First published in 2007, The Nanking Atrocity remains an essential resource for understanding the massacre committed by Japanese soldiers in Nanking, China during the winter of 1937-38. Through a series of deeply considered and empirically rigorous essays, it provides a far more complex and nuanced perspective than that found in works like Iris Chang’s bestselling The Rape of Nanking. It systematically reveals the flaws and exaggerations in Chang’s book while deflating the self-exculpatory narratives that persist in Japan even today. This second edition includes an extensive new introduction by the editor reflecting on the historiographical developments of the last decade, in advance of the 80th anniversary of the massacre.
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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
This elegant and theoretically informed book, illustrated with forty-five photographs, explores the cultural significance of six exhibitions or new museum installations, all opening in Paris between mid-1937 and early 1938: the commercially oriented world's fair titled L'Exposition Internationale des Art et Techniques; the historical Musée des Monuments Français; the ethnographic Musée de l'Homme; two massive art retrospectives, one sponsored by the state of France and the other by the municipality of Paris; and L'Exposition Internationale du Surréalisme.James D. Herbert capitalizes on the proximity of these disparate exhibits to show how they competed with and yet also complemented one another in visually rendering the full scope of human accomplishment through time and across the globe. In this task, Herbert argues, they both succeeded and failed in interesting and productive ways. He asserts that the exhibitions projected and, in a sense, created (created precisely through the act of projection) the real world that they ostensibly only represented.In fact, Herbert argues, the exhibitions developed a particular sense of French national identity—one that, in managing to be at the same moment both inwardly focused and beneficently expansive, would present a vivid contrast to the growing German nationalism of the Third Reich. His epilogue takes a final look at these issues from the perspective of Jean Cocteau's 1950 film Orphée. A ground-breaking work in cultural history, Paris 1937, with its insightful examination of objects from a variety of fields, is a pioneering text in the field of visual studies.
"I am a free-born woman, and not a slave of anyone," Manuy bint Khalfan, Speaking to a British Agency in Sharjah on 24th October 1938. Manuy bint Khalfan was a female slave who was sold and mortgaged several times before she finally escaped from her master.
Japan's invasion of China in 1937 saw most major campaigns north of the Yangtze River, where Chinese industry was concentrated. The southern theater proved a more difficult challenge for Japan because of its enormous size, diverse terrain, and poor infrastructure, but Generalissimo Chiang Kai-shek made a formidable stand that produced a veritable quagmire for a superior opponent--a stalemate much desired by the Allied nations. In the first book to cover this southern theater in detail, David Macri closely examines strategic decisions, campaigns, and operations and shows how they affected Allied grand strategy. Drawing on documents of U.S. and British officials, he reveals for the first time how the Sino-Japanese War served as a "proxy war" for the Allies: by keeping Japan's military resources focused on southern China, they hoped to keep the enemy bogged down in a war of attrition that would prevent them from breaching British and Soviet territory. While the most immediate concern was preserving Siberia and its vast resources from invasion, Macri identifies Hong Kong as the keystone in that proxy war-vital in sustaining Chinese resistance against Japan as it provided the logistical interface between the outside world and battles in Hunan and Kwangtung provinces; a situation that emerged because of its vital rail connection to the city of Changsha. He describes the development of Anglo-Japanese low-intensity conflict at Hong Kong; he then explains the geopolitical significance of Hong Kong and southern China for the period following the German invasion of the Soviet Union. Opening a new window on this rarely studied theater, Macri underscores China's symbolic importance for the Allies, depicting them as unequal partners who fought the Japanese for entirely different reasons-China for restoration of its national sovereignty, the Allies to keep the Japanese preoccupied. And by aiding China's wartime efforts, the Allies further hoped to undermine Japanese propaganda designed to expel Western powers from its Greater East Asia Co-Prosperity Sphere. As Macri shows, Hong Kong was not just a sleepy British Colonial outpost on the fringes of the empire but an essential logistical component of the war, and to fully understand broader events Hong Kong must be viewed together with southern China as a single military zone. His account of that forgotten fight is a pioneering work that provides new insight into the origins of the Pacific War.
The period between 1918 and 1945 witnessed dynamic social and economic developments in Britain as the notion of a government controlled economy and welfare state took root. In order to be understood, this shift in the political landscape needs to be seen in context of the growth of mass political movements and the implementation of fuller democratic processes in the aftermath of the Great War. But whilst much has been written on the rise of the Labour Party, the decline of the Liberals and the domination of the Conservatives in the sphere of high politics, much less research has been done on the local or regional experience of Britain's main political parties between the wars. This volume brings together ten essays that together provide an introduction to the role, influence and effectiveness of Labour Party activists across Britain. Taking a systematic and comparative approach that examines a range of representative areas, this volume is more than simply a collection of local studies. Instead it utilises the local to develop and illuminate the wider dynamics at work inside the Labour Party. By emphasising the role of the party membership, Britain's social and political evolution can be reconstructed from grass-roots level, taking into account the priorities and expectations of the people who sustained and cultivated the nation's social-political base. By addressing reoccurring issues of interest to labour historians, such as gender, nationalism, the co-operative movement and trade unionism, through the locus of regionalism and local party activity, this volume will not only provide scholars with a better understanding of the Labour Party, but should stimulate similar much needed research into other political parties and organisations.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
