What Fresh Lunacy is This?

What Fresh Lunacy is This?

Author: Robert Sellers

Publisher: Constable

Published: 2013-06-13

Total Pages: 427

ISBN-13: 1472101146

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Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons. For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again? Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon. Praise for other books by Robert Sellers: Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ. Vic Armstrong: The True Adventures of the World's Greatest Stuntman: 'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail. Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.


The Films of Oliver Reed

The Films of Oliver Reed

Author: Susan D. Cowie

Publisher: McFarland

Published: 2011-09-12

Total Pages: 0

ISBN-13: 9780786439065

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From the obscure 1958 Sonja Henie vehicle Hello London to the 2000 Academy Award winner Gladiator, the screen career of dynamic British actor Oliver Reed (1937-1999) is thoroughly documented in this illustrated filmography. Following a concise biography, the authors chronologically list all 96 of Reed's films, among them The Curse of the Werewolf, Oliver!, The Devils, The Three Musketeers and Tommy. Each entry contains extensive cast and production credits, a synopsis, critical commentary and contemporary reviews. Included are forewords by actors Sir Christopher Lee and Ron Moody, and an afterword by Oliver Reed's frequent director Michael Winner. Additional comments by Reed's friends and coworkers Janette Scott, Catherine Feller, William Hobbs, Jennie Linden, Jimmy Sangster and Samantha Eggar provide fascinating and insightful offscreen glimpses of a major cinema icon.


Hellraisers

Hellraisers

Author: Robert Sellers

Publisher: Preface Publishing

Published: 2008

Total Pages: 0

ISBN-13: 9781848090170

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Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars, off screen they were legends. This is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests--indeed, acts so outrageous that if ordinary mortals had perpetrated them they would have ended up in jail. They got away with the kind of behavior that today's film stars could scarcely dream of, because of their mercurial acting talent and because the press and public loved them. They were truly the last of a breed. This is a celebratory catalogue of their miscreant deeds, a greatest-hits package of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they certainly did.--From publisher description.


Evil Spirits

Evil Spirits

Author: Cliff Goodwin

Publisher: Random House

Published: 2001

Total Pages: 330

ISBN-13: 0753505193

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In May 1999, after a 40-year career including 100 films, Oliver Reed died, as he had invariably, lived, drinking with friends while making another film - his well-reviewed performance in the blockbuster Gladiator. Having risen through Hammer Horror films to international stardom as Bill Sykes in Oliver!, Reed became, in his own works, 'the biggest star this country has got'. With his legendary off-screen exploits and blunt opinions - especially of his co-stars - he was also on the most infamous. Bestselling author Cliff Goodwin uses material from first-hand interviews with Reed's family, friends and colleagues and never before seen photographs to explore Reed's eventful career. but he also reveals another side to this unique and complex man.


Oliver Reed

Oliver Reed

Author: Mike Davis (Producer and director)

Publisher:

Published: 2013

Total Pages: 44

ISBN-13: 9780957449190

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Diana Rigg & Oliver Reed

Diana Rigg & Oliver Reed

Author: Gwendolyn Jackson

Publisher:

Published: 2020-04-30

Total Pages: 110

ISBN-13: 9781716982811

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Robert Oliver Reed, born on 13th February 1938, at 9, Durrington Park Road, Wimbledon, London, England, UK, was an actor, best known for his upper-middle class, macho image and 'hellraiser' lifestyle. His movies included The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), portraying Athos in The Three Musketeers (1973), Tommy (1975), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).


Oliver Reed

Oliver Reed

Author: Harry Lime

Publisher: Lulu.com

Published: 2019-12-09

Total Pages: 130

ISBN-13: 9780244843205

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Robert Oliver Reed, born on 13th February 1938, at 9, Durrington Park Road, Wimbledon, London, England, UK, was an actor, best known for his upper-middle class, macho image and 'hellraiser' lifestyle. His movies included The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), portraying Athos in The Three Musketeers (1973), Tommy (1975), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).


A Faithful Heart

A Faithful Heart

Author: Emmala Reed

Publisher: Univ of South Carolina Press

Published: 2004

Total Pages: 390

ISBN-13: 9781570035456

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Emmala Reed's journals from 1865 and 1866 present a detailed account of life in western South Carolina as war turned to reconstruction. Reed's postwar writings are particularly important given their rarity - many Civil War diarists stopped writing at war's end. Also unlike many diarists of the period, Reed lived in a small town rather than on a plantation or in an urban center.


Oliver!

Oliver!

Author: Marc Napolitano

Publisher: Oxford University Press

Published: 2014-09-12

Total Pages: 305

ISBN-13: 0199364834

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When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.