First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
Published: 1870
Total Pages: 1142
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: National Art Library (Great Britain)
Publisher:
Published: 1870
Total Pages: 1142
ISBN-13:
DOWNLOAD EBOOKAuthor: National Art Library (Great Britain)
Publisher:
Published: 1870
Total Pages: 1140
ISBN-13:
DOWNLOAD EBOOKAuthor: Musées royaux des beaux-arts de Belgique
Publisher: Brepols Publishers
Published: 2001
Total Pages: 400
ISBN-13: 9782503512297
DOWNLOAD EBOOKThe third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups.
Author: London sir John Soane's mus, libr
Publisher:
Published: 1878
Total Pages: 432
ISBN-13:
DOWNLOAD EBOOKAuthor: Victoria and Albert museum (Londres). National art library
Publisher:
Published: 1877
Total Pages: 674
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum
Publisher:
Published: 1882
Total Pages: 704
ISBN-13:
DOWNLOAD EBOOKAuthor: National Art Library (Great Britain)
Publisher:
Published: 1877
Total Pages: 664
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Richard J. Judson
Publisher: Springer
Published: 2013-12-01
Total Pages: 380
ISBN-13: 9401761957
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1885
Total Pages: 584
ISBN-13:
DOWNLOAD EBOOKAuthor: Musées royaux des beaux-arts de Belgique
Publisher: Brepols Publishers
Published: 2006
Total Pages: 480
ISBN-13:
DOWNLOAD EBOOKThe fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum's archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium's Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.