In this entertaining collection of essays, Wayne Booth looks for the much-maligned “middle ground” for reason—a rhetoric that can unite truths of the heart with truths of the head and allow us all to discover shared convictions in mutual inquiry. First delivered as lectures in the 1960s, when Booth was a professor at Earlham College and the University of Chicago, Now Don’t Try to Reason with Me still resounds with anyone struggling for consensus in a world of us versus them. “Professor Booth’s earnestness is graced by wit, irony, and generous humor.”—Louis Coxe, New Republic
Stressing that the literary works are written by human authors, about human subjects, and for human readers, Schwarz argues that reading must be understood as a transaction between texts and readers.
Throughout her life, Melissa Williams has hoped for a relationship with someone who can appreciate her for who she is and for the love that she is ready to give. When a friend from her hometown asks for her hand in marriage, she’s ready to take this next step with him until she realizes that her heart is yearning for someone else. Little does she know, thousands of miles away in West Africa, Orpheus Frank follows his mother’s advice to leave Liberia to find his Queen in America. In this Final Torn, two countries will come together in a love story that will face good and bad times. Will Melissa and Orpheus rekindle their connection that was started a year ago on Miami Beach or will the forces behind the scenes be strong enough to send him back to Africa with a broken heart? As this story unfolds, Melissa comes into her own when she surrenders her mind and body to receive love from a younger man, who is ready to love. The Final Torn: One Night with the King is the fourth and final book for the Torn Series, which is a collection of books based on true events. This journey began when Melissa was a teenager in search of love, only to forge her happiness when her marriage ended after 15 years. Once she became a single woman, Melissa began to explore other possibilities that sent her to a place where she could only be rescued by God. Because of her faith, Melissa turns to the church for her healing and is shocked when she learns that the man of God that she trusted used her as a pawn in his scam that almost took Melissa’s life. In this final journey of the Torn Series, Melissa tests her faith in God when she made a final attempt at real love. What will it cost her this time? Packed with passion, suspense, love and romance, Melissa risks it all, but is it all worth the risks? The book titles are as follows: Torn: The Melissa Williams Story, Torn 2: Passion, Pain & Promise, Torn 3: Surviving the Human Snake P it and The Final Torn: One Night with the King.
Have you ever wished? That you had the last laugh? Because that was what Katherine Rose Claw wanted. She wanted the last laugh between her battles with fate, but the thing is. You do not win against fate, nobody does. Katherine Claw has been torn between love and fate, between two brothers, only because fate does not want to be crossed. But what happens when you choose love and not fate and ended up with fate having power over love as well, what happens when you are supposed to choose? Even when you do not want to? Katherine has everything, a first love, a destined mate and a charming warrior but only one heart to give. What would you have done? Who would you have chosen? If fate has not screwed you over, four times. It is all a matter of fight or fall.
The abuse spectrum is a solid sphere, from minuscule to beyond the outer limits of known physics. Abuse not only of people, but of things and places. This book covers all of that, while incorporating many chapters beyond that topic. The hope is a pushback of mischiefs, a healing, a curative force which goes viral, rather than the virility of evil and abuse growing to encompass more and more of the world. A book that has been carefully designed & crafted to challenge any reader, a challenge for tolerance and a challenge towards motivation to fix and properly govern oneself in a new and novel way, as the universe falls m into the last day Bible style. Prepare to be shocked, horrified, and cringed like never before. Enter the arena of these pages; a contest is afoot and lively if one does. When taken in its full context, the words herein cannot be defeated?
The Vineyard takes you on a journey into a series of mental, physical and spiritual experiences in form of songs of various genres, poems on different issues and inspired quotes on life's situations. Step up to ShyVino's Book of Rhymes and have a sip of the wine made with a blend of love and emotions, fortitude and tenacity, living and surviving with physical, emotional and spiritual aspects of life; which he offers from his vineyard . The book is a compilation of rap, songs and poems in the order they were written. Some of these lyrics, if not all, can pass for articles for reflection or prayers. When you get to the final page, you would have succeeded in completing a journey of several years, on various issues, with Nzefili.
The 'Greatest Historical Romances of All Time' stands as a monumental anthology, capturing the riveting essence and breadth of historical romance through time. Within its pages, the collection showcases an exceptional variety of literary styles, from the sweeping, gothic emotional landscapes painted by the Brontë sisters to the intricate societal commentaries of Jane Austen and the intense passion of Leo Tolstoy's masterpieces. The anthology triumphs in bringing together standout pieces known for their deep exploration of love and society, adventure and self-discovery, all while embodying the historical and cultural nuances of their respective periods. It adeptly highlights the diversity and significance of the works included, showcasing a rich tapestry of human experience and emotion through the ages. The contributing authors, ranging from pioneers like Mary Wollstonecraft and Henry James to visionaries like F. Scott Fitzgerald and Edith Wharton, bring varied backgrounds and monumental contributions to the table. Their collective works, each aligning with notable historical, cultural, or literary movements, weave a cohesive narrative that transcends time and geography. This array of voices, including both heralded classics and lesser-known gems, enriches the reader's understanding of historical romance, providing insights into the evolving nature of love, constraints, and freedom through centuries. This anthology invites readers into a world where each page turn offers a portal to the past, enveloping them in the trials and triumphs of timeless love stories. Delve into 'The Greatest Historical Romances of All Time' not merely for its educational value but for the unique experience of witnessing a dialogue between different epochs. It is an indispensable collection for those passionate about the rich intersection of history and romance, offering a multifaceted perspective on the human heart that is as enlightening as it is entertaining. Explore this curated selection of literary jewels and embark on a breathtaking journey through the very essence of historical romance.
DigiCat presents to you this meticulously edited collection. Content: Romeo & Juliet by William Shakespeare (Play) Romeo & Juliet (Prose Version) Evelina (Fanny Burney) Camilla (Fanny Burney) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) The Sorrows of Young Werther (Goethe) Jane Eyre (Charlotte Brontë) Villette (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Red and the Black (Stendhal) Lorna Doone (R.D. Blackmore) Dangerous Liaisons (Pierre Choderlos de Laclos) The Portrait of a Lady (Henry James) The Wings of the Dove (Henry James) Scarlet Letter (Nathaniel Hawthorne) Adam Bede (George Eliot) Anna Karenina (Leo Tolstoy) Far from the Madding Crowd (Thomas Hardy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughters (Elizabeth Gaskell) The Age of Innocence (Edith Wharton) Little Women (Louisa May Alcott) An Old-Fashioned Girl (Louisa May Alcott) The Lady of the Camellias (Alexandre Dumas) The House of a Thousand Candles (Meredith Nicholson) Great Expectations (Charles Dickens) The Phantom of the Opera (Gaston Leroux) A Room with a View (E. M. Forster) The Beautiful and Damned (F. Scott Fitzgerald) Jennie Gerhardt (Theodore Dreiser) Ann Veronica (H. G. Wells) The Enchanted Barn (Grace Livingston Hill) The Girl from Montana (Grace Livingston Hill) The Miranda Trilogy (Grace Livingston Hill) Marcia Schuyler Phoebe Deane Miranda The Agony Column (Earl DerrBiggers) The Bride of Lammermoor (Walter Scott) Night and Day (Virginia Woolf) Affairs of State (Burton Egbert Stevenson) Jill the Reckless (P.G. Wodehouse) The Black Moth (Georgette Heyer) The Transformation of Philip Jettan (Georgette Heyer) And Both Were Young (Madeleine L'Engle) Penny Plain (O. Douglas) The Awakening (Kate Chopin)
e-artnow presents to you the collection of the great love stories of the past, the best historical novels in one edition:_x000D_ Uarda: A Romance of Ancient Egypt (Georg Ebers)_x000D_ The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan)_x000D_ Hildebrand: The Days of Queen Elizabeth (Anonymous) _x000D_ Love-at-Arms (Rafael Sabatini) _x000D_ The Making Of A Saint (W. Somerset Maugham) _x000D_ The Cloister and the Hearth (Charles Reade) _x000D_ The Princess of Cleves (Madame de La Fayette)_x000D_ The Forest Lovers (Maurice Hewlett) _x000D_ Malcolm (George MacDonald) _x000D_ Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) _x000D_ The Wild Irish Girl (Lady Sydney Morgan) _x000D_ Sophia (Stanley John Weyman) _x000D_ Paul and Virginia (Bernardin de Saint-Pierre) _x000D_ Memoirs of Emma Courtney (Mary Hays) _x000D_ Powder and Patch (Georgette Heyer)_x000D_ The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer)_x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ Fantomina (Eliza Haywood)_x000D_ Olinda's Adventures (Catharine Trotter Cockburn)_x000D_ Belinda (Maria Edgeworth)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Pamela Trilogy_x000D_ Mary (Mary Wollstonecraft)_x000D_ Jane Austen:_x000D_ Pride & Prejudice_x000D_ Sense & Sensibility_x000D_ Mansfield Park_x000D_ Emma_x000D_ Persuasion_x000D_ Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (Thackeray)_x000D_ Mr. Rowl (D. K. Broster)_x000D_ The Battle of the Strong (Gilbert Parker)_x000D_ Kitty Alone (Sabine Baring-Gould) _x000D_ Sentimental Education (Gustave Flaubert) _x000D_ Lady Anna (Anthony Trollope)_x000D_ The Manoeuvring Mother (Lady Charlotte Bury)_x000D_ Ramona (Helen Hunt Jackson) _x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady & The Wings of the Dove (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Bel Ami (Guy de Maupassant) _x000D_ The Squatter and the Don (María Ruiz de Burton) _x000D_ Maria Chapdelaine (Louis Hémon)_x000D_ The Four Feathers (A. E. W. Mason) _x000D_ The Miranda Trilogy (Grace Livingston Hill)_x000D_ The Great Gatsby (F. Scott Fitzgerald)
