Here's the newest twist on the familiar tale of There Was an Old Lady Who Swallowed A Fly.There was a cold lady who swallowed some snow.I don't know why she swallowed some snow.Perhaps you know.This time, the old lady is swallowing everything from snow to a pipe, some coal, a hat, and more! With rollicking, rhyming text and funny illustrations, this lively version will appeal to young readers with every turn of the page. And this time, there's a surprise at the end no reader will be able to guess!
When she started working with the aged more than forty years ago, Ann Burack-Weiss began storing the knowledge and skills she thought would help when she got old herself. It was not until she hit her mid-seventies that she realized she had packed sneakers to climb Mount Everest, not anticipating the crevices and chasms that constitute the rocky terrain of old age. The professional gerontological and social work literature offered little help, so she turned to the late-life works of beloved women authors who had bravely climbed the mountain and sent back news from the summit. Maya Angelou, Colette, Simone de Beauvoir, Joan Didion, Marguerite Duras, M. F. K. Fisher, Doris Lessing, Mary Oliver, Adrienne Rich, May Sarton, and Florida Scott-Maxwell were among the many guides she turned to for inspiration. In The Lioness in Winter, Burack-Weiss blends an analysis of key writings from these and other famed women authors with her own wisdom to create an essential companion for older women and those who care for them. She fearlessly examines issues such as living with loss, finding comfort and joy in unexpected places, and facing disability and death. This book is filled with powerful passages from women who turned their experiences of aging into art, and Burack-Weiss ties their words to her own struggles and epiphanies, framing their collective observations with key insights from social work practice.
Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine. Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).
The Old Woman is a beautiful portrait of an old woman who lives contentedly with her dog, from award-winning author Joanne Schwartz and illustrator Nahid Kazemi. An old woman shares her home with a scruffy old dog, her best friend and constant companion. One fall day, they go for a walk and the woman throws sticks for the dog. She loves hearing the autumn leaves under her feet and the wind in the trees. She looks up at a crow in the sky and imagines what it might feel like to fly. As the wind comes up and the light begins to fade, she remembers playing outside as a child, never wanting to go in. Suddenly she notices a stunning harvest moon against the darkening sky. The next morning, as she sits outside to watch the sun rise, she looks forward to spending a new day with her friend. Gentle illustrations accompany this portrayal of an elderly person who lives peaceably with her dog, appreciating what each moment brings. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.2 CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.3.7 Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.
This powerful analysis of the wise women healer from the oral traditions of Ireland's rural communities is unique in its depth and perspective. Stories, told and retold, embedded in the texture of culture and community, collected and studied for many decades, are here translated and made available to the general reader for the first time. The figure of the wise woman, the hag, the Cailleach, or the Red Woman are part of an oral tradition which has its roots in pre-Christian Ireland. In the hands of Gearoid O Crualaich, these figures are subtly explored to reveal how they offered a complex understanding of the world, of human psychology and its predicaments: the thematic structure of the book brings to the fore universal themes such as death, marriage, childbirth, and healing, and invites the reader to see the contemporary relevance of the stories for themselves.
In the mid-nineteenth-century shipbuilding town of Essex, Massachusetts, twelve-year-old Addie learns a startling secret about her past when she escapes servitude by running away to live in the snowy woods and meets an elderly Wampanoag woman.
Claudio’s apartment faces a wall. Rising from bed, he sets his feet on the floor at the same time, to ground himself. Cecilia sits at her window, contemplating a cemetery, the radio her best companion. In parallel and entwining stories that move from Havana to Paris to New York City, no routine, no argument for the pleasures of solitude, can withstand our most human drive to find ourselves in another, and fall in love. And no depth of emotion can protect us from love’s inevitable loss.
At the direction of her lazy husband, elderly Mary must make preparations for the winter months in a frenzied crescendo of activity - bottling fruit, oiling snowshoes, pickling vegetables, chopping firewood and salting hams. Erik Blevgad's glorious watercolours perfectly capture Bodecker's unique wordplay. We see Mary becoming redder faced and more dishevelled with every task completed, until her exasperation at her husband's orders spill over into delightful revenge at the end of the story.
