One Isley Brother’s daughter is a personal journey of one daughters experience growing up in a famous rock n roll family called the IsleyBrothers.I talk about what it was like going to my fathers and uncles concerts. The excitement, as well as the pressures of being a daughter and living the dream.I am writing for all the fans, to try and sooth their obsessions about ‘stars’ in general. To get them to see thatthe limelight isn’t always bright but could be a dark place. A place where you might not want to go. www.oneisleybrothersdaughter.com
If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats—constructed mainstreams designed to appeal to distinct populations—showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status—for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.
Then He Kissed Me, He's A Rebel, Chains, Stop! In the Name of Love all these songs capture the spirit of an era and an image of "girlhood" in post-World War II America that still reverberates today. While there were over 1500 girl groups recorded in the '60s--including key hitmakers like the Ronettes, the Supremes, and the Shirelles - studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address '60s girl group music from the perspective of its most significant audience--teenage girls--drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation. Girl Groups, Girl Culture stands as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies.
This definitive, illustrated biography explores the life and career of the rock music legend with photographs, posters, and other ephemera. Every music critic to rank the Greatest Rock Guitarists of All Time agrees on one thing: Jimi Hendrix is number one. Hendrix enjoyed the international limelight for less than four years, but his innovative guitar playing and imaginative interpretations of blues and rock continue to inspire generations of musicians and music lovers. In Hendrix, music journalist Gillian Gaar explores the guitarist's life from his childhood in Seattle to his service as an Army paratrooper, his role as a sideman on the chitlin' circuit, his exile in the United Kingdom, his rise to superstardom, and his untimely death in 1970. The volume is enhanced throughout with rare archival photographs as well as posters, picture sleeves, and other assorted memorabilia.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
“Our most troubled youth are far more resilient and healthy than we are ready to admit. If we take the time to listen very closely to our children speak about their experiences beyond our front doors, we hear an entirely different story about their lives than the one we adults tell.” Unlike many other books about difficult kids that reflect the wisdom of adults, this one explores the truth of adolescence. It builds on recent explorations of youth such as Mary Pipher’s Reviving Ophelia, Judith Rich Harris’ The Nurture Assumption, and William Pollack’s Real Boys. It examines emerging trends in psychology, as well as recent innovations in work with our most unhealthy young people. Playing at Being Bad offers particular insight for parents, teachers, and caregivers of troubled youth just beginning, or already stuck in, patterns of delinquency, drug or alcohol addiction, sexual promiscuity, violence, suicide, depression, and truancy. This book tells the story of the teens Ungar worked with for more than fifteen years, taking a close look at the crises kids face, while exploring the important role that adults can play in keeping dangerous and delinquent youth from drifting further into trouble.
The new novel from the best-selling author of I Don’t Know How She Does It takes us on an unforgettable journey into first love, and—with the emotional intensity and penetrating wit that have made her beloved among readers all over the world—reminds us of how the ardor of our youth can ignite our adult lives. Wales, 1974. Petra and Sharon, two thirteen-year-old girls, are obsessed with David Cassidy. His fan magazine is their Bible, and some days his letters are the only things that keep them going as they struggle through the humiliating daily rituals of adolescence—confronting their bewildering new bodies, fighting with mothers who don’t understand them at all. Together they tackle the Ultimate David Cassidy Quiz, a contest whose winners will be flown to America to meet Cassidy in person. London, 1998. Petra is pushing forty, on the brink of divorce, and fighting with her own thirteen-year-old daughter when she discovers a dusty letter in her mother’s closet declaring her the winner of the contest she and Sharon had labored over with such hope and determination. More than twenty years later, twenty pounds heavier, bruised by grief and the disappointments of middle age, Petra reunites with Sharon for an all-expenses-paid trip to Las Vegas to meet their teen idol at last, and finds her life utterly transformed. Funny, moving, full of beautiful observations about the awakenings of both youth and middle age, Allison Pearson’s long-awaited new novel will speak across generations to mothers and daughters and women of all ages.
