Desmond Cole goes on a field trip to the museum in the ninth book of the Desmond Cole Ghost Patrol series! Museums are great places to see really old stuff. The Kersville Museum has old paintings, old statues, and even old mummies that come with old curses. Sounds like a perfectly safe place to visit for family fun. Until the mummies start to disappear! With easy-to-read language and illustrations on almost every page, the Desmond Cole Ghost Patrol chapter books are perfect for emerging readers.
Recently widowed Toni MacArthur heads to a small Minnesota town to start a new life. She begins by accepting a position as the junior high principal. Life in this small town becomes complicated as she deals with the superintendents affectionate, hands-on management style, bullying parents, teen drug use, and a sense of unease about being watched. To further complicate matters, a mysterious corpse is found on the steps of the school. What further challenges confront Toni as she struggles to create her uncertain future?
"This night, when the sky will be veiled by darkness, which will swallow Earth, I'll come to you-not in person but in a dream when I'm free as a bird. I'll come to see you, to please my heart regardless of the fact that my heart doesn't matter to you anymore, because it loves you like it did when it still believed in your love. This night, when the world slips into peaceful sleep, when the stars come out to replace the sun, I'll come to you to please my eyes, which still yearn to see you. Put your arms around me, kiss me in your dream, and deceive my heart again, as you did before. Kiss my eyes to make them believe you're the one who you pretended to be. The world without you is called loneliness, and loneliness is soul pain, yearning for you. If just once I could visit you in a dream, to awaken your sleeping heart, to rekindle the fire that used to burn in it, I would be lonely no more."
Fans of Amanda Flower and Heather Blake will delight in this latest mystery in the Witch City series, featuring Lee Barrett, program director for Salem, Massachusetts’s local station, WICH-TV, and a cast of colorful characters and sleuthing helpers—including her detective sergeant husband, and a clairvoyant cat, O’Ryan. Just married, Lee and her husband, Detective Sergeant Pete Mondello, are settling into their new home when Lee is dubbed WICH-TV’s new “Historical Documentary Chief Executive.” Her first subject is the brand-newSalem International Museum, slated to be a location for traveling blockbuster exhibits, starting with “Seafaring New England.” From research to collecting artifacts of Salem’s long-ago days as a shipping capital, the project is a challenge—but when the driver of a truckload of antiquities turns up dead under a pile of fall leaves, it’s not quite the kind of challenge Lee expected . . . Soon, Lee and Pete are dredging up clues along with a hardy crew of helpers, including Lee’s librarian aunt, Ibby, Lee’s best friend and practicing witch, River North—and of course the clairvoyant cat, O’Ryan. But when a ship model in the exhibit’s collection appears to be haunted, Lee will have to dive into her own treasure trove of psychic gifts before a killer comes to the surface to strike again . . . Praise for the Witch City Mysteries “Yet another hit in the Witch City Mystery series!” —Fresh Fiction on Murder, Take Two “Carol J. Perry juggles these details with finesse and moves the plot toward a creepy conclusion that adds a few shivers to this cozy.” —BookPage on Late Checkout
SPACE ... once believed to be a vast and vacant void, has been found, in fact, to be filled with all sorts of things - things that roam freely and at random. Our little spaceship Earth is no longer as secure as we once thought it to be. There are clouds of dust and gas so hot that their mere passing would scour our little system of planets with a breath of death and destruction complete. Clouds so massive that just their passing could throw all our little planets from of their peaceful orbits into the deep cold of a sunless darkness and fling our star out and on its way to being one of the eternal roamers of our galaxy, or even throw it into an intergalactic journey to who-knows-where? Black holes; blazars; blasts of deadly radiation from nearby super-novae; stars; burned out hulks of stars; super-dense neutron stars; rocks (small or incredibly large), and a host of other things - none of them welcome visitors. IN THIS INCREDIBLE, SWEEPING SAGA across thousands of years and hundreds of light years we come face to face with our fears and deep prejudices. It is here, in SEEDS OF MEMORY, that we get an idea of what it means to be "HUMAN" and what "HUMAN" really means. It is here, in SEEDS OF MEMORY, that we are confronted with the need to know colliding head-on with reality. Are we, HOMO SAPIENS SAPIENS, truly the only form that humans can take, and is our history the only history? Might there not be others, or others created out of the very stuff of life who are, after all, our brothers and sisters - kith and kin. In this story we find that the lines that divide have indistinct, fuzzy edges, and that we are the ones who make those divisions. Here we discover humanity at its magnificent best, its seething worst, and everything imaginable between, while we make an uncertain attempt to reunite two peoples separated by time and space...and other things... One of those unwelcome visitors has arrived and we are pitifully unprepared. This is a speculative look into a far-flung future disaster that could actually happen (and well might, someday) and how the human species reacts to it. It could even be said that it is a look at a future history - a history we might not be able to survive.
Donald Judd Interviews presents sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. That’s been tried now, in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that they tend to shake up the society a little bit just by their existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. If the artist isn’t free, you won’t have any art.” Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).
It's the late 1940's and almost a year has passed since DetectiveShawn McCormick, with the help of Maxine O'Connor and Police Chief Clifford, foiled the plans of the infamous Mr. Smith and 'The Dark Circle' in their attempt to capitalize on the ancient anddangerous formulas written in the pages of: The Book.Now with a new investigation into a high-profile murder at a museum, the detective and Maxine suddenly find themselves plunged into the realm of politics, international intrigue and ancientEgyptian legend. With adversaries now more cunning and ruthless than ever, it's again up to Shawn and Maxine to risk everything in arace to find another ancient artifact that, in the wrong hands, could be used to devastate the civilized world. So begins another dangerfraught adventure that will reveal the terrible secret hidden in: Khufu's Tablet.
THE KEEPER OF FAMILIES: JEAN HERINGMAN WILLACY'S AFGHAN DIARIES "I have a lifetime of memories and experiences during my years in Afghanistan and would deeply love seeing something rewarding from those days." J.H.Willacy Intrepid American traveller and photographer, Jean Heringman Willacy is crossing the Hindu Kush Mountains when she falls in love with Afghanistan and begins a completely new life. She is almost fifty years old. The Keeper of Families is Jean's historical yet timely memoir from before and after the Soviet invasion of Afghanistan. Her remarkable Afghan legacy is woven into a single, compelling narrative from diaries, letters, eye-witness accounts, and rare recordings of interviews and on-the-street encounters. With a handshake, Jean goes into business with Afghan merchant Azad to export the then trendy, sheepskin 'hippy coats'. She ensures that her fashion company provides Afghan widows with embroidery work. Over Persian lambswool, she meets English fur trader Henry Willacy who becomes her life partner. It is 1967, a colourful and seemingly carefree time when girls wear mini-skirts and Kabul is known as the 'Paris of Central Asia'. Jean captures her adventures -and misadventures- with the thrill of discovering her new country, its people and their culture. Unaware of growing political unrest, Jean is visiting at the home of Afghan friends when they are pinned down during the ruthless communist coup. “At about 5 a.m....there is a very big explosion...we see more tanks on the move...further up the street, the palace is on fire. We are right in the line of the bombing and strafing by the planes. It is the longest day imaginable.” At the tragic onset of the ensuing Soviet-Afghan War, Jean is by now 60 years old. Compassion and indignation override concerns about her age and compel her to go into the refugee camps in Pakistan and those countries granting asylum determined to help those fleeing for their lives. “To be a refugee, more than losing your rights, more than losing your country, you lose the right to choose your way of life.” -Dr Ghulam For the next two decades, using her own resources and ingenuity, Jean battles bureaucrats from Peshawar to Washington and befriends an ever-growing number of Afghan refugees -their 'Keeper of Families'- joined in a mutual struggle to overcome the ravages of war and rebuild their lives with dignity. In Jean's words, “Their stories must be told to show the world that it is not merely enough to have escaped tyranny and oppression.” Stories like those of outspoken midwife Habiba who wants to write a book, Dr Ghulam facing deportation, or schoolteacher Soroya caught in the clash of cultures. Far from being a 'Western saviour', can Jean make a difference? The book features a selection of Jean's photographs and war-time drawings by Afghan refugee children. It proudly bears the endorsement of the late, internationally acclaimed historian Nancy Hatch Dupree, known as the 'Grandmother of Afghanistan.' “The Keeper of Families is a notable addition to the study of displacement...New Jean-type reporting is needed.” As, one refugee crisis follows another, The Keeper of Families remains a relevant and need-to-read book. Hopefully, Jean and her adoptive Afghan family can continue to inspire and, now more than ever, reaffirm our common bond of humanity.
