Sometimes I Lie

Sometimes I Lie

Author: Alice Feeney

Publisher: Flatiron Books

Published: 2018-03-13

Total Pages: 288

ISBN-13: 1250144833

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My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?


If We Were Villains

If We Were Villains

Author: M. L. Rio

Publisher: Flatiron Books

Published: 2017-04-11

Total Pages: 368

ISBN-13: 1250095301

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“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."


Some Collages

Some Collages

Author: Jim Jarmusch

Publisher: Anthology Editions

Published: 2021-06-15

Total Pages: 268

ISBN-13: 9781944860424

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Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation--newspapers--Jarmusch delicately crafts each work by layering newsprints on cardstock. Doppelgänger Andy Warhols are posed in a vast tunnel not unlike the depths of the Large Hadron Collider, Patty Hearst's mugshots drift across Edwardian portraits, and a man's identity is disguised with a coyote's head: maybe he was a celebrity, politician, perp, or all three. In Some Collages, these small-scale (notecard-size) pieces are a reminder of how even the most mundane stock photography can be hijacked to create work that is scary-funny.


Melancholy Emotion in Contemporary Cinema

Melancholy Emotion in Contemporary Cinema

Author: Francesco Sticchi

Publisher: Routledge

Published: 2019-01-15

Total Pages: 198

ISBN-13: 0429847459

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This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.


Only the Lover Sings

Only the Lover Sings

Author: Josef Pieper

Publisher: Ignatius Press

Published: 1990

Total Pages: 84

ISBN-13: 9780898703023

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The popular and highly regarded Josef Pieper speaks of the necessity for human persons to be able to contemplate and appreciate beauty to develop their full humanity. Pieper expresses succinctly that the foundation of the human person in society is leisure, free time in which one can contemplate, be receptive to being and its beauty.


Strange Blood

Strange Blood

Author: Vanessa Morgan

Publisher: Independently Published

Published: 2019-04-27

Total Pages: 336

ISBN-13: 9781797494135

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This is an overview of the most offbeat and underrated vampire movies spanning nine decades and 23 countries. Strange Blood encompasses well-known hits as well as obscurities that differ from your standard fang fare by turning genre conventions on their head. Here, vampires come in the form of cars, pets, aliens, mechanical objects, gorillas, or floating heads. And when they do look like a demonic monster or an aristocratic Count or Countess, they break the mold in terms of imagery, style, or setting. Leading horror writers, filmmakers, actors, distributors, academics, and programmers present their favorite vampire films through in-depth essays, providing background information, analysis, and trivia regarding the various films. Some of these stories are hilarious, some are terrifying, some are touching, and some are just plain weird. Not all of these movies line up with the critical consensus, yet they have one thing in common: they are unlike anything you've ever seen in the world of vampires. Just when you thought that the children of the night had become a tired trope, it turns out they have quite a diverse inventory after all.


People Love Dead Jews: Reports from a Haunted Present

People Love Dead Jews: Reports from a Haunted Present

Author: Dara Horn

Publisher: W. W. Norton & Company

Published: 2021-09-07

Total Pages: 272

ISBN-13: 0393531570

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Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.


Ozu's Tokyo Story

Ozu's Tokyo Story

Author: David Desser

Publisher: Cambridge University Press

Published: 1997-04-13

Total Pages: 192

ISBN-13: 9780521484350

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Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.


Fried Green Tomatoes at the Whistle Stop Cafe

Fried Green Tomatoes at the Whistle Stop Cafe

Author: Fannie Flagg

Publisher: Ballantine Books

Published: 2016-09-27

Total Pages: 402

ISBN-13: 042528655X

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Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again. Praise for Fried Green Tomatoes at the Whistle Stop Cafe “A real novel and a good one [from] the busy brain of a born storyteller.”—The New York Times “Happily for us, Fannie Flagg has preserved [the Threadgoodes] in a richly comic, poignant narrative that records the exuberance of their lives, the sadness of their departure.”—Harper Lee “This whole literary enterprise shines with honesty, gallantry, and love of perfect details that might otherwise be forgotten.”—Los Angeles Times “Funny and macabre.”—The Washington Post “Courageous and wise.”—Houston Chronicle