Con el presente libro, las editoras se proponen hacer patente el auge que está experimentando la investigación en el campo de la literatura irlandesa en nuestro país, reflejo de lo que sucede a escala internacional. Como resultado han recogido una colección de ensayos elaborados por destacados filólogos, que presentan nuevas teorías y prácticas hermenéuticas para el análisis de la literatura irlandesa, tomando como objeto e estudio tanto obras clásicas, como textos, por lo general, más cercanos en el tiempo.
“Nearly every major figure of his era,” writes his biographer Adrian Frazier, “worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore.” The Anglo-Irish novelist George Moore (1852–1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore’s key role—as observer-participant and as satirist—within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore’s work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore’s work and through illustrative case studies of Moore’s collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community. This book explores the full range of Moore’s collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore’s reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.
The Irish writer George Moore (1852-1933) was a very significant and often controversial figure on the literary stages of Paris, London and Dublin at a key cultural moment. Between 1880 and 1931, his creative involvements included spells with literary theatres in London and Dublin, jousts with the daring and repression of the fin de siècle, and a hail-and-farewell to Yeats and the Irish Revival. This collection of essays offers fresh insights into diverse elements of his œuvre and reflects some of the wide variety in Moore’s literary innovations, influences and legacy. Contributors note his pioneering contributions to the short story, his penetrating insights into Greek classical literature, his avant-garde feminism and egalitarianism, and – what may surprise 21st-century readers of biblical-theme blockbusters - his sensitive but contentious novelistic treatment of the historical Jesus. In this volume, there are studies of sophisticated composition, and fresh approaches to textual analysis. The multiple Moore talents are scrutinised, myths are dispelled and new evidence is uncovered for historic linkages. George Moore’s anticipation of Freudian psychological insights and his engagement with Darwinian theses are but two of his close involvements with key nineteenth-century figures. Manet, Degas, Parnell, Kant, Maupassant, Gladstone, Zola, Marx and Woolf must feature on the list of names that are inseparable from Moore’s life and work. Yeats and Joyce also loom large and their under-acknowledged indebtedness to Moore poses difficult questions for literary history. While Moore’s own debt to French artistic influences, English models, and Irish heritage has long been recognised, perceptions of Moore’s writing from outside the Anglophone world highlight issues that demand further consideration. This multi-faceted author is well-served by these new studies that, in turn, suggest additional avenues yet to be explored.
This book hopes to do justice to the literary wealth to be found in Irish literature which has had, and still has, a powerfull attraction for scholars in the Spanish academia in particular and in the world of letters in general. It is not surprising that this book, prepared as it was in Galicia, should begin with two contributions which are specially significant and representative of the fruitful relationship between Galicia and what has tradicionally been seen as "sister" Ireland. The rest of the volume is divided into two clearly distinguishable parts: on the one hand there are essays which can be described as a revision of the canon of Irish literature in English and the texts found therein. The second part contains new essays on Irish literature, and an examination of the work of Irish women writers.
Joyceana: literaria hibérnica es una colección de ensayos, realizados por filólogos de reconocido prestigio en el ámbito académico, que versan sobre textos clásicos de la literatura irlandesa. El volumen consta de dos secciones: la primera incluye una serie de estudios que abordan la excelsa obra de James Joyce desde perspectivas originales, la segunda ofrece un abanico de trabajos que profundizan en la producción literaria de escritores, que también sobresalen en el panorama de las letras irlandesas, empleando como instrumento de análisis novedosas corrientes críticas.
This 2nd edition of a highly respected textbook offers a comprehensive introduction to Irish social policy. It provides an accessible, critical overview taking account of significant changes over recent years. The book is organised across four key sections: 1: Traces the emergence and development of Irish social policy from its origins to the present 2: Situates the Irish case in the wider context of the politics, ideology and socio-economic factors relevant to the development and reform of welfare states 3: Analyses core social service areas with specific reference to the contemporary Irish context 4: Explores how social policy affects particular groups in Irish society including children, older people, people with disabilities, carers, new immigrant and minority ethnic groups, and LGBT people. Discusses the challenges posed by environmental issues and the importance of a social policy perspective Text boxes used throughout provide policy summaries, definitions of key concepts, along with guides for further reading and discussion. This is a valuable resource for undergraduate and postgraduate students studying Irish social policy and allied subjects.
