Sale

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Author: Anderson Galleries, Inc

Publisher:

Published: 1909

Total Pages: 852

ISBN-13:

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Sale

Sale

Author: American Art Association, Anderson Galleries (Firm)

Publisher:

Published: 1922

Total Pages: 1662

ISBN-13:

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The Purchase of the Past

The Purchase of the Past

Author: Tom Stammers

Publisher: Cambridge University Press

Published: 2020-06-25

Total Pages: 375

ISBN-13: 1108807224

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Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.


The Brummer Galleries, Paris and New York

The Brummer Galleries, Paris and New York

Author:

Publisher: BRILL

Published: 2023-05-08

Total Pages: 535

ISBN-13: 9004541063

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This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.