The Staffordshire Potteries have a long association with theatres. Their first appearance in the area was with the travelling showmen and their mobile stages until the first permanent venue, the Royal Pottery Theatre, was opened in 1852. This book hopes to accurately chronicle the development and demise of theatre buildings in the area, along with some of the concert halls and permanent circus arenas. These include the Theatre Royal in Hanley, the Hippodrome in Stoke and the Empire Theatre in Longton, along with many others. Relevant photographs, maps and illustrations, along with vintage programmes and posters are printed throughout.
An easy-to-use reference for those looking to trace English ancestry connected to the North Staffordshire pottery industry. Tracing Your Potteries Ancestors introduces readers to the wealth of information available to those wishing to trace their North Staffordshire roots. Michael Sharpe gives a fascinating insight into the history of this part of the Midlands, which was for so long dominated by the pottery industry. The six pottery towns—Tunstall, Burslem, Hanley, Stoke, Fenton, and Longton—are at the heart of the story. His handbook is an essential guide for anyone researching the life of an individual or family connected with the area, bringing together all the relevant local and national archives for the first time. In a series of short, information-packed chapters, it describes the lives and experiences of ordinary people in this most extraordinary of landscapes. It charts the transition of the Six Towns from scattered farming communities to a thriving industrial conurbation. The living conditions of the urban poor, health and welfare, the influence of religion and migration, education, leisure pursuits, and the traumatic experience of war are all explored, and the many different archives and sources that are open to family history researchers are explained. “Impressively researched, expertly written, deftly organized and presented, Tracing Your Potteries Ancestors: A Guide for Family & Local Historians is an extraordinarily informative and thoroughly reader-friendly resource.” —Midwest Book Review
A 1967 obituary in The Times labelled Stephen Joseph 'the most successful missionary to work in the English theatre since the second world war'. This radical man brought theatre-in-the-round to Britain, provoked Ayckbourn, Pinter and verbatim theatre creator Peter Cheeseman to write and direct, and democratised theatregoing. This monograph investigates his forgotten legacy. This monograph draws on largely unsorted archival material (including letters from Harold Pinter, J. B. Priestley, Peggy Ramsay and others), and on new interviews with figures including Sir Alan Ayckbourn, Trevor Griffiths and Sir Ben Kingsley, to demonstrate how the impact on theatre in Britain of manager, director and 'missionary' Stephen Joseph has been far greater than is currently acknowledged within traditional theatre history narratives. The text provides a detailed assessment of Joseph's work and ideas during his lifetime, and summarises his broadly-unrecognised posthumous legacy within contemporary theatre. Throughout the book Paul Elsam identifies Joseph's work and ideas, and illustrates and analyses how others have responded to them. Key incidents and events during Joseph's career are interrogated, and case studies that highlight Joseph's influence and working methods are provided.
A People’s History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a ‘Classics-Free Zone’. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries across the United Kingdom and Ireland, Hall and Stead examine the working-class experience of classical culture from the Bill of Rights in 1689 to the outbreak of World War II. They analyse a huge volume of data, from individuals, groups, regions and activities, in a huge range of sources including memoirs, autobiographies, Trade Union collections, poetry, factory archives, artefacts and documents in regional museums. This allows a deeper understanding not only of the many examples of interaction with the Classics, but also what these cultural interactions signified to the working poor: from the promise of social advancement, to propaganda exploited by the elites, to covert and overt class war. A People’s History of Classics offers a fascinating and insightful exploration of the many and varied engagements with Greece and Rome among the working classes in Britain and Ireland, and is a must-read not only for classicists, but also for students of British and Irish social, intellectual and political history in this period. Further, it brings new historical depth and perspectives to public debates around the future of classical education, and should be read by anyone with an interest in educational policy in Britain today.
Applied Theatre: Creative Ageing examines the complex social, political and cultural needs of a diverse group in our society and asks how contemporary applied theatre responds to those needs. It allows an examination of innovative national and international practice in applied theatre that responds to the needs of older adults to encourage outcomes such as wellbeing and social inclusion. The book does this while also questioning how we, as a society, wish to respond to the complex needs of older adults and the process of ageing and how applied theatre practices can help us do so in a way that is both positive and inclusive. In Part One Sheila McCormick reviews and historicises the practice of applied theatre with, for and by the elderly. It argues that pioneering applied theatre strategies are vital if the creative practice is to respond to the growing needs of older members of society, and reflects on particular cultural responses to ageing and the elderly. The second part of the book is made up of essays and case studies from leading experts and practitioners from Britain, America and Australia, including consideration of applied theatre approaches to dementia, health, wellbeing, social inclusion and Alzheimer's disease.
