The poems in this brilliant follow-up to the National Book Award finalist Archeophonics, are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, "Gizzi's poetry is an example of how a poet's total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion." With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.
A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark. Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections. When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector. Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk. We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.
'I Had a Black Dog says with wit, insight, economy and complete understanding what other books take 300 pages to say. Brilliant and indispensable.' - Stephen Fry 'Finally, a book about depression that isn't a prescriptive self-help manual. Johnston's deftly expresses how lonely and isolating depression can be for sufferers. Poignant and humorous in equal measure.' Sunday Times There are many different breeds of Black Dog affecting millions of people from all walks of life. The Black Dog is an equal opportunity mongrel. It was Winston Churchill who popularized the phrase Black Dog to describe the bouts of depression he experienced for much of his life. Matthew Johnstone, a sufferer himself, has written and illustrated this moving and uplifting insight into what it is like to have a Black Dog as a companion and how he learned to tame it and bring it to heel.
From the Newbery Award–winning author of Shiloh comes a middle-grade novel that combines adrenaline-fueled adventure with a poignant coming-of-age story. Buck Anderson’s life seems to be changing completely. His best friend, David, has moved away; his anxious parents are hounding him more than ever; he has reluctantly agreed to fill in for his uncle and do odd jobs for a grumpy old veteran in town; and his twin sister has a new boyfriend and is never around anymore. To top it all off, Buck is bullied by a group of boys at school—mainly because he stutters. There is one thing that frees Buck from his worries. It is the heart-pounding exhilaration he feels when exploring underground caves in and around his hometown. He used to go caving with David, but he’s determined to continue on his own now. He doesn’t know that more changes are headed his way—changes that just might make him rethink his view of the world and his place in it. Praise for GOING WHERE IT’S DARK “A well-constructed and well-paced story that will be appreciated by anyone who has ever felt out of place or bullied.” —School Library Journal “Buck’s strength is inspirational, and his family’s love and respect are heartwarming.” —Kirkus Reviews “With characteristic sensitivity, Naylor delivers an engrossing account of a boy’s interior and exterior struggles.” —Publishers Weekly
When Twin Peaks debuted on the ABC network on the night of April 8, 1990, thirty-five million viewers tuned in to some of the most unusual television of their lives. Centered on an eccentric, coffee-loving FBI agent's investigation into the murder of a small town teen queen, Twin Peaks brought the aesthetic of arthouse cinema to a prime time television audience and became a cult sensation in the process. Part of Twin Peaks' charm was its unforgettable soundtrack by Angelo Badalamenti, a longtime musical collaborator of film director and Twin Peaks co-creator David Lynch. Badalamenti's evocative music, with its haunting themes and jazzy moodscapes, served as a constant in a narrative that was often unhinged and went on to become one of the most popular and influential television soundtracks of all time. How did a unique collaborative process between a director and composer result in a perfectly postmodern soundtrack that ran the gamut of musical styles from jazz to dreamy pop to synthesizer doom and beyond? And how did Badalamenti's musical cues work with Twin Peaks' visuals, constantly evolving and playing off viewers' expectations and associations? Under the guidance of Angelo Badalamenti's beautifully dark sonic palette, Clare Nina Norelli delves deep into the world of Twin Peaks to answer all this and more.
'If you are hungry for truth and beauty, read this book' Roisin Ingle, The Irish Times 'A demonstration of a will to live that is breathtaking ... a work of documentary poetry ... an extraordinary read' The Herald 'An unforgettable read about what it means to be alive' Woman's Way 'The world "inspirational" is over-used, but if ever a book deserved this epithet, this is it' Sunday Independent 'Sparsely and beautifully written .. the human spirit and will to live shines out of these pages' Irish Independent A No.1 bestseller, It's Not Yet Dark is an unforgettable book about relationships and family, about what connects and separates us as people and, ultimately, about what it means to be alive. In 2008, Simon Fitzmaurice was diagnosed with Motor Neurone Disease (mnd). He was given four years to live. In 2010, in a state of lung-function collapse, Simon knew with crystal clarity that now was not his time to die. Against all prevailing medical opinion, he chose to ventilate in order to stay alive. Here, the young filmmaker, a husband and father of five small children draws us deeply into his inner world. Written using an eye-gaze computer and told in simply expressed and beautifully stark prose, the result is an astonishing journey into a life which, though brutally compromised, is lived more fully and in the moment than most, revealing at its core the power of love its most potent.
The Drew siblings must face a powerful creature from the ocean depths to reclaim the golden grail in this third installment of Susan Cooper’s epic and award-winning The Dark Is Rising Sequence, now with a brand-new look! The priceless golden grail that Simon, Jane, and Barney Drew worked so hard to recover has been stolen by forces of evil. Great-Uncle Merry takes the siblings back to Trewissick in Cornwall, where he expects the Dark has hidden the grail. There, they are joined by Will Stanton, a mysterious boy with astounding powers. But there are more forces at play than they realize, and when the village women create the disturbing ritual creature called the Greenwitch—an ancient image made of leaves and branches and cast into the sea for good luck in fishing—Jane must face the unknown without help. The Greenwitch springs to life with vengeful power and is called forth from the ocean depths by the Dark to set loose the unpredictable Wild Magic of the earth. To prevent this dreadful entity from unleashing devastating damage, Jane must convince Greenwitch to turn toward the Light. But can she ever hope to tip the balance against the Dark?
Danny Reed was a genius who was raised by his Aunt after the death of his parents when he was a baby. He was also an idealist who enlisted into the United States Navy, thinking he would be able to make a difference in the world. Once in, he became a hospital corpsman and volunteered for duty with a United States Marine Corps unit that was being deployed overseas to Vietnam. However, the moment he set foot upon the Southeast Asian shoreline, a strange and dark metamorphosis began to take shape within him, leaving those who loved him the most wondering if he would ever make it back from the self induced hell he eventually became a part of, or would he fall into the abyss, never to return.
This genre falls under the category of Sci-fi fantasy thriller a works that is just as exciting as the adventures of Lora Croft in “Tomb Raiders” I chose this genre to create characters that exist outside of the everyday urban-scape theme. One of the main characters is a black woman; a seasoned sea captain for example. I wanted to create another kind of hero, in another part of the world, on another kind of mission based on another mindset; more of a West African theme influenced by the folklore of the ancient Yoruba of Southwestern Nigeria which is deeply submerged in cosmological and celestial influences and is viewed as individual characteristic energies expressing themselves universally in allegorical narratives. These legends tend to be older then Western civilization. I wanted the story to be unique and the characters just as unique. This is a story told by the ancestors of the war in heaven before the creation of man...this a story of the battle of illumination and darkness the fight to maintain balance between good and evil.
