One Four Man Up is about a young man who decided to join the Marines in 1967. After being trained as a radio telegraph operator, he was sent to Vietnam in April 1968. During his 13 month tour of duty, he endured constant combat, was wounded in action, and saw buddies killed. Upon his return, he was treated poorly, could not talk to anyone about his experiences, and suffered terrible Post Traumatic Stress Disorder. It wasn't until 20 years later that he was able to come full circle and receive the welcome home he had longed to receive when he marched in a parade in Washington, DC on the 4th of July. Read the intense combat scenes this man endured and learn what finally enabled him to rid himself of the many years of PTSD that haunted him.
This is a screenplay base on the book and personal memoirs, One Four Man Up, by Robert E. Hunt. The screenplay chronicles the thirteen month tour of duty that Bob served in Vietnam in the Marines. Bob's tour of duty saw lots of action with his first encounter with the enemy coming just days after his arrival. Less than a month later he was wounded in action. Bob served as a tactical air control man, commonly referred to as the "One Four Man" taken from his radio call sign. It was his job to control anything that flew in support of his Marine unit. Upon his return home from combat duty, Bob began having recurring nightmares that lasted for 20 years. He found that the world had changed and it wasn't good to be a Vietnam veteran. He was rejected and scorned for his service, but in 1988 he marched in a parade in Washington, DC with other Vietnam veterans. It was the 4th of July, and Bob finally got the welcome home parade he so desperately needed.
Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-González, Sandra L. Richards, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young
While in college, a group of four young men establish a tradition: every year, they take a week-long adventure trip together. They go hiking, biking, or kayaking, traveling all around the world. They call it their Man Mission, an annual ritual that they keep for fifteen years. In the course of their travels, they hitch a ride with drug dealers in New Zealand, down kava shots on Fijian beaches, come face-to-face with a roaring lion in South Africa, luxuriate in a resort intended only for Vietnamese Communist officials, trek to Machu Picchu, and go ice climbing in Iceland. Over the years, they get married, start families, establish careers, and do all the stuff upright men are supposed to do. But when the challenges of real life come into conflict with the perfect lives they are supposed to be living, the yearly Man Mission becomes more than an annual getaway. It’s a source of stability and a place to find redemption. Part travel narrative and part roman à clef, this novel follows four regular guys as they find adventure together, and seek meaning and purpose, in a world where the traditional rules of “being a man” are no longer clear. “5 out of 5 stars”—Foreword Clarion Reviews “A fast-moving, fresh, multi-faceted story of exploration” —Louise Herron AM, CEO, Sydney Opera House “A candid account of a man’s viewpoint—4 out of 4 stars” —Online Book Club “Lively and well-told”—Blue Ink Review
“Fans of Donald E. Westlake’s Parker novels (written under his Richard Stark pseudonym) will be on familiar ground. . . . A very good entry in a very good series” (Booklist). Wilson should have just walked away when three men came looking for a way to boost a valuable piece of art. The art came off the wall, the alarm screamed thief, and Wilson walked away clean. But it turned out that job was an interview for an even bigger heist. A dangerous man wants Wilson to get him something more valuable than a painting. Problem is Wilson only has a week. Wilson and his crew cross the Canadian border to Buffalo, New York, to steal a two-hundred-year-old violin. A lot of people are interested in getting their hands on the instrument—and none of them are shy about killing to get it. The job starts like a bad joke—a thief, a con man, a wheel man, and a gangster get in line to cross the border—but the Buffalo job doesn’t end with a punchline. It ends with blood . . .
"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.
