Observations on Art and Culture, Science and Philosophy

Observations on Art and Culture, Science and Philosophy

Author: Bob Avakian

Publisher: Insight Press, Incorporated

Published: 2005

Total Pages: 172

ISBN-13: 9780976023630

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This provocative collection of reflections and observations by Bob Avakian on art, culture, science and philosophy offers a rare treat. Excerpted from formal talks as well as more informal discussions and conversations, this collection allows the reader to experience Bob Avakian--in the process of developing his thinking and re-envisioning the communist project on a wide range of subjects, from the dictatorship of the proletariat to discussions of truth, beauty, science and imagination. This collection will provide the reader with important, fresh, and provocative insights and provoke further creative and critical thinking on art, culture, science, philosophy... and revolution.


The Emergence of a Scientific Culture

The Emergence of a Scientific Culture

Author: Stephen Gaukroger

Publisher: Clarendon Press

Published: 2008-10-23

Total Pages: 576

ISBN-13: 0191563919

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Why did science emerge in the West and how did scientific values come to be regarded as the yardstick for all other forms of knowledge? Stephen Gaukroger shows just how bitterly the cognitive and cultural standing of science was contested in its early development. Rejecting the traditional picture of secularization, he argues that science in the seventeenth century emerged not in opposition to religion but rather was in many respects driven by it. Moreover, science did not present a unified picture of nature but was an unstable field of different, often locally successful but just as often incompatible, programmes. To complicate matters, much depended on attempts to reshape the persona of the natural philosopher, and distinctive new notions of objectivity and impartiality were imported into natural philosophy, changing its character radically by redefining the qualities of its practitioners. The West's sense of itself, its relation to its past, and its sense of its future, have been profoundly altered since the seventeenth century, as cognitive values generally have gradually come to be shaped around scientific ones. Science has not merely brought a new set of such values to the task of understanding the world and our place in it, but rather has completely transformed the task, redefining the goals of enquiry. This distinctive feature of the development of a scientific culture in the West marks it out from other scientifically productive cultures. In The Emergence of a Scientific Culture, Stephen Gaukroger offers a detailed and comprehensive account of the formative stages of this development—-and one which challenges the received wisdom that science was seen to be self-evidently the correct path to knowledge and that the benefits of science were immediately obvious to the disinterested observer.


Between One Culture

Between One Culture

Author: Robert Schiller

Publisher: Springer Nature

Published: 2019-09-04

Total Pages: 228

ISBN-13: 303020538X

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This book argues that science and the arts are not two different cultures, but rather different manifestations of the same culture. Divided into seven parts, it presents a collection of translated and revised essays, mostly at the intersection between realia and humaniora. In the first two parts, the author discusses how some myths, both ancient and modern, have become intertwined with scientific ideas. The chapters in the following four parts address poems, novels, plays, and pieces of fine art that have some scientific content, as well as scientific findings which seem to have also been discovered in art. The chapters in the final part examine a number of inspiring doubts and necessary errors in the history of science. This collection of essays, most of which were originally published in Hungarian, is intended for the general public and as such includes no mathematical, physical or chemical formulae. It offers a unique resource for all those curious about the interconnections between science, art and literature.


The Philosophy of Art

The Philosophy of Art

Author: Hippolyte Taine

Publisher: DigiCat

Published: 2022-06-02

Total Pages: 87

ISBN-13:

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This insightful work explains what art represents and how to judge a good piece of art. With discussion on art, philosophy, history, and psychology, Hippolyte Taine developed the notion of understanding art through the historical circumstances during its creation. In addition, Taine talks about literature and the qualities that make a text a gem. The book comprises an application of the experimental method to art, in the same way, it is done in science. The author precisely describes art by social influences and other causes. Humanity at different periods and locations, climate, and other conditions furnish the truths on which the theory rests. It is a must-read for anyone interested in understanding a piece of art, examining it by details and the whole picture.


Thinking about Science, Reflecting on Art

Thinking about Science, Reflecting on Art

Author: Otávio Bueno

Publisher: Routledge

Published: 2018

Total Pages: 0

ISBN-13: 9781138687325

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Thinking about Science, Relecting on Art is the first book to systematically examine the relationship between the philosophy of science and aesthetics.


The Philosophy of Art

The Philosophy of Art

Author: Georg Wilhelm Friedrich Hegel

Publisher: Franklin Classics Trade Press

Published: 2018-10-24

Total Pages: 152

ISBN-13: 9780344116490

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


In Pursuit of a Scientific Culture

In Pursuit of a Scientific Culture

Author: Peter Allan Dale

Publisher:

Published: 1989

Total Pages: 354

ISBN-13:

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One of the preoccupations of Victorian writers was the search for a philosophical replacement of romanticism. This book traces the course of that search. Peter Dale centers his analysis on positivism. In clear opposition to romanticism, positivism was militantly realistic and antiromantic. Its realism was based on observation of the structures of the natural world and on the scientific method that provided the way to understand those structures. Positivism became the dominant ideology of the later Victorian age; Dale argues that because of its influence on both practical and contemplative life, it was the true intellectual successor to romanticism. Dale approaches positivism through the important writings of George Henry Lewes, but extends his focus to include the effect of positivism on such writers as George Eliot, Leslie Stephen, Charles Darwin, George Meredith, Thomas Hardy, and others, in an attempt to show an ongoing engagement between science and the imagination.


Information Arts

Information Arts

Author: Stephen Wilson

Publisher: MIT Press

Published: 2003-02-28

Total Pages: 980

ISBN-13: 9780262731584

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An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.