On Renaissance Commentaries

On Renaissance Commentaries

Author: Marianne Pade

Publisher:

Published: 2005

Total Pages: 146

ISBN-13:

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Die in diesem Buch versammelten sechs Essays befassen sich mit Kommentaren, die im 15. Jahrhundert zu unterschiedlichen Autoren (Sallust, Vergil, Martial, Plinius d. A., Dioscurides und Apuleius) verfasst oder uberarbeitet wurden. Diese Kommentare bieten eine grobe Bandhreite an Stoffen und wissenschaftlichen Auscinandersetzungen. Jeder Essay stellt dabei den cinzalnen Kommentar in den zeitgenossischen Kontext der Wiederentdeckung der antiken Schriftsteller und beschaftigt sich mit einer Frage, die wichtige Auswirkungen auf die Geschichte des humanistischen Unterrichts und der Hermeneutik hat: Gibt es uberhaupt einen Renaissance-Kommentar. Die Autoren verfolgen das Ziel, das fur einen Kommentar der Renaissance Typische (im Gegensatz zu einem Kommentar aus dem Mittelalter) zu finden, d.h. diejenigen inhaltlichen oder methodischen Bestandteile zu erkennen, die einen Kommentar als padagogische oder wissenschaftliche Arbeit der Renaissance auszeichnen.


Classroom Commentaries

Classroom Commentaries

Author: Marjorie Curry Woods

Publisher:

Published: 2009

Total Pages: 424

ISBN-13:

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With an unusually broad scope encompassing how Europeans taught and learned reading and writing at all levels, Classroom Commentaries: Teaching the Poetria Nova across Medieval and Renaissance Europe provides a synoptic picture of medieval and early modern instruction in rhetoric, poetics, and composition theory and practice. As Marjorie Curry Woods convincingly argues, the decision of Geoffrey of Vinsauf (fl. 1200) to write his rhetorical treatise in verse resulted in a unique combination of rhetorical doctrine, poetic examples, and creative exercises that proved malleable enough to inspire teachers for three centuries. Based on decades of research, this book excerpts, translates, and analyzes teachers' notes and commentaries in the more than two hundred extant manuscripts of the text. We learn the reasons for the popularity of the Poetria nova among medieval and early Renaissance teachers, how prose as well as verse genres were taught, why the Poetria nova was a required text in central European universities, its attractions for early modern scholars and historians, and how we might still learn from it today. Woods' monumental achievement will allow modern scholars to see the Poetria nova as earlier Europeans did: a witty and perennially popular text central to the experience of almost every student.


Commentary and Ideology

Commentary and Ideology

Author: Deborah Parker

Publisher:

Published: 1993

Total Pages: 390

ISBN-13:

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Dante's Divine Comedy played a dual role in its relation to Italian Renaissance culture, actively shaping the fabric of that culture and, at the same time, being shaped by it. This productive relationship is examined in Commentary and Ideology, Deborah Parker's thorough compendium on the reception of Dante's chief work. By studying the social and historical circumstances under which commentaries on Dante were produced, the author clarifies the critical tradition of commentary and explains the ways in which this important body of material can be used in interpreting Dante's poem. Parker begins by tracing the criticism of Dante commentaries from the nineteenth century to the present and then examines the tradition of commentary from the Middle Ages to the Renaissance. She shows how the civic, institutional, and social commitments of commentators shaped their response to the Comedy, and how commentators tried to use the poem as an authoritative source for various kinds of social legitimation. Parker discusses how different commentators dealt with a deeply political section of the poem: the damnation of Brutus and Cassius. The scope and importance of Commentary and Ideology will command the attention of a broad group of scholars, including Italian specialists on Dante, late medievalists, students and professionals in early modern European literature, bibliographers, critical theorists, historians of literary criticism and theory, and cultural and intellectual historians.


The 'Commentaries' of Pope Pius II (1458-1464) and the Crisis of the Fifteenth-Century Papacy

The 'Commentaries' of Pope Pius II (1458-1464) and the Crisis of the Fifteenth-Century Papacy

Author: Emily O'Brien

Publisher: University of Toronto Press

Published: 2015-10-05

Total Pages: 350

ISBN-13: 1442696451

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Written in the mid-fifteenth century, Pope Pius II’s Commentaries are the only known autobiography of a reigning pontiff and a fundamental text in the history of Renaissance humanism. In this book, Emily O’Brien positions Pius’ expansive autobiographical text within that century’s contentious debate over ecclesiastical sovereignty. Presenting the Commentaries as Pius’ response to the crisis of authority, legitimacy, and relevance that was engulfing the Renaissance papacy, she shows how the Commentaries function as both an aggressive assault on the papal monarchy’s chief opponents and a systematic defense of Pius’s own troubled pontificate and his pre-papal career. Illustrating how the language, imagery, and ideals of secular power inform Pius’ apologetic self-portrait, The Commentaries of Pope Pius II (1458–1464) and the Crisis of the Fifteenth-Century Papacy demonstrates the role that Pius and his writings played in the evolution of the Renaissance papacy.


Commentaries on Plato: Phaedrus and Ion

Commentaries on Plato: Phaedrus and Ion

Author: Marsilio Ficino

Publisher: Harvard University Press

Published: 2008

Total Pages: 346

ISBN-13: 9780674031197

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Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus, was largely responsible for the Renaissance revival of Plato. This volume contains Ficino's extended analysis and commentary on the Phaedrus.


The Classics in the Medieval and Renaissance Classroom

The Classics in the Medieval and Renaissance Classroom

Author: Juanita Feros Ruys

Publisher: Brepols Pub

Published: 2013

Total Pages: 420

ISBN-13: 9782503527543

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Medievalists and Renaissance specialists contribute to this compelling volume examining how and why the classics of Greek and Latin culture were taught in various Western European curricula (including in England, Scotland, France, Germany, and Italy) from the tenth to the sixteenth centuries. By analysing some of the commentaries, glosses, and paraphrases of these classics that were deployed in medieval and Renaissance classrooms, and by offering greater insight into premodern pedagogic practice, the chapters here emphasize the 'pragmatic' aspects of humanist study. The volume proposes that the classics continued to be studied in the medieval and Renaissance periods not simply for their cultural or 'ornamental' value, but also for utilitarian reasons, for 'life lessons'. Because the volume goes beyond analysing the educational manuals surviving from the premodern period and attempts to elucidate the teaching methodology of the premodern period, it provides a nuanced insight into the formation of the premodern individual. The volume will therefore be of great interest to scholars and students interested in medieval and Renaissance history in general, as well as those interested in the history of educational theory and practice, or in the premodern reception of classical literature.


Hippocratic Commentaries in the Greek, Latin, Syriac and Arabic Traditions

Hippocratic Commentaries in the Greek, Latin, Syriac and Arabic Traditions

Author:

Publisher: BRILL

Published: 2021-09-13

Total Pages: 394

ISBN-13: 9004470204

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This collection of articles presents cutting-edge scholarship in Hippocratic studies in English from an international range of experts. It pays special attention to the commentary tradition, notably in Syriac and Arabic, and its relevance to the constitution and interpretation of works in the Hippocratic Corpus.


The Classical Commentary

The Classical Commentary

Author: Gibson

Publisher: BRILL

Published: 2017-07-31

Total Pages: 451

ISBN-13: 9047400941

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This collection explores the issues raised by the writing and reading of commentaries on classical Greek and Latin texts. Written primarily by practising commentators, the papers examine philosophical, narratological, and historiographical commentaries; ancient, Byzantine, and Renaissance commentary practice and theory, with special emphasis on Galen, Tzetzes, and La Cerda; the relationship between the author of the primary text, the commentary writer, and the reader; special problems posed by fragmentary and spurious texts; the role and scope of citation, selectivity, lemmatization, and revision; the practical future of commentary-writing and publication; and the way computers are changing the shape of the classical commentary. With a genesis in discussion panels mounted in the UK in 1996 and the US in 1997, the volume continues recent international dialogue on the genre and future of commentaries.