Of Mice and Men es una novela escrita por el autor John Steinbeck. Publicado en 1937, cuenta la historia de George Milton y Lennie Small, dos trabajadores desplazados del rancho migratorio, que se mudan de un lugar a otro en California en busca de nuevas oportunidades de trabajo durante la Gran Depresión en los Estados Unidos.
Spreading democracy takes more than cutting-edge military hardware. Winning the hearts and minds of a troubled nation is a special mission we give to bewildered young soldiers who can’t speak the native language, don’t know the customs, can’t tell friends from enemies, and–in this wonderfully outrageous Iraq-era novel about Vietnam–wonder why they have to risk their lives spraying peanut plants, inoculating pigs, and hauling miracle rice seed for Ho Chi Minh. Brash, eye-opening, and surprisingly comic, Of Rice and Men displays the same irreverent spirit as the black-comedy classics Catch-22 and MASH–as it chronicles the American Army’s little known “Civil Affairs” soldiers who courageously roam hostile war zones, not to kill or to destroy, but to build, to feed, and to heal. Unprepared, uncertain, and naive, they find it impossible to make the skeptical population fall in love with them. But it’s thrilling to watch them try. Among the unforgettable characters: Guy Lopaca, an inept Army-trained interpreter who can barely say “I can’t speak Vietnamese” in Vietnamese, but has no trouble chatting with stray dogs and water buffalo. Guy’s friends include “Virgin Mary” Crocker, a pragmatic nurse earning a fortune spending nights with homesick soldiers; Paul Gianelli, a heroic builder of medical clinics who doesn’t want to be remembered badly, so he never goes home; and Tyler DeMudge, whose cure for every problem is a chilly martini, a patch of shade, and the theory that every bad event in life is “good training” for enduring it again. Pricelessly funny, disarming, thought-provoking, as fresh as the morning headlines, and bursting with humor, affection, and pride, Of Rice and Men is a sincere tribute to those young men and women, thrust into our hearts-and-minds wars, who try to do absolute good in a hopeless situation. From the Hardcover edition.
Includes The Prisoners Of War In Japanese Hands During World War Two pack with 130 photos, plans and photos. This is the harrowing prisoner of war tale of T/Sgt. Bob Reynolds, who was based Del Carmen airfield in the Philippines when the Second World War broke out. Overrun like many of his fellow Americans by the invading Japanese army, his hellish existence carried him through the Bataan Death March and prison camps in Cabanatuan and Lipa. He tells his amazing story vividly and telling details of the human suffering inflicted on his comrades and the native Filipinos. “In the following pages, I have endeavored to delineate that period which, from a viewpoint of National pride, is perhaps one of the darkest periods of humiliation in the history of our United States—the years of Japanese captivity of American troops from the fall of Bataan to V-J Day. The experiences narrated in the following chapters are mine alone. Encounters of other prisoners not actually witnessed by me have been omitted. Having in mind the interest of readers whose loved ones may have perished on Bataan, or Corregidor, or during the appalling years of Japanese imprisonment, I have avoided using the names of all persons. The expression “Buddy,” “Friend,” or “Fellow” represents in respective cases someone’s son, brother, husband or sweetheart from whom I have endeavored to withhold any heartbreaking particularization. Many of the instances recounted herein may appear gruesome and vulgar; but in the interest of the future of the Nation and in memory of the heroic men who did not return I believe the story should be told.”-The Author’s Foreword
With the same unique vision that brought his now classic Mars trilogy to vivid life, bestselling author Kim Stanley Robinson boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know. . . . “A thoughtful, magisterial alternate history from one of science fiction’s most important writers.”—The New York Times Book Review It is the fourteenth century and one of the most apocalyptic events in human history is set to occur—the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if the plague had killed 99 percent of the population instead? How would the world have changed? This is a look at the history that could have been—one that stretches across centuries, sees dynasties and nations rise and crumble, and spans horrible famine and magnificent innovation. Through the eyes of soldiers and kings, explorers and philosophers, slaves and scholars, Robinson navigates a world where Buddhism and Islam are the most influential and practiced religions, while Christianity is merely a historical footnote. Probing the most profound questions as only he can, Robinson shines his extraordinary light on the place of religion, culture, power—and even love—in this bold New World. “Exceptional and engrossing.”—New York Post “Ambitious . . . ingenious.”—Newsday
At the fall of Bataan on April 9 1942, over sixty thousand American and Filipino troops were rounded up by the Japanese and forced to march 65 miles from Mariveles, on the southern end of the Bataan Peninsula, to San Fernando, Pampanga, in Central Luzon. Anyone showing a slight weakness to walk was instantly bayoneted in the back. Estimates of the number of total deaths from the march range from 5,000 to 8,000. Thousands more later died from malnutrition and disease in the abject conditions of the Japanese POW camps. One of the fortunate survivors was Sergeant Bob Reynolds who penned his combat memoir Of Rice and Men in 1947. With a cool, philosophical perspective, he details the harrowing experience, from bitterly defending Bataan on starvation rations, through the many atrocities of the March, and finally his miraculous survival in Cabanatuan POW Camp and, later, in Manila's Bilibid Prison.
Are we what we eat? What does food reveal about how we live and how we think of ourselves in relation to others? Why do people have a strong attachment to their own cuisine and an aversion to the foodways of others? In this engaging account of the crucial significance rice has for the Japanese, Rice as Self examines how people use the metaphor of a principal food in conceptualizing themselves in relation to other peoples. Emiko Ohnuki-Tierney traces the changing contours that the Japanese notion of the self has taken as different historical Others--whether Chinese or Westerner--have emerged, and shows how rice and rice paddies have served as the vehicle for this deliberation. Using Japan as an example, she proposes a new cross-cultural model for the interpretation of the self and other.
A photographic exploration of the cycles of traditional Balinese rice farming, a dynamic model of earth-friendly agriculture that connects a unique culture with the natural world.
"A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"--