Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.
A classic from the New York Times bestselling author of A Walk in the Woods and The Body. After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly 3 million Americans believed they had been abducted by aliens—as he later put it, "it was clear my people needed me"). They were greeted by a new and improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item. Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth. The result is a book filled with hysterical scenes of one man's attempt to reacquaint himself with his own country, but it is also an extended if at times bemused love letter to the homeland he has returned to after twenty years away.
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
FROM THE AUTHOR OF THE ACCLAIMED THE GRAN TOUR AND THE MARMALADE DIARIES An irreverent homage to the '95 travel classic. 'It would be wrong to view this book as just a highly accomplished homage to a personal hero. Aitken's politics, as much as his humour, are firmly in the spotlight, and Dear Bill Bryson achieves more than its title (possibly even its author) intended.' Manchester Review In 2013, travel writer Ben Aitken decided to follow in the footsteps of his hero - literally - and started a journey around the UK, tracing the trip taken by Bill Bryson in his classic tribute to the British Isles, Notes from a Small Island. Staying at the same hotels, ordering the same food, and even spending the same amount of time in the bath, Aitken's homage - updated and with a new preface for 2022 - is filled with wit, insight and humour.
From a renowned artist and writer, a deeply personal nature journal about the island that informed her many works, with paintings from her longtime partner, artist Tuulikki “Tooti” Pietilä. In the bitter winds of autumn 1963, Tove Jansson, helped by Brunström, a maverick fisherman, raced to build a cabin on a treeless island in the Gulf of Finland. The island was Klovharun, where for thirty summers Tove and her beloved partner, the visual artist, Tuulikki “Tooti” Pietilä, lived, painted, and wrote, energized by the solitude and shifting seascapes. The island's flora, fauna, and weather patterns provided deep inspiration which can be seen reflected in all of Jansson's work, most famously in her bestselling novel The Summer Book and her longstanding comic strip and novels for children, Moomin. Tove's signature spare, quirky prose, and Tooti's subtle ink washes and aquatints combine to form a work of meditative beauty, a chronicle of living peacefully in nature and observing the island’s ecology and character. Notes from an Island is both a work of artistic collaboration and an homage to the deep love the two women shared. One feels as if Jansson’s journal, with Tooti’s sketches tucked inside, has been unearthed like a treasure from under a pile of old quilts in the back of their rustic cabin. Praise for the essay, “The Island” “At once a short story, an essay, and a prose poem, ‘The Island’ reads both like a sketch for The Summer Book and a vignette of Klovharun ... the text seems to change following mysterious tides from a timeless present to an urgent past.” —Hernan Diaz, finalist for the Pulitzer Prize Praise for Tove Jansson "It could be said that everything she wrote is, in one way or another, about the creative interactions between art and reality or art and nature."—The Guardian "Her style is not at all 'poetic'—quite the contrary. It is prose of the very highest order; it is pure prose. Through its quiet clarity we see unreachable depths, threatening darkness, promised treasures."—Ursula K. LeGuin, The Guardian “Tove Jansson was a genius, a woman of profound wisdom and great artistry.”—Philip Pullman “It’s hard to describe the astonishing achievement of Jansson’s artistry.”—Ali Smith
In this delicately wrought and profoundly moving novel, Andrea Levy handles the weighty themes of empire, prejudice, war and love, with a lightness of touch and a generosity of spirit that challenges and uplifts the reader.
"After nearly two decades in Britain, Bill Bryson took the decision to move Mrs Bryson, little Jimmy et al. back to the States for a while. But before leaving his much-loved Yorkshire, Bryson insisted on taking one last trip around old Blighty, a sort of valedictory tour of the green and kindly island that had for so long been his home. The resulting book, Notes from a Small Island, is a eulogy to the country that produced Marmite, George Formby, by-elections, milky tea, place names like Farleigh Wallop, Titsey and Shellow Bowells, Gardeners' Question Time and people who say, 'Mustn't grumble.' Britain will never seem the same again. Once ensconced back home in New Hampshire, Bryson couldn't resist the invitation to write a weekly dispatch for the Mail on Sunday's Night & Day magazine. Notes from a Big Country is a collection of eighteen months' worth of his popular columns about that strangest of phenomena - the American way of life. Whether discussing the dazzling efficiency of the garbage disposal unit, the exoticism of having your groceries bagged for you, or the mind-numbing frequency of commercial breaks on American TV, Bill Bryson brings his inimitable brand of bemused wi
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.