Book 1 of a new series featuring After worldwide fan-favorite Landon Gibson as he leaves Washington to navigate love and life in New York City. At the end of the After Ever Happy, Landon got married—but readers everywhere have been wondering who will get to call the nicest boy in the After series their forever love? Read it and find out! “I'm so excited for everyone to get to know Landon Gibson. Whether you're just hearing about him or already know him from the After series, I know that readers are going to love his story. He's kind and fiercely loyal, and when he falls in love, he loves hard.” (Anna Todd, New York Times and #1 international bestselling author of the After series)
The film I, Daniel Blake - directed by Ken Loach and winner of Best British Film at the BAFTAs and Palme D'Or at Cannes - tells the story of two people's struggles with an oppressive and dehumanising benefits system, and represents themes of oppression, compassion and radical response that are at the heart of the Christian gospel. This five-week Lent study, suitable for groups or individuals, encourages readers to consider the stories of the film and how Christians may be called to respond. The chapters cover: Systems of oppression, Staying human, Compassion in the darkness, Fighting back or giving in?, and the suffering servant. Nothing more and Nothing less should be studied alongside the film of I, Daniel Blake - the book includes scene timings for key scenes, discussion points, meditations and suggested prayers.
Book 2 of a new series featuring After worldwide fan-favorite Landon Gibson as he leaves Washington to navigate love and life in New York City. At the end of the After Ever Happy, Landon got married—but readers everywhere have been wondering who will get to call the nicest boy in the After series their forever love? Read it and find out! “I'm so excited for everyone to get to know Landon Gibson. Whether you're just hearing about him or already know him from the After series, I know that readers are going to love his story. He's kind and fiercely loyal, and when he falls in love, he loves hard.” (Anna Todd, New York Times and #1 international bestselling author of the After series)
NEW YORK TIMES BESTSELLER • From the critically acclaimed author of One of Us Is Lying comes a page-turning mystery about a group of old friends and the secrets that they keep. Four years ago, Brynn left Saint Ambrose School following the shocking murder of her favorite teacher—a story that made headlines after the teacher’s body was found by three Saint Ambrose students in the woods behind their school. The case was never solved. Now that Brynn is moving home and starting her dream internship at a true-crime show, she’s determined to find out what really happened. The kids who found Mr. Larkin are her way in, and her ex–best friend, Tripp Talbot, was one of them. Without his account of events, the other two kids might have gone down for Mr. Larkin’s murder—but instead, thanks to Tripp, they're now at the top of the Saint Ambrose social pyramid. Tripp’s friends have never forgotten what Tripp did for them that day, and neither has he. Just like he hasn’t forgotten that everything he told the police was a lie. Digging into the past is bound to shake up the present, and when Brynn begins to investigate what happened in the woods that day, she uncovers secrets that might change everything—about Saint Ambrose, about Mr. Larkin, and about her ex-best friend, Tripp Talbot. Four years ago someone got away with murder. More terrifying is that they might be closer than anyone thinks.
When war broke out in Europe in 1914, political leaders in the United States were swayed by popular opinion to remain neutral; yet less than three years later, the nation declared war on Germany. In Nothing Less Than War: A New History of America's Entry into World War I, Justus D. Doenecke examines the clash of opinions over the war during this transformative period and offers a fresh perspective on America's decision to enter World War I. Doenecke reappraises the public and private diplomacy of President Woodrow Wilson and his closest advisors and explores in great depth the response of Congress to the war. He also investigates the debates that raged in the popular media and among citizen groups that sprang up across the country as the U.S. economy was threatened by European blockades and as Americans died on ships sunk by German U-boats. The decision to engage in battle ultimately belonged to Wilson, but as Doenecke demonstrates, Wilson's choice was not made in isolation. Nothing Less Than War provides a comprehensive examination of America's internal political climate and its changing international role during the seminal period of 1914--1917.
** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.
How aggressive military strategies win wars, from ancient times to today The goal of war is to defeat the enemy's will to fight. But how this can be accomplished is a thorny issue. Nothing Less than Victory provocatively shows that aggressive, strategic military offenses can win wars and establish lasting peace, while defensive maneuvers have often led to prolonged carnage, indecision, and stalemate. Taking an ambitious and sweeping look at six major wars, from antiquity to World War II, John David Lewis shows how victorious military commanders have achieved long-term peace by identifying the core of the enemy's ideological, political, and social support for a war, fiercely striking at this objective, and demanding that the enemy acknowledges its defeat. Lewis examines the Greco-Persian and Theban wars, the Second Punic War, Aurelian's wars to reunify Rome, the American Civil War, and the Second World War. He considers successful examples of overwhelming force, such as the Greek mutilation of Xerxes' army and navy, the Theban-led invasion of the Spartan homeland, and Hannibal's attack against Italy—as well as failed tactics of defense, including Fabius's policy of delay, McClellan's retreat from Richmond, and Chamberlain's appeasement of Hitler. Lewis shows that a war's endurance rests in each side's reasoning, moral purpose, and commitment to fight, and why an effectively aimed, well-planned, and quickly executed offense can end a conflict and create the conditions needed for long-term peace. Recognizing the human motivations behind military conflicts, Nothing Less than Victory makes a powerful case for offensive actions in pursuit of peace.
The thrilling novel that launched #1 New York Times bestseller Jeffrey Archer's career, Not a Penny More, Not a Penny Less. THE SWINDLE IS INGENIOUS The conned: an Oxford don, a revered society physician, a chic French art dealer, and a charming English lord. They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe. A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man. SO IS THE REVENGE With nothing left to lose, four strangers are about to come together—each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge—and they were taught by a master.
A new, philosophically grounded theory of the voice—the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object. Plutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this seminal work. The voice did not figure as a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. In A Voice and Nothing More Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). Dolar proposes that, apart from the two commonly understood uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.
In 1917 Kent, England, 18-year-old Imogene Chively's father has chosen Ernest Steeple as her future husband. But it's Ernest's younger brother, Benjamin, who wins her heart while she is giving him drawing lessons--all while someone seeks to do them harm.
