European Clocks in the J. Paul Getty Museum
European Clocks in the J. Paul Getty Museum

Author: Gillian Wilson

Publisher: Getty Publications

Published: 2013-08-15

Total Pages: 225

ISBN-13: 0892362545

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Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.

Fragonard
Fragonard

Author: Pierre Rosenberg

Publisher: Metropolitan Museum of Art

Published: 1988

Total Pages: 637

ISBN-13: 0870995162

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Revolutionary Paris and the Market for Netherlandish Art
Revolutionary Paris and the Market for Netherlandish Art

Author: Darius A. Spieth

Publisher: BRILL

Published: 2017-11-06

Total Pages: 535

ISBN-13: 9004276750

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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.

Fragonard
Fragonard

Author: Pierre Rosenberg

Publisher: Metropolitan Museum of Art New York

Published: 1988

Total Pages: 644

ISBN-13:

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The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal

Author: The J. Paul Getty Museum

Publisher: Getty Publications

Published: 1993-01-28

Total Pages: 190

ISBN-13: 0892362081

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The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.

Inventing the Art Collection
Inventing the Art Collection

Author: Oscar E. Vázquez

Publisher: Penn State Press

Published: 2010-11-01

Total Pages: 350

ISBN-13: 9780271043951

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The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.