Notes -- Harvard University. William Hayes Fogg Art Museum
Author: Fogg Art Museum
Publisher:
Published: 1921
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Fogg Art Museum
Publisher:
Published: 1921
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKAuthor: Fogg Art Museum
Publisher:
Published: 1921
Total Pages: 492
ISBN-13:
DOWNLOAD EBOOKAuthor: William Henry Whitmore
Publisher:
Published: 1867
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry James
Publisher: University of Virginia Press
Published: 2011-05-03
Total Pages: 594
ISBN-13: 0813930901
DOWNLOAD EBOOKAfter a childhood divided between America and Europe, Henry James settled with his family in New England, first in what he regarded as an outpost of Europe, Newport, and later in Cambridge. The family letters (the initial inspiration for this autobiographical enterprise), many of which recount the early career of William James at Harvard and in Germany, also reveal Henry James Sr.’s views on the intellectual, philosophical, and social issues of the time. Henry Jr., aspiring to be "just literary," acknowledges his indebtedness to the widely cultured artist John La Farge, whose friendship he enjoyed during adolescence. The Civil War is recorded through the letters of his younger brother, Wilky, while Henry recalls a Whitmanesque longing for the Union soldiers he met and talked to. The death of a beloved cousin, Mary Temple, who would become the inspiration for some of his greatest fictional heroines, is documented through the passionate, questioning letters she wrote in her final year of life. In The Middle Years James, newly resident in London, gives his impressions of some of the literary "lions" of the time, most notably George Eliot and Tennyson. This first fully annotated critical edition of Notes of a Son and Brother and The Middle Years both offers the reader extensive support in appreciating the demands of James’s late prose and illuminates the context in which one of literature’s most influential figures developed a characteristic voice.
Author: California State Library
Publisher:
Published: 1921
Total Pages: 1090
ISBN-13:
DOWNLOAD EBOOKVols. for 1971- include annual reports and statistical summaries.
Author: Leonardo (da Vinci)
Publisher:
Published: 1908
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKAuthor: William Rankin
Publisher:
Published: 1905
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Kirk Ambrose
Publisher: Boydell Press
Published: 2013
Total Pages: 204
ISBN-13: 1843838311
DOWNLOAD EBOOKRichly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.
Author: Alfred Claghorn Potter
Publisher:
Published: 1915
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOKAuthor: Archaeological Institute of America
Publisher:
Published: 1913
Total Pages: 122
ISBN-13:
DOWNLOAD EBOOKBeginning with v. 5, 1914, contains the annual reports of the Institute and the schools, the minutes of the Council, the directory, and announcements of an official nature; the non technical matter formerly appearing in the quarterly Bulletin has been included in Art and archaeology since 1914. Cf. Bulletin, v. 5, Editorial note.