"Fear God and Walk Humbly"

Author: James Mallory

Publisher: University of Alabama Press

Published: 1997-03-30

Total Pages: 720

ISBN-13: 9780817308322

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Mallory's journal spans three major periods of the South's history - the boom years before the Civil War, the rise and collapse of the Confederacy, and the period of Reconstruction after the Civil War. Mallory's interests were varied and wide ranging, but weather and agriculture dominate his journal, for agriculture was his passion. A member of the Alabama Agricultural Society, he encouraged efforts to improve. His journal describes the vicissitudes of raising and marketing various crops and animals. Concerns with cotton, corn, wheat, other grains, livestock, orchards, unusual farming methods, fertilizers, and experiments all receive comment.


Cotton Tenants

Cotton Tenants

Author: James Agee

Publisher: Melville House

Published: 2013-06-04

Total Pages: 223

ISBN-13: 1612192130

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A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”


Let Us Now Praise Famous Men

Let Us Now Praise Famous Men

Author: James Agee

Publisher:

Published: 1960

Total Pages: 572

ISBN-13:

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An account of the actual daily lives of three families of tenant farmers which are representative of their class in the year 1936.


Let Us Now Praise Famous Men

Let Us Now Praise Famous Men

Author: James Agee

Publisher: HMH

Published: 2001-08-14

Total Pages: 499

ISBN-13: 0547526393

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This portrait of poverty-stricken Southern tenant farmers during the Great Depression has become one of the most influential books of the past century. In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event. Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago. “One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book’s power.” —Library Journal