This is an adventurous story set against the backdrop of the American Civil War. It is an enjoyable recounting of plantation life during the tumultuous period. Excerpt from 'On the Plantation' "The post-office in the middle Georgia village of Hillsborough used to be a queer little place, whatever it is now. It was fitted up in a cellar; and the postmaster, who was an enterprising gentleman from Connecticut, had arranged matters so that those who went after their letters and papers could at the same time get their grocery supplies."
The post-office in the middle Georgia village of Hillsborough used to be a queer little place, whatever it is now. It was fitted up in a cellar; and the postmaster, who was an enterprising gentleman from Connecticut, had arranged matters so that those who went after their letters and papers could at the same time get their grocery supplies. Over against the wall on one side was a faded green sofa. It was not an inviting seat, for in some places the springs peeped through, and one of its legs was broken, giving it a suspicious tilt against the wall. But a certain little boy found one corner of the rickety old sofa a very comfortable place, and he used to curl up there nearly every day, reading such stray newspapers as he could lay hands on, and watching the people come and go. To the little boy the stock of goods displayed for sale was as curious in its variety as the people who called day after day for the letters that came or that failed to come. To some dainty persons the mingled odor of cheese, cam-phene, and mackerel would have been disagreeable; but Joe Maxwell—that was the name of the little boy—had a healthy disposition and a strong stomach, and he thought the queer little post-office was one of the pleasantest places in the world. A partition of woodwork and wire netting cut off the post-office and the little stock of groceries from the public at large, but outside of that was an area where a good many people could stand and wait for their letters. In one corner of this area was the rickety green sofa, and round about were chairs and boxes and barrels on which tired people could rest themselves. The Milledgeville papers had a large circulation in the county. They were printed at the capital of the State, and were thought to be very important on that account. They had so many readers in the neighborhood that the postmaster, in order to save time and trouble, used to pile them up on a long shelf outside the wooden partition, where each subscriber could help himself. Joe Maxwell took advantage of this method, and on Tuesdays, when the Milledgeville papers arrived, he could always be found curled up in the corner of the old green sofa reading the Recorder and the Federal Union. What he found in those papers to interest him it would be hard to say. They were full of political essays that were popular in those days, and they had long reports of political conventions and meetings from all parts of the State. They were papers for grown people, and Joe Maxwell was only twelve years old, and small for his age.
On the Plantation - A Story of a Georgia Boy's Adventures during the War is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Examining humor in depictions of the Civil War from the war years to the present, this review covers a wide range of literature, film and television in historical context. Wartime humor served as a form of propaganda to render the enemy and their cause laughable, but also to help people cope with the human costs of the conflict. After the war many authors and, later, movie and television producers employed humor to shape its legacy, perpetuating myths and stereotypes that became ingrained in American memory. Giving attention to the stories behind the stories, the author focuses on what people laughed at, who they laughed with and what it reveals about their view of events.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy. By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
