In Ofelia, the sisters, the kids, and the cousins are all settled comfortably in California after leaving Palomar in Luba and Her Family. Luba and her cousin Ofelia’s relationship has always been fraught, but when Ofelia threatens to write a book about Luba, past memories, secrets, resentments, and pain resurface. Meanwhile, Luba’s children―genius Socorro, recently out-and-proud Doralis, and prickly Maricela―show that a talent for trouble may be hereditary. Luba’s sisters, Fritz and Petra, swap lovers (as usual), but . . . are Fritz and family friend Pipo sittin’ in a tree? These vividly drawn characters are charged with Hernandez’s trademark complexity; they live, love, age, fight― and die―in this sweeping, multi-generational saga.
by Gilbert Hernandez In his first graphic novel in two years, Hernandez's The Book of Ofelia begins with Luba, Ofelia and company trying to acclimate to life in America. When Ofelia decides to chronicle her life with Luba in a tell-all book, she discovers inspiration in Luba's young children - the one-armed Casimira, Socorro with the photographic memory, the loner Joselito and the silent Conchita. See Latino soap opera and soft-core porn, with touches of magic-realism, all in one!
THE DAYS OF OFELIA, which was first published in 1942, is a book about Mexico that cuts through the surface and shows you the living people. ‘Vivid,’ ‘delightful,’ ‘completely real’ are worn-out phrases, but there are no others that do justice to this truly extraordinary narrative. Ofelia Escoto was a little girl that the author, Gertrude Diamant, met when she went apartment-hunting in the City of Mexico, and who became her maid. Ofelia’s father was a nightwatchman with a family of thirteen to support; and for many months the author shared the life of the Escotos, sympathized with them in their misfortunes, and watched the love story of Ofelia’s brother Daniel, with its tragic denouement. But the book is more than the story of the Escotos. It tells also of visits to the parched, poverty-stricken country of the Otomi Indians, where the author went to conduct ‘lost intelligence tests,’ of the picturesque dances and rituals of a wedding in tropical Tehuantepec, of the hazards of traveling in a Mexican bus along the Laredo highway, of the wisdom displayed by Mexican judges in handling the homeless children of the Revolution, and of the vagaries of Mexican officials who tried to deport the author on the ground that she was a Polish refugee. “It is amazingly well written; it has humor, it has charm, and it conveys the flavour of Mexican life with extraordinary accuracy. To me, it seems much the best book on life in Mexico which has appeared since Flandrau’s classic ‘Viva Mexico,’ both in the quality of the writing and in the accuracy with which it catches the Mexican scene. It is far superior to the innumerable books on Mexico that have appeared during the past decade.”—H. B. Parkes, author of History of Mexico
Ofelia is a YA mystery novel about a young girl who becomes a vampire against her will in the 14th century. Having defeated the vampires of Europe she hopes to regain her humanity. However, all is not as it seems.
The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature. Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.
Gilbert Hernandez’s sprawling family saga focuses on the United States, where newly immigrated Luba and her sisters, body-builder Petra and therapist/film star Fritz, find their families’ and friends’ lives becoming more and more intertwined. As the three sisters have “memories of sweet youth,” the next generation finds the spotlight: Luba’s adult daughter Doralís emcees the proceedings in her role as mischievous host of a children’s TV show, while Petra’s little girl, Venus, has adventures with her aunt Fritz and her best friend Yoshio. At her mother’s urging, Venus also writes missives to her fierce, one-armed cousin Casimira, who’s back in Palomar. In these stories ― never before collected together ― Venus tells it like it is!
Nietzsche is regarded by some as a great liberator, a thinker far more radical than Marx. For others, he is an ideologue of power, a spokesman for domination, a protofascist. Ofelia Schutte holds that these conflicting assessments result from a failure to distinguish between two paradigms of power found in Nietzsche's work: power as recurring energy and power as domination. Schutte uses this fundamental distinction to analyze comprehensively Nietzsche's metaphysics, ethics, and politics. She addresses both the positive and the negative in the whole of his thought, seeking to read Nietzsche 'without masks'--without the cultural and intellectual biases of many of his previous interpreters.
NOW A MAJOR MOTION PICTURE! If you think you know Ophelia and Hamlet's story, think again... "A spellbinding tale of love, murder, and revenge." -- VOYA As ambitious and witty as she is beautiful, Ophelia is quick to catch the eye of the captivating prince Hamlet. Their love blossoms in secret, but bloody deeds soon turn Denmark into a place of madness, and Ophelia may be forced to choose between her relationship and her own life. In desperation, she devises a plan to escape from Elsinore Castle forever... with one very dangerous secret. Ophelia takes center stage in this bold and thrilling reimagining of Shakespeare's famous tragedy, the story of a young woman falling in love, searching for her place in the world, and finding the strength to survive.
Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero's journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan's Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology.
