Notations 21

Notations 21

Author: Theresa Sauer

Publisher:

Published: 2009

Total Pages: 328

ISBN-13:

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Drawing inspiration from John Cage's, Notations, Notations 21 features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. These spectacularly beautiful and fascinatingly creative visual pieces not only make for exciting music, but inspiring visual art as well. The scores are accompanied by written contributions from the artists that explore every facet of their creative processes, from inspiration to execution. Contributors include the likes of Karlheinz Stockhausen, Earle Brown, Halim El-Dabh, Joan La Barbara, and Yuji Takahashi, as well as emerging composers whose compositions are also visually astounding and important. In the spirit of honoring the 40th anniversary of Cage's seminal book, while furthering it in a 21st century context, a portion of the sales will be donated to the Foundation for Contemporary Performing Arts.


A History of Mathematical Notations

A History of Mathematical Notations

Author: Florian Cajori

Publisher: Courier Corporation

Published: 2013-09-26

Total Pages: 865

ISBN-13: 0486161161

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This classic study notes the origin of a mathematical symbol, the competition it encountered, its spread among writers in different countries, its rise to popularity, and its eventual decline or ultimate survival. 1929 edition.


Notations

Notations

Author: John Cage

Publisher:

Published: 1969

Total Pages: 340

ISBN-13:

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Manuscripts by 269 composers, with accompanying texts determined by I-Ching chance operations.


A History of Mathematical Notations

A History of Mathematical Notations

Author: Florian Cajori

Publisher: Cosimo, Inc.

Published: 2007-01-01

Total Pages: 473

ISBN-13: 160206685X

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Described even today as "unsurpassed," this history of mathematical notation stretching back to the Babylonians and Egyptians is one of the most comprehensive written. In two impressive volumes, first published in 1928-9 and reproduced here under one cover, distinguished mathematician Florian Cajori shows the origin, evolution, and dissemination of each symbol and the competition it faced in its rise to popularity or fall into obscurity. Illustrated with more than a hundred diagrams and figures, this "mirror of past and present conditions in mathematics" will give students and historians a whole new appreciation for "1 + 1 = 2." Swiss-American author, educator, and mathematician FLORIAN CAJORI (1859-1930) was one of the world's most distinguished mathematical historians. Appointed to a specially created chair in the history of mathematics at the University of California, Berkeley, he also wrote An Introduction to the Theory of Equations, A History of Mathematical Notations, and The Chequered Career of Ferdinand Rudolph Hassler.


The Norton Manual of Music Notation

The Norton Manual of Music Notation

Author: George Heussenstamm

Publisher: W W Norton & Company Incorporated

Published: 1987

Total Pages: 168

ISBN-13: 9780393955262

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This book is designed to serve as a practical guide to music handwriting and music-writing procedures.


Palaeobyzantine Notations 3

Palaeobyzantine Notations 3

Author: Gerda Wolfram

Publisher: Peeters Publishers

Published: 2004

Total Pages: 328

ISBN-13: 9789042914346

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Der vorliegende Band als Ergebnis einer Tagung von Musikologen und Byzantinisten in Schloss Hernen/NL, beleuchtet verschiedene Aspekte des byzantinischen und des daraus entsprungenen slavischen Kirchengesangs. Zwei grosse Themenkreise stehen im Vordergrund: Notation und Melismatik, daneben beleuchten Beitrage zur Liturgie, zur Modalitat der Gesange und zur oralen Uberlieferung die byzantinische und slavische Tradition. Es ist wichtig, musikalische und liturgische Erscheinungsbilder der byzantinischen und slavischen Spatzeit nicht losgelost von der fruhen Tradition zu untersuchen, sondern die Wurzeln ihrer Entstehung stets im Auge zu behalten. Hierin stellt die Entwicklung der verschiedenen Notationssysteme die Basis fur jede weitere Untersuchung dar. In der liturgischen Musik der Hagia Sophia von Konstantinopel entstanden bereits im 8.-10. Jahrhundert melismatische Gesange, wahrend im monastischen Ritus einfache Melodien vorherrschten. Die Verschmelzung von Kathedral- und monastischer Tradition schuf eine neue Basis fur die Entstehung einer hochmelismatischen Gesangform, der Kalophonie. Basierend auf der byzantinischen Gesangtradition sind auch im slavischen Raum bereits ab dem 11. Jahrhundert melismatische Gesange uberliefert, die auf die ornamentierten Melodien der russischen Kirchenmusik des 15.-17. Jahrhunderts Einfluss hatten. Ein bedeutender Aspekt ist die Berucksichtigung der oralen Tradition, die durch alle Zeiten ein tragendes Element in der Uberlieferung der Gesange war.


Essential Dictionary of Music Notation (Pocket Size Book)

Essential Dictionary of Music Notation (Pocket Size Book)

Author:

Publisher: Alfred Music Publishing

Published:

Total Pages: 372

ISBN-13: 9781457410710

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This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welcome and beneficial source for every musician, whether using a pencil or a computer.


A Color Notation

A Color Notation

Author: A. H. Munsell

Publisher: e-artnow

Published: 2020-04-09

Total Pages: 62

ISBN-13:

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A Color Notation is a book written by Albert Henry Munsell, an American painter, teacher of art, and the inventor of the Munsell color system. Munsell color system is an early attempt at creating an accurate system for numerically describing colors. The Munsell color order system has gained international acceptance and has served as the foundation for many color order systems.


Dance Notations and Robot Motion

Dance Notations and Robot Motion

Author: Jean-Paul Laumond

Publisher: Springer

Published: 2015-11-24

Total Pages: 433

ISBN-13: 3319257390

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How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others.