The first literary biography of the twentieth-century novelist Olivia Manning, this volume is a timely, expert, and well-researched biography that offers a vivid portrait of wartime survival and of London literary life from the 1950s through the 1970s.
From one of the classic writers of post-war English literature comes a stunning novel of love, betrayal and redemption. Married but obstinately set in their separate ways, Hugh and Kristy Foster know nothing of Al-Bustan, a far-flung island in the Indian Ocean. Too late they discover how it seethes with unrest and intrigue. Yet now when they need each other, the sullen, muttering forest seems only to intensify their differences.
Jerusalem in 1945 is a city in flux: refugees from the war in Europe fill its streets and cafés, the British colonial mandate is coming to an end, and tensions are on the rise between the Arab and Jewish populations. Felix Latimer, a recently orphaned teenager, arrives in Jerusalem from Baghdad, biding time until he can secure passage to England. Adrift and deeply lonely, Felix has no choice but to room in a boardinghouse run by Miss Bohun, a relative he has never met. Miss Bohun is a holy terror, a cheerless miser who proclaims the ideals of a fundamentalist group known as the Ever-Readies—joy, charity, and love—even as she makes life a misery for her boarders. Then Mrs. Ellis, a fascinating young widow, moves into the house and disrupts its dreary routine for good. Olivia Manning’s great subject is the lives of ordinary people caught up in history. Here, as in her panoramic depiction of World War II, The Balkan Trilogy, she offers a rich and psychologically nuanced story of life on the precipice, and she tells it with equal parts compassion, skepticism, and humor.
'Her gallery of personages is huge, her scene painting superb, her pathos controlled, her humour quiet and civilised' Anthony Burgess 'So glittering is the overall parade - and so entertaining the surface - that the trilogy remains excitingly vivid; it amuses, it diverts and it informs, and to do these things so elegantly is no small achievement' Sunday Times 'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. At the heart of the trilogy are newly-weds Guy and Harriet Pringle, who arrive in Bucharest - the so-called Paris of the East - in the autumn of 1939, just weeks after the German invasion of Poland. Guy's lecturing job awaits, alongside friends and the ever-ardent Sophie - but for Harriet, alone and naive, it's a strange new life. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own...
Having fled a Europe overrun by Hitler, Guy and Harriet Pringle live a precarious existence in Cairo. They meet the young officer Simon Boulderstone, and all three must grapple with disillusionment and isolation, heightened by the uncertainties of war.
Olivia Manning: A Woman at War is the first literary biography of the twentieth-century novelist Olivia Manning. It tells the story of a writer whose life and work were shaped by her own fierce ambition, and, like many of her generation, the events and aftermath of the Second World War. From the time she left Portsmouth for London in the mid-1930s determined to become a famous writer, through her wartime years in the Balkans and the Middle East, and until her death in London in 1980, Olivia Manning was a dedicated and hard-working author. Married to a British Council lecturer stationed in Bucharest, Olivia Manning arrived in Romania on the 3rd September 1939, the fateful day when Allied forces declared war on Germany. For the duration of World War Two, she kept one step ahead of invading German forces as she and her husband fled Romania for Greece, and then Greece for the Middle East, where they stayed until the end of the war. These tumultuous wartime years are the subject of her best-known and most transparently autobiographical novels, The Balkan Trilogy and The Levant Trilogy. Olivia Manning refused to be labelled a 'feminist,' but her novels depict with cutting insight and sardonic wit the marginal position of women striving for independent identity in arenas frequently controlled by men, whether on the frontlines of war or in the publishing world of the 1950s. However, she did not just write about World War Two and women's lives. Amongst other things, Manning published fiction about making do in Britain's post-war Age of Austerity, about desecration of the environment through uncontrolled development, and about the painful adjustment to post-war British life for young men. As the author of thirteen published novels, two volumes of short stories, several works of non-fiction, and a regular reviewer of contemporary fiction, she was a visible presence on the British literary scene throughout her life and her work provides a detailed insight into the period. Grounded in thorough research and enriched by discussion of previously unexamined manuscripts and letters, Olivia Manning: A Woman at War is a timely study of Olivia Manning's remarkable life. Deirdre David integrates incisive critical analysis of Manning's writing with extensive discussion of the historical contexts of her fiction.
Olivia Manning's reputation as a difficult personality often threatens to obscure her reputation as a writer. Few twentieth century novelists can have inspired such consistent dislike. The publisher Dan Davin, for example, who was devoted to Manning's gregarious husband Reggie Smith, complained of her as a shrewish woman whose aim was to be as unpleasant to as many people as possible, while the legendary denizen of Fitzrovia, Julian Maclaren-Ross, recalled among his Stag's Head drinking circle the taciturn, undemonstrative and physically unattractive Olivia Manning who, from the vantage point of her bar-stool regarded the others with an expression of amusement, mingled with contempt. Fellow writer Inez Holden christened her "whiney" Manning; Anthony Powell, her otherwise generous editor at Punch, admitted her to be the world's worst grumbler and her publishers at Heinemann were forced to conclude that she was never an easy artist to handle. Even Kay Dick, her lifelong friend and correspondent, depicted Manning in her 1984 novel The Shelf as the spiteful gossip Sophie, who, with her wry fragility, delicate hands and penetrating voice ... often reminded me of a goshawk about to bite.
Olivia Manning: A Woman at War is the first literary biography of the twentieth-century novelist Olivia Manning. It tells the story of a writer whose life and work were shaped by her own fierce ambition, and, like many of her generation, the events and aftermath of the Second World War. From the time she left Portsmouth for London in the mid-1930s determined to become a famous writer, through her wartime years in the Balkans and the Middle East, and until her death in London in 1980, Olivia Manning was a dedicated and hard-working author. Married to a British Council lecturer stationed in Bucharest, Olivia Manning arrived in Romania on the 3rd September 1939, the fateful day when Allied forces declared war on Germany. For the duration of World War Two, she kept one step ahead of invading German forces as she and her husband fled Romania for Greece, and then Greece for the Middle East, where they stayed until the end of the war. These tumultuous wartime years are the subject of her best-known and most transparently autobiographical novels, The Balkan Trilogy and The Levant Trilogy. Olivia Manning refused to be labelled a 'feminist,' but her novels depict with cutting insight and sardonic wit the marginal position of women striving for independent identity in arenas frequently controlled by men, whether on the frontlines of war or in the publishing world of the 1950s. However, she did not just write about World War Two and women's lives. Amongst other things, Manning published fiction about making do in Britain's post-war Age of Austerity, about desecration of the environment through uncontrolled development, and about the painful adjustment to post-war British life for young men. As the author of thirteen published novels, two volumes of short stories, several works of non-fiction, and a regular reviewer of contemporary fiction, she was a visible presence on the British literary scene throughout her life and her work provides a detailed insight into the period. Grounded in thorough research and enriched by discussion of previously unexamined manuscripts and letters, Olivia Manning: A Woman at War is a timely study of Olivia Manning's remarkable life. Deirdre David integrates incisive critical analysis of Manning's writing with extensive discussion of the historical contexts of her fiction.