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Author: Public Catalogue Foundation
Publisher:
Published: 2009
Total Pages: 0
ISBN-13: 9781904931478
DOWNLOAD EBOOKThis is the first time all the publicly owned oil paintings in Dorset have been brought together in one volume
Author: Christopher Wright
Publisher: Yale University Press
Published: 2006-01-01
Total Pages: 950
ISBN-13: 9780300117301
DOWNLOAD EBOOKThis book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author: Andrew Ellis
Publisher:
Published: 2008
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOK"This volume shows some 1,600 oil paintings in public ownership in the county of Hertfordshire. Drawn from over 40 collections across the county including museums, art galleries, council buildings, educational establishments and public libraries, the paintings in this catalogue provide a fascinating insight into the cultural heritage of the county. The catalogue includes Bushey Museum and Art Gallery with its nationally important holding of paintings by Hubert von Herkomer and his students, together with several fine eighteenth-century paintings in the Watford Museum collection and Letchworth Museum and Art Gallery's holding of early twentieth-century British works."--BOOK JACKET.
Author: Sonia Roe
Publisher:
Published: 2007
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOKFor just over a century, the British Government has collected works of art by mainly British artists from the 16th century to the present day. With over 13,000 works in a broad range of media, this unique collection is displayed in Government buildings in the UK and around the world. Bringing together all the oil paintings in the Collection for the first time, this catalogue provides an important insight into the key role the Government Art Collection plays in promoting British art and culture. This is the 19th catalogue in the Oil Paintings in Public Ownership series published by the Public Catalogue Foundation. Consisting of over 350 pages, the catalogue lists 2,499 works and show color photographs of almost every one together with some 40 page color reproductions. Trade Orders: Professional Discount Only
Author: Public Catalogue Foundation
Publisher:
Published: 2009
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKThis is the first time all the publicly owned oil paintings in Warwickshire have been brought together in one volume.
Author: Sonia Roe
Publisher:
Published: 2008
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOKThe Victoria and Albert Museum's collection of oil paintings is less well known than its encyclopaedic holdings of sculpture and applied arts, watercolours, miniatures and other works on paper. However, the museum has also acquired oil paintings since its foundation, and currently has over 2,500 works in this medium. The Victoria and Albert Museum initially collected and displayed oil paintings to tell the story of British art and provide exemplary material for designers: it continues to do so to elucidate the history of art and design from the Middle Ages to the present. Since the nineteenth century the V & A set high standards in its published catalogues. Its combined holdings of paintings, miniatures, watercolours and drawings now run to tens of thousands of items. This is the museum's first illustrated summary catalogue of oil paintings which are shown through thousands of photographs. Trade Orders: Professional Discount Only
Author: Andrew Ellis
Publisher:
Published: 2006
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKAll the Oil Paintings in public ownership in Staffordshire
Author: Robert Tittler
Publisher: Oxford University Press
Published: 2012-01-05
Total Pages: 218
ISBN-13: 0199585601
DOWNLOAD EBOOKRobert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread both socially and geographically throughout the realm. He suggests that provincial portraiture differed from the 'mainstream', cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production. Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painter's occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history; it speaks to admirers and collectors of painting as well as to curators and academics.
Author: Public Catalogue Foundation
Publisher:
Published: 2009
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKAn amazing publication that brings together all the publicly owned oil paintings in The City of London in one concise volume.
Author: Patrick John Pead
Publisher: Cambridge Scholars Publishing
Published: 2019-12-19
Total Pages: 304
ISBN-13: 1527544656
DOWNLOAD EBOOKBenjamin Jesty has been described as ‘the man history forgot’. Spanning the late 18th and early 19th centuries, this book tells the story of the ingenious Dorset farmer who used cowpox as a vaccine to protect his family against the dreaded disease of smallpox in 1774. This happened 22 years before Dr Edward Jenner used a similar process. The origins of vaccination have always been clouded in controversy. Probing previous accounts flawed by myth or subjectivity, this text sets the record straight. Man’s early attempts at stimulating immunity are rooted in folk wisdom of the distant past. Vaccination was not a ‘discovery’ or a ‘medical breakthrough’, but a development from variolation, substituting cowpox as an inoculum instead of smallpox. Analysing relevant primary sources with an innovative approach, this book reveals the geographical extent of awareness of Jesty’s endeavour in Georgian England, confirms his priority, and seeks to establish his Intellectual Property for the first use of an empirical vaccine. Jenner brought vaccination to the world. His achievement will always take precedence, but the findings of this new research suggest it is now time to honour Benjamin Jesty with the credit he deserves.
