"Nostalgia in Rhyme" is a book written in plain, ordinary language that rhymes. Poems about social/cultural/political names, places and events that occurred before--during--and after World War 11 are prominently featured. We include movies (i.e. actors, directors, producers, writers, etc.). Music (songs, singers, bands). We list many old radio and TV Shows and their sponsors. Our book contains 55 poems (12 of which are baseball poems). There are short stories, limericks and several other features displayed in this book. We also name many new products and inventions discovered during that period of time. Hopefully, it will revive some warm memories of happier times for all the readers of our book.
Nostalgia is a collection of 17 prose and poems, combined. Nostalgia explores themes like Life, Heartbreak and Love. The author enjoys rhyming poems hence all poems were carefully crafted to rhyme. One of the poems is titled Nostalgia. It was placed midway in the collection to remind readers that they are reading poetry about Nostalgia. Readers would be able to see the author’s journey of a heartbreak, and feeling nostalgic, to being hopeful, and in love.
Nostalgia is a collection of 17 prose and poems, combined. Nostalgia explores themes like Life, Heartbreak and Love. The author enjoys rhyming poems hence all poems were carefully crafted to rhyme. One of the poems is titled Nostalgia. It was placed midway in the collection to remind readers that they are reading poetry about Nostalgia. Readers would be able to see the author's journey of a heartbreak, and feeling nostalgic, to being hopeful, and in love.
Rhyme Book is a durable cloth-covered notebook, silkscreened with the design of the iconic composition book favored by hip-hop lyricists. Whether you aspire to write rhymes or are just a fan of the craft, this is the notebook that you need when inspiration strikes. Throughout its ruled pages, it contains thirty pages of content, including playlists, hip-hop infographics, factoids, rhyming lists, and more. Conceived by Eric and Jeff Rosenthal (collectively known as ItsTheReal), Rhyme Book will help you gather your ideas for just about anything while also providing you with insight into what it takes to spit fire!
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Heroic poetry was central to the construction of Anglo-Saxon values, beliefs, and community identity and its subject matter is often analyzed as a window into Anglo-Saxon life. However, these poems are works of art as well as vehicles for ideology. Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period. Examining the distinctive poetic techniques found in vernacular historic poetry, Renée R. Trilling argues that the literary construction of heroic poetry promoted specific kinds of historical understanding in early medieval England, distinct from linear and teleological perceptions of the past. The Aesthetics of Nostalgia surveys Anglo-Saxon literary culture from the age of Bede to the decades following the Norman Conquest in order to explore its cultural impact through both its content and its form.
A Revolution in Rhyme: Poetic Co-option under the Islamic Republic offers, for the first time, an original, timely examination of the pivotal role poetry plays in policy, power and political legitimacy in modern-day Iran. Through a compelling chronological and thematic framework, Shams presents fresh insights into the emerging lexicon of coercion and unrest in the modern Persian canon. Analysis of the lives and work of ten key poets traces the evolution of the Islamic Republic, from the 1979 Revolution, through to the Iran-Iraq War, the death of a leader and the rise of internal conflicts. Ancient forms jostle against didactic ideologies, exposing the complex relationship between poetry, patronage and literary production in authoritarian regimes, shedding light on a crucial area of discourse that has been hitherto overlooked.
New Critical Nostalgia weighs the future of literary study by reassessing its past. It tracks today's impassioned debates about method back to the discipline’s early professional era, when an unprecedented makeover of American higher education with far-reaching social consequences resulted in what we might call our first crisis of academic life. Rovee probes literary study’s nostalgic attachments to this past, by recasting an essential episode in the historiography of English—the vigorous rejection of romanticism by American New Critics—in the new light of the American university’s tectonic growth. In the process, he demonstrates literary study’s profound investment in romanticism and reveals the romantic lyric’s special affect, nostalgia, as having been part of English’s professional identity all along. New Critical Nostalgia meticulously shows what is lost in reducing mid-century American criticism and the intense, quirky, and unpredictable writings of central figures, such as Cleanth Brooks, Josephine Miles, and W. K. Wimsatt, to a glib monolith of New Critical anti-romanticism. In Rovee’s historically rich account, grounded in analysis of critical texts and enlivened by archival study, readers discover John Crowe Ransom’s and William Wordsworth’s shared existential nostalgia, witness the demolition of the “immature” Percy Shelley in the revolutionary textbook Understanding Poetry, explore the classroom give-and-take prompted by the close reading of John Keats, consider the strange ambivalence toward Lord Byron on the part of formalist critics and romantic scholars alike, and encounter the strikingly contemporary quantitative studies by one of the mid-century’s preeminent poetry scholars, Josephine Miles. These complex and enthralling engagements with the romantic lyric introduce the reader to a dynamic intellectual milieu, in which professionals with varying methodological commitments (from New Critics to computationalists), working in radically different academic locales (from Nashville and New Haven to Baton Rouge and Berkeley), wrangled over what it means to read, with nothing less than the future of the discipline at stake.
