Mudlavia Elizabeth Stuckey-French The Brief History of the Dead Kevin Brockmeier The Golden Era of Heartbreak Michael Parker The Hurt Man Wendell Berry The Tutor Nell Freudenberger Fantasy for Eleven Fingers Ben Fountain The High Divide Charles D’Ambrosio Desolation Gail Jones A Rich Man Edward P. Jones Dues Dale Peck Speckle Trout Ron Rash Sphinxes Timothy Crouse Grace Paula Fox Snowbound Liza Ward Tea Nancy Reisman Christie Caitlin Macy Refuge in London Ruth Prawer Jhabvala The Drowned Woman Frances De Pontes Peebles The Card Trick Tessa Hadley What You Pawn I Will Redeem Sherman Alexie From the Trade Paperback edition.
An annual collection of the twenty best contemporary short stories selected by series editor Laura Furman from hundreds of literary magazines, The O. Henry Prize Stories 2008 is studded with extraordinary settings and characters: a teenager in survivalist Alaska, the seed keeper of a doomed Chinese village, a young woman trying to save her life in a Ukrainian internet café. Also included are the winning writers' comments on what inspired them, a short essay from each of the three eminent jurors, and an extensive resource list of literary magazines.
Now celebrating its centenary, this prestigious annual anthology gathers the twenty best new short stories published in the previous year. An Anchor Books Original. The O. Henry Prize Stories 2019--continuing a century-long tradition of cutting-edge literary excellence--contains twenty prize-winning stories chosen from the thousands published in magazines over the previous year. The winning writers are an impressive mix of celebrated names and new, emerging voices. Their stories evoke lives both near and distant, in settings ranging from Jamaica, Houston, and Hawaii to a Turkish coal mine and a drought-ridden Northwestern farm, and feature an engaging array of characters, including Laotian refugees, a Colombian kidnap victim, an eccentric Irish schoolteacher, a woman haunted by a house that cleans itself, and a strangely long-lived rabbit. The uniformly breathtaking stories are accompanied by essays from the eminent jurors on their favorites, observations from the winning writers on what inspired them, and an extensive resource list of magazines. List of 2019 winners: Tessa Hadley John Keeble Moira McCavana Rachel Kondo Sarah Shun-lien Bynum Stephanie Reents Alexia Arthurs Valerie O’Riordan Patricia Engel Kenan Orhan Sarah Hall Bryan Washington Isabella Hammad Weike Wang Caoilinn Hughes Souvankham Thammavongsa Liza Ward Doua Thao Alexander MacLeod John Edgar Wideman Prize Jurors 2019: Lynn Freed, Elizabeth Strout, Lara Vapynar
An arresting collection of contemporary fiction at its best, these stories explore a vast range of subjects, from love and deception to war and the insidious power of class distinctions. However clearly spoken, in voices sophisticated, cunning, or na•ve, here is fiction that consistently defies our expectations. Selected from thousands of stories in hundreds of literary magazines, the twenty prize-winning stories are accompanied by essays from each of the three eminent jurors on which stories they judged the best, and observations from all twenty prizewinners on what inspired them. “The Room” William Trevor “The Scent of Cinnamon” Charles Lambert “Cherubs” Justine Dymond “Galveston Bay, 1826” Eddie Chuculate “The Gift of Years” Vu Tran “The Diarist” Richard McCann “War Buddies” Joan Silber “Djamilla” Tony D’Souza “In a Bear’s Eye” Yannick Murphy “Summer, with Twins” Rebecca Curtis “Mudder Tongue” Brian Evenson “Companion” Sana Krasikov “A Stone House” Bay Anapol “The Company of Men” Jan Ellison “City Visit” Adam Haslett “The Duchess of Albany” Christine Schutt “A New Kind of Gravity” Andrew Foster Altschul “Gringos” Ariel Dorfman “El Ojo de Agua” Susan Straight “The View from Castle Rock” Alice Munro From the Trade Paperback edition.
A radiant reflection of contemporary fiction at its best, The O. Henry Prize Stories 2006 features stories from locales as diverse as Russia, Zimbabwe, and the rural American South. Series editor Laura Furman considered thousands of stories in hundreds of literary magazines before selecting the winners, which are accompanied here by short essays from each of the three eminent jurors on his or her favorite story, as well as observations from all twenty prize winners on what inspired them. Ranging in tone from arch humor to self-deluding obsessiveness to fairy-tale ingenuousness, these stories are a treasury of potential classics. From the Trade Paperback edition.
The Regeneration Trilogy is Pat Barker's sweeping masterpiece of British historical fiction. 1917, Scotland. At Craiglockhart War Hospital in Scotland, army psychiatrist William Rivers treats shell-shocked soldiers before sending them back to the front. In his care are poets Siegfried Sassoon and Wilfred Owen, and Billy Prior, who is only able to communicate by means of pencil and paper. . . Regeneration, The Eye in the Door and The Ghost Road follow the stories of these men until the last months of the war. Widely acclaimed and admired, Pat Barker's Regeneration trilogy paints with moving detail the far-reaching consequences of a conflict which decimated a generation. 'Harrowing, original, delicate and unforgettable' Independent 'A new vision of what the First World War did to human beings, male and female, soldiers and civilians. Constantly surprising and formally superb' A. S. Byatt, Daily Telegraph 'One of the few real masterpieces of late twentieth-century British fiction' Jonathan Coe Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration (1991); which was made into a film of the same name; The Eye in the Door (1993), which won the Guardian Fiction Prize; and The Ghost Road (1995), which won the Booker Prize, as well as the more recent novels Another World, Border Crossing, Double Vision, Life Class and Toby's Room. She lives in Durham.
The O. Henry Prize Stories 2016 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories range in setting from Japan at the outset of World War II to a remote cabin in the woods of Wyoming, and the characters that inhabit them range from a misanthropic survivor of an apocalyptic flood to a unicorn hidden in a suburban house. Whether fantastical or realistic, gothic or lyrical, the stories here are uniformly breathtaking. They are accompanied by the editor’s introduction, essays from the eminent jurors on their favorites, observations from the winning writers on what inspired them, and an extensive resource list of magazines. CONTENTS "Irises," Elizabeth Genovise "The Mongerji Letters," Geetha Iyer "Narrator," Elizabeth Tallent "Bonus Baby," Joe Donnelly "Divergence," David H. Lynn "A Simple Composition," Shruti Swamy "Storm Windows," Charles Haverty "Train to Harbin," Asako Serizawa "Dismemberment," Wendell Berry "Exit Zero," Marie-Helene Bertino "Cigarettes," Sam Savage "Temples," Adrienne Celt "Safety," Lydia Fitzpatrick "Bounty," Diane Cook "A Single Deliberate Thing," Zebbie Watson "The Crabapple Tree," Robert Coover "Winter 1965," Frederic Tuten "They Were Awake," Rebecca Evanhoe "Slumming," Ottessa Moshfegh "Happiness," Ron Carlson The Jurors on Their Favorites: Molly Antopol, Peter Cameron, Lionel Shriver The Writers on Their Work Publications Submitted For author interviews, photos, and more, go to www.ohenryprizestories.com
The interviews, essays, and articles collected in Reading Myself and Others span a quarter century of Philip Roth's distinguished career and "reveal [a] preoccupation with the relationship between the written and the unwritten world." Here is Roth on himself and his work and the controversies it has engendered. Here too are Roth's writings on the Eastern European writers he has always championed; and on baseball, American fiction, and American Jews. The essential collection of nonfiction by a true American master, Reading Myself and Others features his long interview with The Paris Review.
National Book Award finalist Mary Gaitskill’s debut collection, Bad Behavior—powerful stories about dislocation, longing, and desire which depict a disenchanted and rebellious urban fringe generation that is searching for human connection. Now a classic, Bad Behavior made critical waves when it first published, heralding Gaitskill’s arrival on the literary scene and her establishment as one of the sharpest, erotically charged, and audaciously funny writing talents of contemporary literature. Michiko Kakutani of The New York Times called it “Pinteresque,” saying, “Ms. Gaitskill writes with such authority, such radar-perfect detail, that she is able to make even the most extreme situations seem real…her reportorial candor, uncompromised by sentimentality or voyeuristic charm…underscores the strength of her debut.”
