"O'Connell presents an excellent biography of the first archbishop of St. Paul, Minnesota, who rose from poverty to become an internationally known clerical figure and friend of presidents. . . . Well written and well researched, this biography brings to life an important figure in American religious history. Recommended."--Library Journal
Dr. O'Connell's collection of stories and essays, written during thirty years of caring for homeless persons in Boston, gently illuminates the humanity and raw courage of those who struggle to survive and find meaning and hope while living on the streets.
O'Connell Street is at the heart of Dublin. It has been through name changes and revolutions, destruction and rebuilding and remained at the heart of the story of Ireland for centuries. Nicola Pierce explores the people, the history, the buildings and the stories behind the main street in our capital city. Packed with stories of the people connected to the streets, from the subjects of the statues, to the sculptors that created them, from those who owned and developed the street since the days of St Mary's Abbey in 1147, to those who worked and lived there through the centuries and all the drama and scandals that went on both on the street and behind closed doors. O'Connell Street will also feature more personal, anecdotal stories of the cinemas, meeting under Clery's clock, buying engagement rings at The Happy Ring House, witnessing motorcades such as the Apollo XIII coming down the street, the heyday of film stars staying at the Gresham, and scandals and murders on the street.
Features the plays Car, Raw, and Kid. Brutality. Fear. Self-loathing. A need to belong. The plays in O'Connell's Street Trilogy portray the vulnerable and the violent as they lash out against the world around them. From the adrenaline-fuelled anarchy of a car theft and the ritualised violence of teenage gangs, to the new beginning offered by a baby in the womb, life on the dirty side of the tracks is shown without compromise or sentimentality. The characters lurch between hope and despair, giving voice to the trials of change through verbal pyrotechnics and acts of sudden aggression. Street Trilogy was performed at the Pleasance Theatre, Edinburgh in 2003.
The wildly entertaining and eye-opening biography of J. Allen Hynek, the astronomer who invented the concept of "Close Encounters" with alien life, inspired Steven Spielberg’s blockbuster classic science fiction epic film and is the subject of History Channel's Project Blue Book, and made an entire nation want to believe in UFOs. In June 1947, private pilot Kenneth Arnold looked out his cockpit window and saw a group of nine silvery crescents weaving between the peaks of the Cascade Mountains at an estimated 1,200 miles an hour. The media, the military, and the scientific community—led by J. Allen Hynek, an astronomer hired by the Air Force—debunked this and many other Unidentified Flying Object sightings reported across the country. But after years of denials, Hynek made a shocking pronouncement: UFOs are real. Thirty years after his death, Hynek’s agonizing transformation from skepticism to true believer remains one of the great misunderstood stories of science. In this definitive biography, Mark O'Connell reveals for the first time how Hynek’s work both as a celebrated astronomer and as the U. S. Air Force’s go-to UFO expert for nearly twenty years stretched the boundaries of modern science, laid the groundwork for acceptance of the possibility of UFOs, and was the basis of the hit film Close Encounters of the Third Kind. With unprecedented access to Hynek’s personal and professional files, O’Connell smashes conventional wisdom to reveal the intriguing man and scientist beneath the legend. Tracing Hynek’s career, O'Connell examines Hynek’s often-ignored work as a professional astronomer to create a complete portrait of a groundbreaking enthusiast who became an American cult icon and transformed the way we see our world and our universe.
Yvonne Whelan takes the reader from the contested iconography of Dublin as it evolved in the years before Independence through to the contemporary plans for the millennium spire on O'Connell Street, showing how a shift has taken place from an intensely political symbolic landscape to one that is increasingly apolitical, in tune with the changing nature of Irish politics, culture and society at the turn of the 21st century. In her comprehensive discussion of how the streetscape has changed, Whelan explores the capacity of the cultural landscape to underpin and reinforce particular narratives of identity and reveals the ways in which issues of street naming, building, designing and memorializing became firmly grounded in space and bound up with the politics of representation. Incorporating many pictures, maps and plans, "Reinventing Modern Dublin" is a work of historical, cultural and urban geography, a valuable addition to the growing body of knowledge about Dublin's historical geography and Irish urbanism.
“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.
