Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.
The Western is the quintessential American epic--a mythic story of nation building, triumphs, failures, and fantasies. This book accompanies the first major exhibition to examine the Western genre and its evolution from the mid-1800s in fine art, film, and popular culture, exploring gender roles, race relations, and gun violence--a story that is about more than cowboys and American Indians, pursuits and duels, or bandits and barroom brawls. From 19th-century landscape paintings by Albert Bierstadt and Frederic Remington to works by Andy Warhol, Ed Ruscha, and Kent Monkman; from the legends of "Buffalo Bill" Cody and Billy the Kid to John Ford's classic films and Sergio Leone's spaghetti Westerns and recent productions by Quentin Tarantino, Ang Lee, and Joel and Ethan Coen, The Western observes how the mythology of the West spread throughout the world and endures today.
"In this rich cultural history, Pamela Robertson Wojcik examines America's ambivalent and shifting attitude toward homelessness through a close study of film cycles from five distinct historical moments that show characters as unhomed and placeless, mobile rather than fixed: failing, resisting, or opting out of the mandate for a home of one's own. From the tramp films of the Silent Era to the Oscar-winning Nomadland in 2021, Wojcik shows how film cycles reveal a tension in the American imaginary between viewing homelessness as, on the one hand, deviant or threatening, and, on the other, emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively 'unhomes' dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to the American cinema (and American story) all along"--
The social movements of the 1960s - still vital and challenging - seen through the author's experiences as a civil rights activist, a feminist, an antiwar organizer, and a radical teacher.
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
From Jackie Chan to Ang Lee, from "Supercop" to "Crouching Tiger, Hidden Dragon," Chinese cinema has truly arrived in the U.S. Filled with photos and tidbits, this is the definitive book for anyone who has already fallen in love with Chinese cinema--and all those who are looking to learn more about it.
Book 1 in the highly acclaimed Once upon a time In the Black Country series. Set in the post Second World War Black Country area of the West Midlands, Harry Scriven is a man torn between family loyalties, his moral compass and an ever present sense of justice. Can violence ever be justified? In a world of 1950s nostalgia, classic cars, long forgotten pubs and vintage music, Once upon a time in the Black Country is Goodfellas meets The Peaky Blinders! An at times gruesome tale of one man''s quest to battle his demons and lead a better life What readers are saying about Once upon a time in the Black Country. "Enjoyed it a lot, great plot and characters, really enjoyed how fictional characters intertwine with real locations and occasionally real-life gangsters... What I enjoyed a lot was the attention to the 50s details, the clothes, cars, music, pub culture etc..." ⭐⭐⭐⭐⭐ - Amazon review. "I really enjoyed this book, I couldn''t turn the pages quickly enough. I usually read in the evening and all day long I was looking forward to picking it back up again. If you like a somewhat brutal, totally exciting, exhilarating read, then this is definitely a book for you. I really couldn''t recommend it highly enough." ⭐⭐⭐⭐⭐- Amazon review. "The mood is set vibrantly in the Black Country where deep descriptions draw a wonderfully colourful picture of the place during that period. However, it is the very credible main characters that bring this story to life." ⭐⭐⭐⭐⭐- Amazon review. "I loved this book and looked forward to reading it each night! Characterisation was great and every person in the book were each brought vividly to life. The geography of the book was superb, I especially liked being taken to a load of different well-constructed 1950s Black Country Pubs and having a pint of mild and a packet of pork scratchings. I highly recommend giving this book a read, you won''t regret it!" ⭐⭐⭐⭐⭐ - Amazon review. "Great fast paced gangster book with some twists along the way, just the right amount of crime and violence, nice to read about some familiar places within the black country and have little pieces of history setting the scene. The main characters you really feel you get to know, there''s a nice balance between them being brutal but with a softer side too, would recommend to anyone that enjoys gangster crime books." ⭐⭐⭐⭐⭐- Amazon review. "This book should be made into a film! Brilliant, well written and gripping." ⭐⭐⭐⭐⭐ - Amazon review. "This book is a fantastic well written gripping story and it relates to a time I remember well. Truly a local masterpiece." ⭐⭐⭐⭐⭐- Amazon review. "Fab...great ... loved it so much...great insight into life in the black country way back in the 50s... I really enjoyed it." ⭐⭐⭐⭐⭐ - Amazon review. "This is a really good read, up there with the best writers at present! Buy yourself this book and immerse yourself in the 1950''s Black Country." ⭐⭐⭐⭐⭐ - Amazon review. "What a great book to read it''s the new peaky blinders." ⭐⭐⭐⭐⭐- Amazon review. "Wow, what a nonstop no holds barred dark gem of a book. From the first few pages you are drawn into the murky world of the black country''s dark past. I thoroughly enjoyed every chapter. If you''re thinking of getting this book, do yourself a favour and stop thinking and get it. Five stars from me." ⭐⭐⭐⭐⭐ - Amazon review. "Great read a real page turner, so much description and you feel you really know the characters." ⭐⭐⭐⭐⭐- Amazon review. "It was gruesome and made me flinch a few times, which to me is down to the writer''s talent in descriptive writing. The violence may put some people off, but it is crucial to the story and as I said earlier, is an accolade to the writer''s descriptive skills."- Facebook comment. "Totally absorbing."- Facebook comment. "These books play like a movie in your head."- Facebook comment
Aroused by gains in civil rights and galvanized by the antiwar movement, radical leaders of the 1960s sought to make revolutionary changes in American society. Partly through their leadership, a generation was awakened by the call for a counterculture. That generation is now responsible for the same social and political structures they so adamantly, and sometimes violently, opposed. How did the sixties affect the counterculture leaders? And what are they doing now? Paul Krassner, Cleveland Sellers, Jane Adams, Dave Dellinger, Bill Ayers, Warren Hinckle, Peter Berg, Noam Chomsky, Tim Leary, Philip Berrigan, Anita Hoffman, Jerry Rubin, Erica Huggins, Jim Fouratt, Bernadine Dohrn, Barry Melton, Peter Coyote, and Abbie Hoffman reflect on the seminal events that dominated the sixties and discuss the major issues and problems facing America (and them!) today.
It was a different time in a different world... Terry Tarnoff spent eight years during the 1970s traveling throughout Europe, Africa and Asia. It was the early days of exploring what were to become legendary spots on the traveler's trail. Whether playing the clubs of Amsterdam, skirting the Yakuza in Japan, surviving the winters of Kathmandu, or forming a band in Goa, India, Terry's adventures are alternately engrossing, hilarious and deeply moving. Once Upon a Time in Goa is Tarnoff's long-awaited follow-up to "The Bone Man of Benares," a highly acclaimed book and play that told the first half of the story. "Once Upon a Time in Goa" continues the tale, adding new meaning as it looks back from the perspective of modern times upon a period that continues to fascinate people of all generations across the globe.
