The Road to War examines how presidential commitments can lead to the use of American military force, and to war. Marvin Kalb notes that since World War II, "presidents have relied more on commitments, public and private, than they have on declarations of war, even though the U.S. Constitution declares rather unambiguously that Congress has the responsibility to "declare" war.
A World War II survivor describes his combat experiences as a member of the Red Army’s 5th Guards Cavalry Division in the fight against the Nazi Germany. Ivan Yakushin survived the Siege of Leningrad, fought at the Battle of Kursk and pursued the retreating German army through Russia, Belorussia, Poland and into Germany itself. This is the story of his war. He tells the tale in his own words, with remarkable clarity of recall, and gives an authentic insight into what combat on the Eastern Front was like for the ordinary soldier. He also provides a detailed, firsthand record of cavalry operations during a highly mechanized war, and this gives his book its special value. The war for Yakushin began in Leningrad where he endured the terrifying first winter of the German siege. He describes the perils and privations that beset the city during a period in which over half a million civilians lost their lives. Yet it is his vivid recollections of his experiences as an artillery man, then a cavalry officer on the Eastern Front that are at the heart of this rare memoir. In the Kursk salient Yakushin was severely wounded in the legs, during the Nevel offensive and Operation Bagration he took part in daring cavalry raids behind the German lines and, as the Soviet army penetrated into East Prussia and Germany itself, he was confronted by increasingly desperate German units struggling to defend their homeland. His descriptions of the merciless fighting during these last months of the war, in particular against the fanatical German Volkssturm, make fascinating reading.
Why did the Ottoman Empire enter the First World War in late October 1914, months after the war's devastations had become clear? Were its leaders 'simple-minded,' 'below-average' individuals, as the doyen of Turkish diplomatic history has argued? Or, as others have claimed, did the Ottomans enter the war because War Minister Enver Pasha, dictating Ottoman decisions, was in thrall to the Germans and to his own expansionist dreams? Based on previously untapped Ottoman and European sources, Mustafa Aksakal's dramatic study challenges this consensus. It demonstrates that responsibility went far beyond Enver, that the road to war was paved by the demands of a politically interested public, and that the Ottoman leadership sought the German alliance as the only way out of a web of international threats and domestic insecurities, opting for an escape whose catastrophic consequences for the empire and seismic impact on the Middle East are felt even today.
Set in Canada and the battlefields of France and Belgium, Three-Day Road is a mesmerizing novel told through the eyes of Niska—a Canadian Oji-Cree woman living off the land who is the last of a line of healers and diviners—and her nephew Xavier. At the urging of his friend Elijah, a Cree boy raised in reserve schools, Xavier joins the war effort. Shipped off to Europe when they are nineteen, the boys are marginalized from the Canadian soldiers not only by their native appearance but also by the fine marksmanship that years of hunting in the bush has taught them. Both become snipers renowned for their uncanny accuracy. But while Xavier struggles to understand the purpose of the war and to come to terms with his conscience for the many lives he has ended, Elijah becomes obsessed with killing, taking great risks to become the most accomplished sniper in the army. Eventually the harrowing and bloody truth of war takes its toll on the two friends in different, profound ways. Intertwined with this account is the story of Niska, who herself has borne witness to a lifetime of death—the death of her people. In part inspired by the legend of Francis Pegahmagabow, the great Indian sniper of World War I, Three-Day Road is an impeccably researched and beautifully written story that offers a searing reminder about the cost of war.
Before, during, and after World War II, Maria Savchyn Pyskir served in the Ukrainian Underground resistance. Her dramatic and poignant memoir tells of her recruitment into underground service at age 14, her participation in resistance activities during the War, her bittersweet marriage to revolutionary leader “Orlan,” her struggle against Stalinist forces, and her captures by and escapes from the KGB. In the 1950s when she escaped to the West, she began these memoirs, which were not published in Ukrainian until after the fall of the Soviet Union. Their appearance in Ukrainian caused a sensation, as she remains the only survivor of the Ukrainian Insurgent Army (UPA) to have told her tale, now offered in English. Pyskir, whose escape came at the cost of her husband, children, and family, recreates in her memoir an astonishing account of her experiences as a Ukrainian partisan, a woman, a wife, a mother, and an outcast from her own land. The book contains maps, many of the author’s own photographs, and a foreword by John A. Armstrong.
"Abraham Lincoln and Jefferson Davis did not bring the war about. They were, as the word went then, moderates, sharing a common vision of the ultimate value of an undivided country, hoping that the country could compose its differences without loss of blood. But the war came, party in spite of these men and partly because of them, and when it came they fought one another, and led others to fight, so tenaciously that the nation had its most fearful trial by combat. Lincoln and Davis were both the leaders of their peoples and the victims of their times?"(Excerpt from the Introduction) -- back cover.
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
A boy discovers his Native American heritage in this Depression-era tale of identity and friendship by the author of Code Talker It's 1932, and twelve-year-old Cal Black and his Pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a "knight of the road" with Pop, even if they're broke. But then Pop has to go to Washington, DC--some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due--and Cal can't go with him. So Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma called the Challagi School. At school, the other Creek boys quickly take Cal under their wings. Even in the harsh, miserable conditions of the Bureau of Indian Affairs boarding school, he begins to learn about his people's history and heritage. He learns their language and customs. And most of all, he learns how to find strength in a group of friends who have nothing beyond each other.
