Ancients and Moderns

Ancients and Moderns

Author: Richard Foster Jones

Publisher: Courier Corporation

Published: 1982-01-01

Total Pages: 386

ISBN-13: 9780486244143

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Engaging, erudite study of rise of scientific movement in 17th-century England; Francis Bacon s role particularly stressed. Revised (1961) edition."


Reading Fictions, 1660-1740

Reading Fictions, 1660-1740

Author: Kate Loveman

Publisher: Routledge

Published: 2016-12-05

Total Pages: 248

ISBN-13: 1351906585

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English society in the late seventeenth and early eighteenth centuries was fascinated by deception, and concerns about deceptive narratives had a profound effect on reading practices. Kate Loveman's interdisciplinary study explores the ways in which reading habits, first developed to deal with suspect political and religious texts, were applied to a range of genres, and, as authors responded to readers' critiques, shaped genres. Examining responses to authors such as Defoe, Swift, Richardson and Fielding, Loveman investigates reading as a sociable activity. She uncovers a lost critical discourse, centred on strategies of 'shamming', which involved readers in public displays of reason, wit and ironic pretence as they discussed the credibility of oral and written narratives. Widely understood by early modern readers and authors, the codes of this rhetoric have now been forgotten, to the detriment of our perception of the period's literature and politics. Loveman's lively book offers a striking new approach to Restoration and eighteenth-century literary culture and, in particular, to understanding the development of the novel.


Anti-Atheism in Early Modern England 1580-1720

Anti-Atheism in Early Modern England 1580-1720

Author: Kenneth Sheppard

Publisher: BRILL

Published: 2015-06-02

Total Pages: 347

ISBN-13: 9004288163

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Atheists generated widespread anxieties between the Reformation and the Enlightenment. In response to such anxieties a distinct genre of religious apologetics emerged in England between 1580 and 1720. By examining the form and the content of the confutation of atheism, Anti-Atheism in Early Modern England demonstrates the prevalence of patterned assumptions and arguments about who an atheist was and what an atheist was supposed to believe, outlines and analyzes the major arguments against atheists, and traces the important changes and challenges to this apologetic discourse in the early Enlightenment.


Trithemius and Magical Theology

Trithemius and Magical Theology

Author: Noel L. Brann

Publisher: SUNY Press

Published: 1999-01-01

Total Pages: 380

ISBN-13: 9780791439623

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An examination of Trithemius's "magical theology," which argued for the compatibility of magic and Christian doctrines, and its influence during the Renaissance and Reformation.


The Atheist Milton

The Atheist Milton

Author: Michael E. Bryson

Publisher: Routledge

Published: 2016-03-23

Total Pages: 223

ISBN-13: 1317040953

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Basing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.