Read along with Hyperion! In this follow-up to Oliver and his Alligator, Oliver spots a rock on the playground. But it's not just any rock???he's sure it's a dinosaur egg. And once it hatches, he has the best new friend he could ask for. They sail to a deserted island and even launch into outer space. But as great as it is to travel with his dinosaur alone, something is missing....Follow along with word-for-word narration as Oliver realizes that it is even more fun when all of his friends bring their imaginations along for the ride!
Young Nate Twitchell is surprised when one of the hens on his family farm lays a giant egg. After a painstaking wait, Nate is even more surprised when it hatches and out pops a baby triceratops that he names Uncle Beazley! But when Nate decides to keep the dino and raise it on his own, he has no idea what he's getting himself into. As Uncle Beazley grows, Nate and his family realize they are not equipped to take care of a full-sized dinosaur, and so with the help of their scientist friend, Nate and Uncle Beazley set off for the National Museum in Washington, D.C., on the hunt for the perfect home for a modern-day dinosaur---then the real trouble begins! The Enormous Egg was originally published in 1956 and has been a classic in children's literature ever since. This brand new edition features amazing new illustrations from Eisner-award winning graphic novelist Mark Crilley (creator of Akiko and Miki Falls).
Based on the Puss In Boots movie, this Level 2 Ready-to-Read tells the story of the friendship between a good kitty named Puss In Boots and a bad egg named Humpty Dumpty, starting with the day they first met.
"Jamaica is the land where the rooster lays an egg...When a Jamaican is born of a black woman and some English or Scotsman, the black mother is literally and figuratively kept out of sight as far as possible, but no one is allowed to forget that white father, however questionable the circumstances of birth...You get the impression that these virile Englishmen do not require women to reproduce. They just come out to Jamaica, scratch out a nest and lay eggs that hatch out into 'pink' Jamaicans." --Zora Neale Hurston We may no longer issue scarlet letters, but from the way we talk, we might as well: W for welfare, S for single, B for black, CC for children having children, WT for white trash. To a culture speaking with barely masked hysteria, in which branding is done with words and those branded are outcasts, this book brings a voice of reason and a warm reminder of the decency and mutual respect that are missing from so much of our public debate. Patricia J. Williams, whose acclaimed book The Alchemy of Race and Rights offered a vision for healing the ailing spirit of the law, here broadens her focus to address the wounds in America's public soul, the sense of community that rhetoric so subtly but surely makes and unmakes. In these pages we encounter figures and images plucked from headlines--from Tonya Harding to Lani Guinier, Rush Limbaugh to Hillary Clinton, Clarence Thomas to Dan Quayle--and see how their portrayal, encoding certain stereotypes, often reveals more about us than about them. What are we really talking about when we talk about welfare mothers, for instance? Why is calling someone a "redneck" okay, and what does that say about our society? When young women appear on Phil Donahue to represent themselves as Jewish American Princesses, what else are they doing? These are among the questions Williams considers as she uncovers the shifting, often covert rules of conversation that determine who "we" are as a nation.
Meet Petunia. More than anything, Petunia wants a pet. “I’ll feed my pet every day,” she promises her parents. “I’ll take her for walks. I’ll read stories to her and draw her pictures.” Petunia knows she can take care of a pet, but what happens when the pet she most desires is a skunk?
In the days of King Arthur there stood a mighty oak tree within the walls of a castle. Peace reigned in the castle until the fearsome night when Lionel, longlost brother of Lord Weldon, returned to cause trouble and unhappiness. It was then that Shan, the son of Lord Weldon, took on the duties of a knight and hid the sword in the hollow of the giant oak. The days that followed were filled with adventures that tried the courage of the young boy. Shan was surprised by bearded robbers in the woods. He met noble knights in plumed helmets, and eventually he even made a trip to high-towered Camelot. His story is filled with the pageantry and color of England in King Arthur's time. It creates a vivid picture of the Knights of the Round Table and the wisdom of King Arthur himself. Mr. Bulla captures the spirit of those romantic days in a straightforward, exciting manner. The result is another delightful book for his wide audience of young readers. Paul Galdone's vigorous illustrations are as evocative as the text.
Award-winning screenwriter GARY WHITTA (Rogue One: A Star Wars Story, The Book Of Eli) teams with celebrated artist DARICK ROBERTSON (Transmetropolitan, HAPPY!, The Boys) for a new take on a literary classicÑwith a futuristic twist. OLIVER re-imagines Charles DickensÕ most famous orphan as a post-apocalyptic superhero fighting to liberate a war-ravaged England while searching for the truth about his own mysterious origins. ÒGARY WHITTA slips effortlessly from movies into comics with a terrific story and career-best art from DARICK ROBERTSON.Ó ÑMARK MILLAR
This is Pearl. Pearl loves to hug. Hugs are nice . . . except when they come from a porcupine. Pearl tries and tries to solve her problem and finally fixes it in her very own way. From the author-artist of A Pet for Petunia comes a prickly new character with a great big heart. Paul Schmid paints Pearl’s world with soft and dreamy colors that reflect just how sweet she is beneath her sharp-quilled porcupine exterior.
"The expressive narrator charms the listener by impersonating the characters...Short segments of music and brief sound effects add interest." - Booklist
