From Washington Square Park and Café Society to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. Folk City, by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America.
This book provides a fresh, in-depth examination of the Revival of 1857-58, a widespread religious awakening most famous for urban prayer meetings in major metropolitan centers across the United States. Often mentioned in religious history texts and articles but overshadowed by scholarly attention to the first and second "Great Awakenings," the revival has lacked a critical, book-length analysis. This study will help to fill this gap and to place the event within the context of Protestant revival traditions in America. The Revival of 1857-58 was a multifaceted religious movement that Long suggests may have been the closest thing to a truly national revival in American history. The awakening marked the coming together of formalist and populist evangelical groups, particularly in urban areas, and helped to create the beginnings of a transdenominational religious identity among middle-class American evangelicals. Long explores the revival from various angles, emphasizing the importance of historiography and examining the way Calvinist clergy and the editors of the daily press canonized particular versions of the revival story, most notably its role in the history of great awakenings and its character as a masculine "businessmen's revival." She gives attention to grassroots perspectives on the awakening and also pursues wider social and cultural questions, including whether the revival actually affected evangelical involvement in social reform. The book combines insights from contemporary scholarship concerning revivals, women's history, and nineteenth-century mass print with extensive primary source research. The result is a clearly written study that blends careful description with nuanced analysis.
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
Reports for 1863-90 include accession lists for the year. Beginning with 1893, the apprendixes consist of the various bulletins issued by the Library (Additions; Bibliography; History; Legislation; Library school; Public libraries)
First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
