Sale

Sale

Author: American Art Association, Anderson Galleries (Firm)

Publisher:

Published: 1922

Total Pages: 1662

ISBN-13:

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Sale

Sale

Author: Anderson Galleries, Inc

Publisher:

Published: 1909

Total Pages: 852

ISBN-13:

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Bernini

Bernini

Author: Claude Douglas Dickerson (III)

Publisher: Metropolitan Museum of Art

Published: 2012

Total Pages: 433

ISBN-13: 1588394727

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"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.


Report

Report

Author: Grand Rapids Public Library (Grand Rapids, Mich.)

Publisher:

Published: 1926

Total Pages: 564

ISBN-13:

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Collecting and Provenance

Collecting and Provenance

Author: Jane Milosch

Publisher: Rowman & Littlefield

Published: 2019-10-28

Total Pages: 451

ISBN-13: 153812758X

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The study of provenance—the history of the creation and ownership of an artefact, work of art, or specimen—provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art history and anthropology, to natural history and law, looking at periods from antiquity through the 18th century and the Holocaust era to the present, and materials from Europe and the Americas to China and the Pacific. The issues raised are wide-ranging, touching on aspects of authenticity, cultural meaning and material transformation and economic and commercial drivers, as well as collector and object biography. The book fills a gap in the study of collecting and provenance, taking the subject holistically and from multiple standpoints, better to reflect the widening interest in provenance from a range of disciplinary perspectives. This book will be a service to the field, from established scholars and museum professionals to students of collecting history, cultural heritage, and museum studies.