Australian Impressionism

Australian Impressionism

Author: Terence Lane

Publisher:

Published: 2007

Total Pages: 354

ISBN-13:

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Australia's distinctive landscape and sunny climate gave Australian Impressionism an intensity and radiance remarkable even in the international setting as the genre swept through the world's art communities during the second half of the 19th century. This book focuses on the first 15 years of the movement and follows five artists step-by-step. The story told in the Spring 2007 exhibition and in this catalog focuses on Charles Conder, Fred McCubbin, Tom Roberts, Arthur Streeton, and Jane Sutherland. The material includes several thematic subjects, such as portraiture by Roberts and Streeton, and European symbolism. The art sometimes is anecdotal and contains a narrative. Australian plein air painters were interested in the way light evoked a particular emotion or mood and how to capture a fleeting moment within a short amount of time. These young artists saw themselves as leaders against the forces of conservatism and parochialism and stayed current with what was happening on the world stage. In response to a scathing review of their first exhibition, they wrote to the critic that they were 'working towards the development... of a great school of painting in Australia.' Among many lasting contributions of these painters, Jane Sutherland advanced the professional standing of women artists of her time.


The Oil Paintings of Arthur Streeton in the National Gallery of Australia

The Oil Paintings of Arthur Streeton in the National Gallery of Australia

Author: Mary Eagle

Publisher:

Published: 1994

Total Pages: 236

ISBN-13:

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This publication focuses on the Gallery's collection of 46 Streeton works ranging from Sandrige (painted on cigar-box wood in 1884) through to his late canvas In a London garden c1934. Tracing Streeton's career, the book tells how he painted his youthful works of the 1880s and 90s alongside artist friends Charles Condor and Tom Roberts--camping in a farmhouse overlooking the Yarra River at Heidelberg, near Melbourne, and then (with Roberts) on the shores of Sydney harbour. He painted in London from 1897, before returning to spend the last two decades of his life working in Melbourne, where his late work evoked a peaceful pastoral Australia.


Art in Detail

Art in Detail

Author: Susie Hodge

Publisher:

Published: 2021-07

Total Pages: 0

ISBN-13: 9780500296417

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Great paintings cannot be fully understood in a single encounter; there is always more to be derived from them. Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes. Art in Detail examines 100 iconic paintings from the Western canon and spotlights the finer points a quick glance will almost certainly fail to reveal. These include subtle internal details, such as hidden symbols and artistic tricks employed by the painter to achieve particular effects. In addition, Susie Hodge writes intelligently about external influences on the artist - everything from the socioeconomic context in which he or she flourished, to smaller local difficulties, such as the level of air pollution at the time the painting was created. And she treats each of her subjects not only, to quote Matthew Arnold, 'as in itself it really is', but also as part of a tradition that links the oldest painting to the most recent, as artists pass a metaphorical baton down through the ages. With 700 illustrations


19th Century Australian Watercolours, Drawings & Pastels

19th Century Australian Watercolours, Drawings & Pastels

Author: Art Gallery of New South Wales

Publisher: Art Media Resources

Published: 2005

Total Pages: 148

ISBN-13:

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This is the fourth in our series of publications concerned with the gallery's extensive and exceptional Australian works on paper collection. The selection for this publication and exhibition is by Hendrik Kolenberg, Senior Prints, Drawings and Watercolours and Patricia James, one of our longest serving and most trusted Gallery Volunteers