besides the occasional hard-to-control thirst, his life in the twenty-first century is uneventful, until he meets Jennifer, a human from Manhattan with whom he falls in love. Unable to leave Brooklyn without reverting back to his original, cancer-stricken human state, Ryan knows he must tell Jennifer who and what he really is. But before he can find the words, she is kidnapped by a tribe of Manhattan vampires—and Ryan discovers that, for a reason unknown to him, he is a target too. After contacting the oldest member of his tribe, a former slave named Frank Lafayette, and after an attempt on their lives that leaves two of Frank’s employees dead, Ryan realizes he’s been thrust into a world that is more dangerous than anything he’d imagined. As he travels to Manhattan to rescue Jennifer, forsaking his immortality, he gets caught up in a roller coaster of violence, lies, manipulation, and a power struggle that stretches back thousands of years. Chris Vola's Only the Dead Know Brooklyn takes place in a world where conspiracies are more than just theories—where Ryan must decide to fight, or forsake both of the species he's called his own.
“You have a very lovely little girl,” breathed the voice on the phone. And just like that, Susan Young is drawn into a living nightmare. A stranger has kidnapped Sue’s daughter, Veda. But he doesn’t want her money, only her suffering–and he will kill Veda if Sue doesn’t follow his every command. With detailed instructions, the faceless abductor leads Sue into a blinding snowstorm on the longest night of the year, to a place she has not traveled to since childhood. The voice on the other end of the line somehow knows Sue’s deepest, most chilling secret–an ominous incident from her past, buried long ago... Across the loneliest back roads of Massachusetts, in the black expanse of a New England winter, Sue is forced to confront her most awful fears as she is met at each step by ever increasing horrors created by a monster who is surely something less than human. In the hope of saving her daughter from a kidnapper whose origin seems darker than anything she could ever have imagined, Sue will discover just how much trauma and fright the human body is capable of absorbing. Set over the course of a single night, Chasing the Dead is a fast-paced, ferociously tense supernatural thriller. With the skill of masters like Dean Koontz and David Morrell, Joe Schreiber has created a tableau of shock and horror, death and destruction, that will draw you in and never let you go.
Higson's terrifying, utterly compelling prequel to The Enemy introduces an all-new cast of characters and sets the stage for a dramatic third book in the series. The disease only affects people sixteen or older. It starts with the symptoms of a cold. Then the skin begins to itch, and spots appear—spots that soon turn into pus-filled boils. But the worst part is the headache, the inner voices that tell you that you need to eat them... the young ones. When the Disaster strikes, the world turns upside down for Ed, Jack, Bam, and the other students at Rowhurst School. The parents and older siblings they left back at home are dead—or worse. Once the teachers go on the attack, the kids know it's time to escape and make their way to the city. It's got to be better in London...or will it be worse?
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.
