Olinda's Adventures: The Amours of a Young Lady is a story of a young middle-class English woman told through the series of letters she writes to her platonic confidant Cleander. Olinda lives in 18th century London in humble and modest conditions and she folds under her mother's persuasion and agrees to an arranged marriage out of interest, while also having a lover who is married. As she pours her heart on the paper in her letters to Cleander, spilling the emotional dilemmas and asking for approval and support, Olinda also follows the progress of Cleander's wooing to Ambrisia, advising him on his moves.
This unique volume collects together all the writings of Catharine Trotter printed before 1701. It includes a novella, The Adventures of a Young Lady (1693); two performed tragedies, Agnes de Castro (1696) and Fatal Friendship (1698); 'Calliope: The Heroick Muse' from 'The Nine Muses' (1700), a collection of poems by women on the death of John Dryden; and two poems printed with plays by other female playwrights: To Mrs. Manley. By the Author of Agnes de Castro from Delarivier Manley's 'The Royal Mischief' (1696) and Epilogue: Written by Mrs. Trotter. Spoken by Miss Porter from Mary Pix's 'Queen Catharine' (1698).
Olinda's Adventures: The Amours of a Young Lady is a story of a young middle-class English woman told through the series of letters she writes to her platonic confidant Cleander. Olinda lives in 18th century London in humble and modest conditions and she folds under her mother's persuasion and agrees to an arranged marriage out of interest, while also having a lover who is married. As she pours her heart on the paper in her letters to Cleander, spilling the emotional dilemmas and asking for approval and support, Olinda also follows the progress of Cleander's wooing to Ambrisia, advising him on his moves.
From a bold new voice in nonfiction, an exhilarating account of the lives and works of influential 17th and 18th century feminist philosophers Mary Wollstonecraft and her predecessors who have been written out of history, and a searing look at the author’s experience of patriarchy and sexism in academia As a young woman growing up in small-town Iowa, Regan Penaluna daydreamed about the big questions: Who are we and what is this strange world we find ourselves in? In college she fell in love with philosophy and chose to pursue it as an academician, the first step, she believed, to becoming a self-determined person living a life of the mind. What Penaluna didn’t realize was that the Western philosophical canon taught in American universities, as well as the culture surrounding it, would slowly grind her down through its misogyny, its harassment, its devaluation of women and their intellect. Where were the women philosophers? One day, in an obscure monograph, Penaluna came across Damaris Cudworth Masham’s name. The daughter of philosopher Ralph Cudworth and a contemporary of John Locke, Masham wrote about knowledge and God, and the condition of women. Masham’s work led Penaluna to other remarkable women philosophers of the era: Mary Astell, who moved to London at age twenty-one and made a living writing philosophy; Catharine Cockburn, a philosopher, novelist, and playwright; and the better-known Mary Wollstonecraft, who wrote extensively in defense of women’s minds. Together, these women rekindled Penaluna’s love of philosophy and awakened her feminist consciousness. In How to Think Like a Woman, Regan Penaluna blends memoir, biography, and criticism to tell the stories of these four women, weaving throughout an alternative history of philosophy as well as her own search for love and truth. Funny, honest, and wickedly intelligent, this is a moving meditation on what philosophy could look like if women were treated equally.
Sarah Prescott discusses the careers of a number of key women writers of the period from 1690 to 1740, exploring the role played by geographical location, literary circles, patronage, the literary marketplace, and subscription publication in shaping patterns of female authorship. The volume also provides a wealth of detail about the circumstances which affected the careers of individual women as well as investigating the marketing, reception, and self-representation of women writers in general.
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.
For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts--above all, "objectivity"--seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life. Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume--including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim--respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result--which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"--maps a dramatic change in the direction of literary criticism. Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar
Using unpublished manuscript writings, this book reinterprets material, social, literary, philosophical and religious contexts of women's letter-writing in the long 18th century. It shows how letter-writing functions as a form of literary manuscript exchange and argues for manuscript circulation as a method of engaging with the republic of letters.
