List of Abbreviations -- Prologue -- The puzzle of the nuns' priest --Biblical models : women and men in the apostolic life -- Jerome and the noble women of Rome -- Brothers, sons, and uncles : nuns' priests and family ties -- Speaking to the bridegroom : women and the power of prayer -- Conclusion -- Appendix : Beati pauperes.
During the Middle Ages, female monasteries relied on priests to provide for their spiritual care, chiefly to celebrate Mass in their chapels but also to hear the confessions of their nuns and give last rites to their sick and dying. These men were essential to the flourishing of female monasticism during the eleventh and twelfth centuries, yet they rarely appear in scholarly accounts of the period. Medieval sources are hardly more forthcoming. Although medieval churchmen consistently acknowledged the necessity of male spiritual supervision in female monasteries, they also warned against the dangers to men of association with women. Nuns' Priests' Tales investigates gendered spiritual hierarchies from the perspective of nuns' priests—ordained men (often local monks) who served the spiritual needs of monastic women. Celibacy, misogyny, and the presumption of men's withdrawal from women within the religious life have often been seen as markers of male spirituality during the period of church reform. Yet, as Fiona J. Griffiths illustrates, men's support and care for religious women could be central to male spirituality and pious practice. Nuns' priests frequently turned to women for prayer and intercession, viewing women's prayers as superior to their own, since they were the prayers of Christ's "brides." Casting nuns as the brides of Christ and adopting for themselves the role of paranymphus (bridesman, or friend of the bridegroom), these men constructed a triangular spiritual relationship in which service to nuns was part of their dedication to Christ. Focusing on men's spiritual ideas about women and their spiritual service to them, Nuns' Priests' Tales reveals a clerical counter-discourse in which spiritual care for women was depicted as a holy service and an act of devotion and obedience to Christ.
Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.