Crafting Tradition

Crafting Tradition

Author: Michael Chibnik

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 308

ISBN-13: 0292782667

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Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.


Oaxacan Woodcarving

Oaxacan Woodcarving

Author: Shepard Barbash

Publisher: Chronicle Books

Published: 1993-04

Total Pages: 118

ISBN-13: 9780811802505

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Examines the work of traditional Mexican woodcarvers


Oaxacan Ceramics

Oaxacan Ceramics

Author: Lois Wasserspring

Publisher: Chronicle Books

Published: 2000

Total Pages: 140

ISBN-13: 9780811823586

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"Though their work is informed by a shared sense of culture, place, and identity as women, each artist has her own unique style, source of inspiration, and approach to her craft. Daily life and flights of fancy, spiritual devotion and earthly concerns all find expression in these finely crafted and beautifully colored ceramic marvels, including street scenes and nativities, Virgins and Zapotec creatures, vases, plates, candleholders, and figures of Frida Kahlo."--BOOK JACKET.


The Value of Aesthetics

The Value of Aesthetics

Author: Alanna Cant

Publisher: University of Texas Press

Published: 2019-09-01

Total Pages: 205

ISBN-13: 1477318801

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Unlike many other handicrafts in the Mexican state of Oaxaca, which have long cultural and historical trajectories, Oaxacan woodcarving began in the second half of the twentieth century and has always been done for the commercial market. In The Value of Aesthetics, Alanna Cant explores how one family’s workshop in the village of San Martín Tilcajete has become the most critically and economically successful, surpassing those of neighbors who use similar materials and techniques. The dominance of this family is tied to their ability to produce a new aesthetic that appeals to three key “economies of culture”: the tourist market for souvenirs, the national market for traditional Mexican artesanías, and the international market for indigenous art. Offering a new analytical model by which anthropologists can approach visual aesthetics and conceptualize the power of artworks as socially active objects, The Value of Aesthetics shows how aesthetic practices produce and redefine social and political relationships. By investigating the links between aesthetics and issues of production, authorship, ownership, and identity, Cant shows aesthetic change to be a process that ultimately repackages everyday life into commodified objects in Oaxaca.


Tiny Whittling

Tiny Whittling

Author: Steve Tomashek

Publisher: Chicago Review Press

Published: 2012-11-01

Total Pages: 316

ISBN-13: 1613744994

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This handbook uses step-by-step photography and easy-to-follow instructions to teach you how to whittle whimsical miniature creatures. With just a sharp knife, a little practice, and the tiniest block of wood, anyone can make a charming carving in less than an hour. You will &· create a simple turnip bear and a carrot mouse to start &· graduate to wood and master a variety of cuts and carving techniques &· learn how to sand, paint, and decorate your tiny carvings &· create a fox, an owl, a horse, a hen, and even a forest or farmyard setting for your miniature menagerie and more


Arts and Crafts of Mexico

Arts and Crafts of Mexico

Author: Chloe Sayer

Publisher:

Published: 1990-11

Total Pages: 168

ISBN-13:

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With some 160 color photographs, this volume portrays the Mexican people, their cultures, and their folk arts, including textiles, ceramics, jewelry, lacquer, masks, and toys. It includes a guide to Mexico's indigenous peoples, a map, a glossary, and a bibliography. Annotation copyrighted by Book News, Inc., Portland, OR


Made in Mexico

Made in Mexico

Author: W. Warner Wood

Publisher: Indiana University Press

Published: 2008

Total Pages: 529

ISBN-13: 0253351545

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The story behind the international trade in Oaxacan textiles


Critical Craft

Critical Craft

Author: Clare M. Wilkinson-Weber

Publisher: Taylor & Francis

Published: 2016-02-25

Total Pages: 315

ISBN-13: 1472594878

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From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change.


Dream Carver

Dream Carver

Author: Diana Cohn

Publisher: Chronicle Books

Published: 2002-04

Total Pages: 126

ISBN-13: 9780811812443

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In this story, inspired by the real life of Oaxacan woodcarver Manuel Jimenez, a young boy, dreams of colorful, exotic animals that he will one day carve in wood.


Between Art and Artifact

Between Art and Artifact

Author: Ronda L. Brulotte

Publisher: University of Texas Press

Published: 2012-07-01

Total Pages: 236

ISBN-13: 0292742649

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Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in “fakes” that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are “genuine” artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present “authentic” cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as “forgeries.” Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove “authenticity,” Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship.